Box and Fiddle
Year 12 No 01
September 1988
Price 40p
12 pages
8 month subscription £4.60
Joint Editors – Tom Clark, 55 Sutherland Crescent, Dundee, DD2 2HP or Douglas Adamson, 22 Westfield Drive, Forfar, DD8 1EQ
B&F Treasurer – Mrs Cathy Andrew, 22 Lochinver Crescent, Foxbar, Paisley Tele 2824
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
By the time this issue comes out on the new publication date (15th of the month) many of you will already have heard your Club off to a good start. Everybody looks forward to the break between April and September, yet we always seem to be keener than ever when it’s time to start again. In some areas things go on over the summer with the same enthusiasm – how they manage to keep it up I just don’t know – but I visited two venues during that period and the atmosphere at both of them was very good, with everybody having a great time. On the last Wednesday in august I attended a great night at Balmullo, where Bobby Crowe organizes monthly sessions during June, July and August. What a night it was. It’s a long time since I’ve seen so many musicians under one roof, some of them from far afield. The guest artiste for the night, James Lindsay, was superb.
Club Registration Forms
The Association Secretary wishes to convey his thanks to Club Secretaries for their promptness in returning the completed forms. There are still a few awaited and we would urge those involved to return the forms as soon as possible so that a reliable record can be completed. The assistance of the Secretaries would also be much appreciated in up-dating the guest artiste list with addresses etc. Information should be sent direct to Mr Andrew Nairn.
Affiliation Fees
Club Treasurers please note that fees are now due (£15). Remittance should be sent direct to the Association Treasurer, Jim Balneaves, made payable to the N.A.A.F.C.
Tom Clark
“Scottish How’m Service”
by Norrie Williams
A small function room in Perth station Hotel on the last Saturday afternoon in June, a late 1960’s recording of a Foursome Reel and Reel of Tulloch comes from a loudspeaker in a corner, memories flood back, and a gentleman close by me is visibly moved.
The welcoming speech by the Chairman – obviously himself fighting to control his feelings – for the principal guests at the Sunday afternoon luncheon, the standing ovations for a celebrated 3-row player who notched up four score years in January of this year, and also for a turn by one of our greatest stage ambassadors.
There was certainly no shortage of lumps in the throat or moist eyes during the 1988 A.G.M. Weekend of the N.A.A.F.C. The event was certainly as highly charges with emotion as any to date and must surely rank as one of the best.
But back to that recording. As a departure from the Saturday afternoon accordion and fiddle workshops of the last couple of years, the Weekend organiser, Jack Cooper of Dundee, had laid on a nostalgic wallow in Scottish dance music as broadcast by the B.B.C. in the ‘60’s, and a real winner it proved to be. The 2 hour session was past in a flash and left one drooling for more.
But it had been a near thing because with only a fortnight to go to the event the original arrangements to put Jack’s brainchild in operation had gone awry, but mercifully he found a perfect presenter and collaborator in one Farquhar Mathieson, an enthusiast with a capital ‘E’ if ever there was one. Farquhar, originally from Plockton but now resident in Kirkintilloch, is well known in Scottish traditional music circles for his mammoth library of recordings (made by himself) of Scottish dance music broadcasts spanning the last thirty years or so, and also for his painstaking and meticulous cataloguing of all the BBC’s Scottish dance music programmes from their inception. This latter task has meant many, many hours in libraries poring over back numbers of the ‘Radio Times’, with assistance and support from his wife Marie.
Incidentally, at Sunday breakfast, I put this catalogue to the test by enquiring if Farquhar remembered a certain Band which not surprisingly broadcast only once in 1950 or 1951. I say ‘not surprisingly’ because to quote an Aberdeenshire colleague of mine at the time “it sounded like a barn mill!” The offending outfit was pinpointed immediately by refereeing to this unique ‘bible’ which I was actually privileged to hold and peruse.
But to get back to the Saturday afternoon session. After being welcomed and introduced to the fairish sized audience by Association chairman Jimmy Blue, Farquhar, in his opening remark, immediately demonstrated the natural gentle humour which was to run through the entire presentation “when I was asked for nostalgia, I suddenly thought I’m getting Old!”
He then went on to give a brief rundown of the evolution of the programme bearing the name ‘Scottish Dance Music’, and a number of intriguing facts emerged. How many, if any of those present, knew that programmes carrying the above title were broadcast as long ago as 1934 and that at that time they included fiddle orchestras, pipes and so on in their coverage? In fact, the very first ‘S.D.M.’ programme featured the Aberdeen Strathspey and Reel Society. Apparently, prior to 1934, programmes using the same combinations, artistes and format went out under the title ‘Reel Time’. It also appears that in the ‘30s a very high proportion of the broadcasts were by fiddle groups and orchestras as opposed to the smaller accordion/fiddle dance bands which have been the ‘norm’ since the mid-1940’s. At this point one sensed that we would soon be cooking with gas and the anticipation grew as Farquhar told how he got his first tape recorder in 1957 and started his all absorbing hobby of taping those great sounds for posterity.
Andrew Rankine
Then suddenly we were there, a 1964 Burns Night broadcast, but preceded by a bit of a jolt as the plumy voice announced – “This is the Scottish How’m Service, tonight’s programme of Scottish dance music is by Andrew Rankine and his Band”. Great, but how lucky we are since then to have had a presenter such as the late David Findlay and now Robbie Shepherd’s couthie tongue. Yon should never have been allowed! However, all was soon forgiven as the band launched into a ‘Petronella’ set. What a sound! Farquhar had apologised in advance because these early broadcasts were in ‘mono’, but there was no need to apologise. My notes at this point were full of superlatives – ‘lift par excellence’ (show off), ‘bass and harmony section terrific’, ‘perfect dance tempo’, ‘good fiddle, very distinct’ (surprise, surprise Bobby Christie), and so on. The alternative tunes were ‘The Rose Tree’ and ‘Polwart on the Green’, and herein I feel lay another of the secrets of the success of the Rankine Band – Andrew frequently picked ordinary traditional tunes, gave them the Rankine treatment and swing, and made them something extraordinary – and he had a great nose for catchy melodies. Little wonder that his Band was at or near the top of the popularity steaks in the mid ‘50s and ‘60s. The fine sound resulting from the novel but subtle harmony techniques was the Rankine development and extension of what had gone before, e.g. the Bobby MacLeod touch. We were treated to two further tracks from this Band, a jig set and the ‘Drummer’ reel. There is nothing to add, this was Scottish dance music at its best.
Dugald Jenkins
How do you follow that? – by a complete contrast. Farquhar now introduced Dugald Jenkins’ ‘Heather Band’ which first broadcast in 1958, this particular recording, however, being of 1963 vintage. Opening with ostensibly a ‘Gay Gordons’ to the Retreat March ‘Heroes of Vittoria’ (how does one phrase a Gay Gordons to a 3/4?), the sound was so different, thinner but very clean, with a good between fiddle and accordion. In ‘Donald Bane’ they produced a good 2 beat strathspey more favoured by the Country Dance fraternity than the 4 beat rhythm often heard today. Mind you, they were going at some lick! A nice clean cut double bass with an ‘important’ sounding bass/piano combination – a good all-round fresh sound.
And now another striking contrast (Farquhar had chosen well), Fraser McGlynn’s first broadcasy in 1969. A reel set, ‘De’il Amang the Tailors’, was followed, and rightly so, by a brace of classic 2/4s. Loads of drive and expression here and one could just picture Fraser’s head rocking as he leant into those marches with his distinctive pointing. And the chord sequences were instantly recognisable as those of Duncan MacKay who has been pianist with Fraser for 21 years.
John Johnstone
From here we were taken to a band sporting no less that three 5-row button key instruments in its line-up, that of John Johnstone, formed in 1947. This again had a clean cut sound with lifting bouncy playing, perhaps not just quite as light as the previous combinations probably due to the number of boxes, but again a pleasing distinctive sound.
And talking of distinctive sounds, the next Band had this with a vengeance, unique would be an apt description – a superb blend of fiddle (probably Angus Cameron) and accordion (the leader, the late Lindsay Ross), and a first class bass and rhythm section. A waltz track by this combination had the quality of liquid silk if there is such a thing, and a fine recording of the difficult ‘General Stuart’s Reel’ evoked the following aside from Jim Johnstone – “When I play that reel there’s a mark on the carpet where I’ve been sitting!” Incidentally, when introducing the Lindsay Ross section, Farquhar commented that at one stage the Wednesday evening programme clashed with his nightschool classes and the teacher just could not understand how S.D.M. could take precedence over calculus – ‘Ba Heid!’
A Further Seven of the Best
The contrasting styles and material of a further seven bands were demonstrated, but, unfortunately, space dictates that comment on these must be brief. The Max Houliston Band in a 1968 programme, a great strathspey ‘Gala Water’, good R.S.C.D.S. tempo, very traditional, clean with good coordination. Concluded with the jig ‘Lassies of Dunse’, surprisingly up-tempo considering the strathspey, but lots of atmosphere because done live with audience and dancers.
The Inverness based Alan Williams Trio first broadcast in 1958. Reels and hornpipes with as difficult tunes as one could meet – a very brave bandleader to attempt such tricky stuff when so exposed. Just imagine having to jump from the original to the ‘Johnson’ and ‘High Level’ hornpipes in the Petronella set – the mind boggles, but it came off – an exciting performance.
Now on to the relaxed distinctive (sorry to keep repeating that word) on-beat rhythm, giving a MacLeodish sound, of Ian Holmes and his Band, with the 2/4s ‘Argyllshire Gathering’ and ‘P/M John Stewart’. Excellent uncluttered bass playing and interesting selective use of G# at times in the pipe tunes where one (guess who) might have expected a G natural. A very difficult reel set wound up the Holme’s contribution – good open tempo – a very competent band.
And again another complete contrast, the Hamish Menzies Band (1965) with Jack Delaney, Lex Keith, Robert Anderson, Walter Sinton and Gus Millar on drums. Firstly a waltz track which had that special wee something – difficult to pinpoint – which invites instant audience participation – not only the choice of tunes, but the swing, the sound and that ‘wee something’. Whatever it was it clicked and everyone in the room sang their heads off – amazing. The ‘Red House’ followed with an unusual but very nifty change into ‘The Breakdown’. Always an interesting Band.
And now for the final three bands, which are numbered among Farquhar’s favourites. Jim Johnstone (first broadcast 1963) who was sitting there right in the firing line close to the speaker. A rendering of ‘The Balmoral Highlanders’ by Jim’s original 5-piece group with some lively syncopated brushing from Bobby Colgan. A jig set followed, played by a later combination which included the ubiquitous Jack Delaney, this time on second box. (Incidentally, Jack was on second with Andrew Rankine for many years). What can one say that has not already been said about this band. Always a consistently good performance – nothing less would satisfy this particular leader.
Last, but certainly not least, two bands which were very closely linked indeed, in that one evolved from the other merely by a change of leadership and the inclusion of one ‘new face’. No prizes for guessing – Ian Powrie and Jimmy Blue.
The tracks used to illustrate the Powrie sound were from the second last broadcast (end of 1966) before Ian emigrated to Australia. A set for ‘Cadgers in the Cannongate’ starting with ‘John McNeil’s Reel’ was a model of phrasing and expression, first class playing and a fine blend of fiddle and lead accordion (Jimmy Blue). This was certainly classic stuff. The follow-up was a Foursome Reel and Reel of Tulloch – mentioned earlier in passing. Even the opening choed had a characteristic freshness which identified the Band, and the breaks in the Tulloch were exemplary in their co-ordination. Memories of the late Arthur Easson sprang to mind.
When Ian left these shores Jimmy Blue took over and Ron Kerr joined as fiddler. Many will remember the first-class L.P.s produced by this band – Jimmy quickly implanted his stamp with his own particular choice and arrangement of tunes. One particular favourite of mine included the 2/4 march ‘The Ladies from Hell’ and fortuitously Farquhar played a track with this tune, couples with the 6/8 ‘Dr Ross’s Welcome to the 50th Argyllshire Gathering’. The final offering was a set of Shetland reels with a very fresh accordion – the classic sound of the late ‘60s with the characteristic second accordion progression of that period.
The session ended all too soon but it was a triumph for Farquhar Mathieson – good judgement and presentation – and must surely be the forerunner of more of the same, especially as Farquhar apologised for having had to miss out so many top class Bands, including some of the all-time greats.
Saturday Evening
In addition to our musical ‘All Our Yesterdays’, an exhibition of vintage Scottish Dance Band photos had been set up in an adjacent room and throughout the weekend – “goodness, he had hair then!”
Mrs Joan Blue had also been circulating with a Scottish music quiz, the proceeds from which were to go into the Association funds. The winner of this competition was to be announced at the Sunday luncheon and was to be presented with a new composition by a well-known Scottish musician – this composition to bear the lucky soul’s name.
Saturday evening was, of course, the dance, and very well attended it was this year, almost a capacity crowd I should think, and as last year Jim Johnstone’s Band did the honours with their usual impeccable timing and choice of dances. The ‘interval’ Band was led by the formidable combination who finished Farquhar’s afternoon session, viz. Ian Powrie and Jimmy Blue.
The ‘jiggin’ finished at 1am, delicate souls retired to their rooms for a bit of shuteye, other more hardy chiels stayed up for the promised ceilidh sessions and they were not disappointed. At breakfast we got reports of a senior citizen demonstrating Highland dancing at 3am, and at 4.30am we were privileged and charmed to be wakened by hymn singing from a choir of members from a Club which shall be nameless, but is just south of Edinburgh! This very appropriate start to the Sabbath set us up for the day.
Sunday
11am on Sunday morning and a well attended A.G.M. turned out to be a very relaxed and harmonious affair with no controversial issues. All was set fair for the climax of the weekend, the luncheon and the Celebrity Box and Fiddle Club.
The dining room was a picture – the Station Hotel really knows its business – and the attendance was the best for some time. All rose as the principal guests took their places – Mr and Mrs Angus Fitchet, Mr and Mrs Ian Powrie, Mr and Mrs Jimmy Shand Snr, and Mr and Mrs Andy Stewart. Chairman Jimmy Blue gave a warm welcome to the principal guests and to one and all, and passed on apologies from Mr and Mrs Bobby MacLeod for non attendance due to Bobby’s ill health. Despite his indisposition, Bobby sent on a greatly appreciated greetings cable from his wife Jean and himself wishing all a happy weekend.
Incidentally, the potatoes for the meal were reputedly ‘Sharp’s Express’ supplied by the Chairman. I don’t really know what that had got to do with anything, but there you are.
The meal over, and Jimmy Blue donned his compere’s hat and introduced the first turn, a redoubtable six piece with Angus Fitchet, Bobby Crowe and Hamish Smith in the front line, supported by Joan Blue (piano), Billy Craib (bass) and Bobby Colgan (drums). As one would expect, we got music off the top, liberally interspersed with Angus’s wee quips – “we’ve still got to negotiate the money”. I was particularly taken with two tunes for a ‘Gay Gordons’, both composed for the Chairman, Angus Fitchet’s ‘Jimmy’s Aye Diggin’ and Bobby Crowe’s ‘Lord Provost of Forgandenny’. Both tunes are in the fiddle march style and are absolutely compatible. For their closing number they invited another veteran colleague, Jimmy Stephen, to join them. Jimmy played harmony accordion for Angus in a slow air and then the march ‘Angus Fitchet’s Compliments to Scott Skinner’ – some nifty fingering by Jimmy here. A very popular and professional turn.
Next on a player at the other end of the age scale, young Bruce Lindsay from Windygates on Shand Morino, assisted by Jim Newsome (2nd), Neil Barron (piano) and David Shand on drums. Opening with the march ‘Captain Carswell’, Bruce demonstrated that he is developing a nice style of his own. His gracing was particularly effective. Waltzes and reels rounded off a performance as clean as a whistle, a pleasure to listen to.
Back to the fiddle with Ian Powrie who, like Angus, is now a ‘must’ at these gatherings. Once again we were treated to that richness and depth of tone which is a hallmark of his playing. After a brief solo spot, Ian was joined by another well known fiddler and great enthusiast, Dr Stella Wilkie from Freuchie. A slow air with fiddle harmonies, gentle and expressive, highlighted the empathy between these two players and their enjoyment in playing together was obvious to all.
The fiddle was certainly well represented at the meeting and some time later another ‘4-stringer’ entertained, Gordon Gunn from Wick. This was his first visit to the AGM Weekend, but having heard his performance, hopefully not the last. My goodness, this lad is some player, with a great swing and refreshing style, and very difficult material. He fairly lifted the place and received well deserved acclaim.
Instrumentalists didn’t have it all their own way during the afternoon – comedy was well to the fore in the hands of Bobby Colgan of the Johnstone Band, Andy Stewart (of whom more later), and Robbie Shepherd. Robbie never fails to take a trick with his sketches, recitations and songs, and he obliged with three of these, including a request, ‘The Buchan Bobby’. Robbie’s wife Esma accompanied on piano. He also told a story where a spade was a spade or in this case organic material was organic material! The punchline was so unexpected that I feared total collapse of my wife was a distinct possibility.
As mentioned earlier there were some very poignant moments during the weekend, one such being when Jimmy Blue invited that veteran trouper of stage and television Andy Stewart to do a wee turn. Although all present were so happy that Andy and his wife Sheila had managed along, they were nevertheless concerned that he was not looking particularly well. But when he rose to go out front the professional took over, the adrenalin pumped, his whole demeanour changed, he became 10 feet tall. The transformation was unbelievable, and for 15 minutes he produced the goods as he always has done. It was a heart-warming experience for all privileged to be there and it goes without saying that he received a fitting ovation – as did that other veteran, Jimmy Shand, now in his 81st year, who was looking remarkably well.
Although categorically ‘retired’, he donned a Shand Morino and recruited a band including left-handed fiddler Dave Ireland, a friend and fellow player of many years standing and also into his eighties. Supporting were Joan on piano, son David on drums, and Jim Johnstone. No comment is required regarding the performance of this combination. ‘The Happy Hours Polka’, ‘Willie Snaith’ the Gay Gordons, a waltz (with everyone singing along), the ‘Bluebell Polka’ and many were dancing in the aisles. This was what it was all about. You cannot adequately describe such happenings. What an atmosphere, once again a privilege to be there. A standing ovation accompanied Jimmy back to his seat. As somebody said, “They’ll maybe be as guid, but never better”.
A difficult one to follow, but Jim Johnstone and his Band were up to it with comedy, a solo spot and community singing, concluding with ‘Haste Ye Back’ led by Andy Stewart.
Another most rewarding afternoon directed so competently and unobtrusively by Jimmy Blue, who, as I have said before, has certainly grown in stature as both Chairman and compere. When introducing performers he is concise, humorous and sincere, always with some fresh and meaningful comment. One of his duties during the afternoon was to present the winner of the quiz with a framed copy of the specially commissioned tune, a jig composed by Bobby Crowe, who played it through for our enjoyment before the presentation. A very good tune, and one which is certainly to get many airings in days to come. Its title – ‘Willie Wilson of Beith’ congratulations to him.
Finally, a very big thank you from all to that tireless cratur Jack Cooper who organized the whole shooting match. A big responsibility impeccably discharged.
Not forgetting the staff of the Station Hotel – the service and accommodation were first class.
Mull Traditional Music Festival
By Fiona Jappy
As with all events in Tobermory this year (1988 being the bi-centenary of the town’s foundation and the quarter-centenary of the sinking of the Spanish galleon in the bay) it was hoped that the ‘official’ Tobermory Festival events would be a bit special, and by general agreement, it was just that.
A largely new Committee under the venerable Bobby MacLeod had extended the competitive element in the Festival and had incorporated for the first time workshop sessions on a variety of instruments. More than fifty took advantage of this free tuition and there were increased entries in all the competitions. These were organised most efficiently thanks to Diane McEwan, Competition Secretary, assisted this year by Norrie and Sheila Williams from East Kilbride. The bulk of the Festival planning and organisation was in the capable hands of Secretary Fiona Jappy.
Thanks to sponsorship from Tennant Caledonian Breweries to mark the town’s special year, there were large cash prizes to be won in piping and a first-ever band competition, which was won by the Marie Fielding Band. Angus McColl of Oban took the TCB Trophy in the Open Piping Competition.
To mark the Spanish galleon connection there was a specially invited Spanish group, Steven Biancardo and Sirocco, who delighted the cabaret and concert audiences on Friday and Saturday nights respectively.
The Gaelic element in the Festival was also sizeable with folk group Gleus and Mod medalist Kenneth Thomson taking part. At the traditional opening concert at Glengorm Castle, the venue being kindly provided annually by Major and Mrs Nelson, Janet Macdonald, Attie MacKechnie, the Mull Fiddlers and the Cahallans were among the local artistes performing.
Another new and seemingly successful innovation this year was a mobile ceilidh group which visited Glen Iosal and Tobermory Court, where the informal sessions were much appreciated by the residents. The appearance of the ubiquitous Robbie Shepherd at Glen Iosal ceilidh was a great bonus for those present.
The busiest players at the weekend were once again the ever popular Jim Johnstone and his Band who were in action all three nights in the Aros Hall, being joined at the Sunday night finale by Bobby MacLeod and Friends. An informal ceilidh in the Lower Aros Hall after the concert was one of the highlights of the whole Festival.
As the large visiting contingent boarded the MV Columba on Sunday to the playing of the Mull Pipe Band umber P/M George Noone, one local resident was heard to say (with no disrespect to Para Handy) ‘Aye, she sure was a sublime Festival’.
Results :
Solo Accordion Senior (Ian Holmes Shield) – Heather McIntee
Solo Accordion Junior – (Calum McLean Shield) – Craig Skinner
Solo Fiddle Senior – (Newtongrange Accordion and Fiddle Trophy) – Neil Dawson
Solo Fiddle Junior – (MacPhail Shield) – Tracy Moir
Solo Fiddle Senior (Gaelic Air) – (Mull Fiddlers Trophy) Paul Anderson
Solo Fiddle Junior (Gaelic Air) – Tommy Kettles Shield – Tracy Moir
Open Senior – (Mull Musical Festival Shield) – The Andersons
Open Junior – (Hassan Cup) – Craig Skinner
Open Piping – (Tennent Tobermory Trophy) – Angus McColl
Local Piping Senior – (Argyll & Bute Trophy) – Iain Donaldson
Local Piping Junior – (John Tague Memorial Rose Bowl) – Calum MacDonald
Scottish Dance Band – (Tennent Tobermory Trophy – to keep) – Marie Fielding Band
Mr Donald MacKenzie – Obituary
by A. R Shaw
A very large number of people attended the funeral service of the late MNr Donal MacKenzie, 2 Aird Road, Beauly.
The coffin, draped with the Union Jack, was carried by bearers, led by a single piper playing the traditional tunes ‘The Battle’s O’er’ and ‘Flowers of the Forrest’.
This honour came through his long membership of the Seaforth Highlanders Regimental Association in Dingwall.
He was taken prisoner-of-war at St. Valery, and for many years suffered the pangs of hunger, with so many men of the 51st Highland Division.
He had a lifelong passion for playing the fiddle and recalled bartering a pair of old boots for a fiddle, while a POW, but as food became scarce, he trader the fiddle to a German guard for a loaf of barley bread!
He gladly played for any function, and was an enthusiastic member of both Dingwall and Inverness A&F Clubs. He composed some fine tunes, and was happy to teach any youngsters anxious to learn.
His humorous yarns and keen wit were well known, and he was indeed a well-loved personality, who will be greatly missed by young and old alike.
He is survived by his wife, Jean, and daughter, Rosaline, (Mrs Christie), to whom deepest sympathy is extended.
Allen Anderson - Obituary
by Doug Adamson
I was saddened to hear of the death of Allen Anderson of Orphir, Orkney, on 17th July, 1988. Allen was a stalwart member of Orkney A&F Club.
We stayed with Allen and his wife, Margaret, when my daughter did the guest spot at the Orkney Club last year.
Badly crippled and latterly only able to move in a wheelchair, Allen had an amazing zest for life. His friendliness and general welcoming attitude to the visiting musicians was shown to is immediately on our arrival when he took us for a memorable tour of the islands.
Allen’s life revolved around music and the scene in Orkney will be the poorer for his passing – he leaves a gap not easily filled.
Our sympathies go out to Margaret and his family.
Mr Louis Cabrelli - Obituary
It was with a real sense of sadness and loss that we heard of the death of Louius Cabrelli at the age of 74 in Italy at the end of July.
For those who knew something of the man's wonderful talent the loss will be all the greater. I count mysef as privileged to have sat listening to him play at his home in Old Glamis Road, Dundee, a few years ago before he left for Italy.
Mr Cabrelli's fame was worldwide, being known as a child prodigy in the 1920's. He was held in high regard by some of the world's finest accordionists and will be sadly missed.
Letters to the Editor
Dear Sir - We're back ! Hullo to everyone in the scene.
Biggar Club has been going from strength to strength over the past years, with several of our young stars going on to form Broadcasting Dance Bands, and play to busy diaries, but they are still enthuastic members of the Club, turning up to give us a tune.
This year we are trying out a new format, a new venue, a new day.
The format - guest artiste first on at 7.30pm, followed by our local Club talent, stovie time, then guest artistes to play, and dancing will be on the cards.
Our very own Les Dawson (sorry, John Anderson) is the Master of Ceremonies, and he is usually game for a laugh.
Seriously, John and the team have done an excellent job and kept the Club going from strength to strength.
The night - the second Sunday of the month, September to April.
The venue - Toftcombs Hotel, Biggar, one mile out of town on the A702 road to Edinburgh.
We look forward to seeing and hearing players and listeners.
Kick-off, September 11th, at 7.30pm. See you then.
Peter Rae
Dear Sir – On Friday, 28th October, I have arranged a night of music in the Scone Arms.
The idea is that musicians and friends would have a chance to have a tune and exchange views with each other. Also, anyone who is competing in the Festival next day, will have the chance to play in front of a sympathetic audience.
There will be a backing group there and food will be available.
The proprietors have given us the use of the lounge free, and any proceeds will go to a local charity. Last year a sum of money was donated to Upper Springlands Centre mainly through the efforts of Peem Edwards and Peter Crichton.
The time is 8pm till 1am and buses rum from the Post Office to the Scone Arms. Parking is also available.
Look forward to meeting you there.
J. Baker
Dear Sir – With reference to the letter in the April edition of the ‘B&F’, I wish to point out that I heartily agree with Mr John Mackie of Selkirk. I used to be a ‘fan’ of the Milngavie Club in the days of the Currie Brothers who, at the time, were just young boys, and players such as Alan Roy.
Now we seem to have very few who diversify from the Scottish style which can be very monotonous unless one is dancing.
Margaret Grieve
8 Braeside Avenue
Milngavie
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Golden Fleece) – members only
Armadale (Masonic Arms Hotel) –
Ayr (Gartferry Hotel) –
Balloch (Bell Centre, Dumbarton) – 18th Sept 88 David Halcrow Trio
Banchory (Burnett Arms Hotel) –
Banff & District (Royal Oak Hotel) –
Beith & District (Hotel de Croft, Dalry) –
Belford (Community Club) –
Biggar (Clydesdale Hotel) –
Blairgowrie (Moorfield Hotel) -
Bridge of Allan (Walmer Hotel) -
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Ernespie Hotel) –
Coupar Angus (Royal Hotel) –
Crieff & District (Drummond Arms Hotel)
Dalriada (Royal Hotel, Lochgilphead) – 20th Sept 88 Deirdre Adamson
Derwentside (Working Men’s Club, Consett) – 29th Sept 88 Deirdre Adamson
Dingwall (venue? ) –
Dunblane (Westlands Hotel) –
Dundee (The Marquee) – 6th Oct 88 Kenny Thomson and the Wardlaw
Dunfermline (Northern Roadhouse) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (King’s Park Hotel, Rutherglen) –
Edinburgh (Abbey Suite, Abbey Lane) –
Ellon (Ladbroke Hotel) –
Fintry (Clachan Hotel) – 26th Sept 88 Jack Delaney SDB
Forres (Brig Motel) –
Fort William (McTavish’s Kitchen) –
Galashiels (Maxwell Hotel) –
Galston (Theo’s Restaurant, Galston) –
Glendale (Black Bull Hotel – Wooler) –
Gorebridge (Rangers FC Social Club) –
Highland (Drumossie Hotel) – 19th Sept 88 Willie McGuire
Islesteps (Driveway Inn) –
Kelso (Ednam House Hotel) –
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) –
Livingston (Golden Circle Hotel, Bathgate)
Lockerbie (Bluebell Hotel) -
Mauchline (The Jean Armour Restaurant)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) –
Newton St Boswells (Railway Hotel) –
North Cumbria (Golden Fleece, Ruleholme) (prev called Gretna Club) –
North East (Seafield Hotel, Keith) –
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Countryside Inn) –
Perth (Station Hotel) – 20th Sept 88 David Halcrow Band
Premier NI (Camlin function Rooms) -
Renfrew (Masonic Hall, Broadloom) –
Rothbury (Jubilee Hall 16th Sept 88 Dance to Jimmy Blue
Shetland (venue?) -
Stranraer (Railway Club) –
Thornhill (?)
Thurso (McKay’s Hotel) –
Turriff (Royal Oak Hotel) –
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) – 18th Oct Deirdre Adamson
THERE WERE CLUB REPORTS FROM :-
1. Armadale
2. Ayr
3. Balloch
4. Banchory
5. Banff
6. Belford
7. Button Key
8. Derwentside
9. Dingwall & District
10. Forres
11. Glendale
12. Highland
13. Kintore
14. Lesmahagow
15. Livingston
16. M.A.F.I.A.
17. Mauchline
18. Montrose
19. Newtongrange
20. North Cumbria
21. North East
22. Ormiston
23. Peebles
24. Renfrew
25. Rothbury
26. Shetland
27. Thurso
28. Wick
CLUB DIRECTORY AS AT SEPT 1987 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
4. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
5. Balloch A&F Club (Sept 1972 – per January 1978 issue)
6. Banchory A&F Club (1978)
7. Banff & District A&F Club (Oct 1973)
8. Beith & District A&F Club (Sept 1972 – per first edition)
9. Belford A&F Club (joined Sept 1982)
10. Biggar A&F Club (Oct 1974)
11. Blairgowrie A&F Club (
12. Buchan A&F Club
13. Button Key A&F Club (
14. Callander A&F Club (
15. Campbeltown & District A&F Club (c Dec 1980)
16. Castle Douglas A&F Club (c Sept 1980)
17. Crieff A&F Club (cSept 1981)
18. Dalriada A&F Club (Feb 1981)
19. Derwentside A&F Club
20. Dingwall & District A&F Club (May 1979 – per first report)
21. Dunblane & District A&F Club (1971)
22. Dundee & District A&F Club
23. Dunfermline & District A&F Club (1974 – per first edition)
24. Dunoon & Cowal A&F Club (
25. East Kilbride A&F Club (Sept 1980)
26. Ellon A&F Club (
27. Fintry A&F Club
28. Forres A&F Club (Jan 1978)
29. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
30. Galashiels A&F Club (joined Sept 1982)
31. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
32. Glendale Accordion Club (Jan 1973)
33. Highland A&F Club (Inverness)
34. Islesteps A&F Club (Jan 1981)
35. Isle of Skye A&F Club (
36. Kelso A&F Club (May 1976)
37. Kintore A&F Club
38. Langholm A&F Club (Oct 1967)
39. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
40. Livingston A&F Club (Sept 1973 – per first edition)
41. Lockerbie A&F Club (Nov 1973)
42. M.A.F.I.A. (early)
43. Mauchline A&F Club (first mention 1986?)
44. Montrose A&F Club (joined Sept 1982)
45. Newtongrange A&F Club (joined Sept 1979)
46. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
47. North Cumbria A&F Club (originally Gretna started June 1966 – had to move to a venue in the North of England and changed name – eventually changed back when they returned to the Halcrow Stadium. No breaks in the continuity of the Club)
48. North East A&F Club aka Keith A&FC (Sept 1971)
49. Oban A&F Club (Nov 1975)
50. Orkney A&F Club (Mar 1978)
51. Ormiston Miners’ Welfare Society A&F Club
52. Peebles A&F Club (26 Nov 1981)
53. Perth & District A&F Club (Aug 1970)
54. Premier A&F Club NI (cNov 1980)
55. Rothbury Accordion Club (1987??)
56. Shetland A&F Club (Sept 1978)
57. Stranraer & District Accordion Club (1974 – per first edition)
58. Sutherland A&F Club (
59. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
60. Thurso A&F Club (cSept 1981)
61. Turriff A&F Club (March 1982)
62. Tynedale A&F Club (Nov 1980)
63. Walmer (Bridge of Allan) A&F Club
64. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
65. Bonchester Accordion Club (Closed?)
66. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
67. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
68. Club Accord
69. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
70. Coupar Angus A&F Club (cSept 1978 - ?)
71. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
72. Denny & Dunipace A&F Club (Feb 1981)
73. Dornoch A&F Club (first mention in directory 1986)
74. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
75. Dunbar Cement Works A&F Club (Closed?)
76. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
77. Falkirk A&F Club (Sept 1978 - )
78. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
79. Gretna A&F Club (June 1966)
80. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
81. Kinlochsheil A&F Club (
82. Kirriemuir A&F Club (cSept 1981)
83. Monklands A&F Club (Nov 1978 – closed cApril 1983)
84. Morecambe A&F Club (joined Sept 1982)
85. Newcastleton Accordion Club
86. New Cumnock A&F Club (cMarch 1979)
87. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
88. Straiton Accordion Club (c1968 – closed March 1979)
89. Torthorwald A&F Club (near Dumfries)
90. Wellbank A&F Club
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B&F Treasurer – Mrs Cathy Andrew, 22 Lochinver Crescent, Foxbar, Paisley Tele 2824
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
By the time this issue comes out on the new publication date (15th of the month) many of you will already have heard your Club off to a good start. Everybody looks forward to the break between April and September, yet we always seem to be keener than ever when it’s time to start again. In some areas things go on over the summer with the same enthusiasm – how they manage to keep it up I just don’t know – but I visited two venues during that period and the atmosphere at both of them was very good, with everybody having a great time. On the last Wednesday in august I attended a great night at Balmullo, where Bobby Crowe organizes monthly sessions during June, July and August. What a night it was. It’s a long time since I’ve seen so many musicians under one roof, some of them from far afield. The guest artiste for the night, James Lindsay, was superb.
Club Registration Forms
The Association Secretary wishes to convey his thanks to Club Secretaries for their promptness in returning the completed forms. There are still a few awaited and we would urge those involved to return the forms as soon as possible so that a reliable record can be completed. The assistance of the Secretaries would also be much appreciated in up-dating the guest artiste list with addresses etc. Information should be sent direct to Mr Andrew Nairn.
Affiliation Fees
Club Treasurers please note that fees are now due (£15). Remittance should be sent direct to the Association Treasurer, Jim Balneaves, made payable to the N.A.A.F.C.
Tom Clark
“Scottish How’m Service”
by Norrie Williams
A small function room in Perth station Hotel on the last Saturday afternoon in June, a late 1960’s recording of a Foursome Reel and Reel of Tulloch comes from a loudspeaker in a corner, memories flood back, and a gentleman close by me is visibly moved.
The welcoming speech by the Chairman – obviously himself fighting to control his feelings – for the principal guests at the Sunday afternoon luncheon, the standing ovations for a celebrated 3-row player who notched up four score years in January of this year, and also for a turn by one of our greatest stage ambassadors.
There was certainly no shortage of lumps in the throat or moist eyes during the 1988 A.G.M. Weekend of the N.A.A.F.C. The event was certainly as highly charges with emotion as any to date and must surely rank as one of the best.
But back to that recording. As a departure from the Saturday afternoon accordion and fiddle workshops of the last couple of years, the Weekend organiser, Jack Cooper of Dundee, had laid on a nostalgic wallow in Scottish dance music as broadcast by the B.B.C. in the ‘60’s, and a real winner it proved to be. The 2 hour session was past in a flash and left one drooling for more.
But it had been a near thing because with only a fortnight to go to the event the original arrangements to put Jack’s brainchild in operation had gone awry, but mercifully he found a perfect presenter and collaborator in one Farquhar Mathieson, an enthusiast with a capital ‘E’ if ever there was one. Farquhar, originally from Plockton but now resident in Kirkintilloch, is well known in Scottish traditional music circles for his mammoth library of recordings (made by himself) of Scottish dance music broadcasts spanning the last thirty years or so, and also for his painstaking and meticulous cataloguing of all the BBC’s Scottish dance music programmes from their inception. This latter task has meant many, many hours in libraries poring over back numbers of the ‘Radio Times’, with assistance and support from his wife Marie.
Incidentally, at Sunday breakfast, I put this catalogue to the test by enquiring if Farquhar remembered a certain Band which not surprisingly broadcast only once in 1950 or 1951. I say ‘not surprisingly’ because to quote an Aberdeenshire colleague of mine at the time “it sounded like a barn mill!” The offending outfit was pinpointed immediately by refereeing to this unique ‘bible’ which I was actually privileged to hold and peruse.
But to get back to the Saturday afternoon session. After being welcomed and introduced to the fairish sized audience by Association chairman Jimmy Blue, Farquhar, in his opening remark, immediately demonstrated the natural gentle humour which was to run through the entire presentation “when I was asked for nostalgia, I suddenly thought I’m getting Old!”
He then went on to give a brief rundown of the evolution of the programme bearing the name ‘Scottish Dance Music’, and a number of intriguing facts emerged. How many, if any of those present, knew that programmes carrying the above title were broadcast as long ago as 1934 and that at that time they included fiddle orchestras, pipes and so on in their coverage? In fact, the very first ‘S.D.M.’ programme featured the Aberdeen Strathspey and Reel Society. Apparently, prior to 1934, programmes using the same combinations, artistes and format went out under the title ‘Reel Time’. It also appears that in the ‘30s a very high proportion of the broadcasts were by fiddle groups and orchestras as opposed to the smaller accordion/fiddle dance bands which have been the ‘norm’ since the mid-1940’s. At this point one sensed that we would soon be cooking with gas and the anticipation grew as Farquhar told how he got his first tape recorder in 1957 and started his all absorbing hobby of taping those great sounds for posterity.
Andrew Rankine
Then suddenly we were there, a 1964 Burns Night broadcast, but preceded by a bit of a jolt as the plumy voice announced – “This is the Scottish How’m Service, tonight’s programme of Scottish dance music is by Andrew Rankine and his Band”. Great, but how lucky we are since then to have had a presenter such as the late David Findlay and now Robbie Shepherd’s couthie tongue. Yon should never have been allowed! However, all was soon forgiven as the band launched into a ‘Petronella’ set. What a sound! Farquhar had apologised in advance because these early broadcasts were in ‘mono’, but there was no need to apologise. My notes at this point were full of superlatives – ‘lift par excellence’ (show off), ‘bass and harmony section terrific’, ‘perfect dance tempo’, ‘good fiddle, very distinct’ (surprise, surprise Bobby Christie), and so on. The alternative tunes were ‘The Rose Tree’ and ‘Polwart on the Green’, and herein I feel lay another of the secrets of the success of the Rankine Band – Andrew frequently picked ordinary traditional tunes, gave them the Rankine treatment and swing, and made them something extraordinary – and he had a great nose for catchy melodies. Little wonder that his Band was at or near the top of the popularity steaks in the mid ‘50s and ‘60s. The fine sound resulting from the novel but subtle harmony techniques was the Rankine development and extension of what had gone before, e.g. the Bobby MacLeod touch. We were treated to two further tracks from this Band, a jig set and the ‘Drummer’ reel. There is nothing to add, this was Scottish dance music at its best.
Dugald Jenkins
How do you follow that? – by a complete contrast. Farquhar now introduced Dugald Jenkins’ ‘Heather Band’ which first broadcast in 1958, this particular recording, however, being of 1963 vintage. Opening with ostensibly a ‘Gay Gordons’ to the Retreat March ‘Heroes of Vittoria’ (how does one phrase a Gay Gordons to a 3/4?), the sound was so different, thinner but very clean, with a good between fiddle and accordion. In ‘Donald Bane’ they produced a good 2 beat strathspey more favoured by the Country Dance fraternity than the 4 beat rhythm often heard today. Mind you, they were going at some lick! A nice clean cut double bass with an ‘important’ sounding bass/piano combination – a good all-round fresh sound.
And now another striking contrast (Farquhar had chosen well), Fraser McGlynn’s first broadcasy in 1969. A reel set, ‘De’il Amang the Tailors’, was followed, and rightly so, by a brace of classic 2/4s. Loads of drive and expression here and one could just picture Fraser’s head rocking as he leant into those marches with his distinctive pointing. And the chord sequences were instantly recognisable as those of Duncan MacKay who has been pianist with Fraser for 21 years.
John Johnstone
From here we were taken to a band sporting no less that three 5-row button key instruments in its line-up, that of John Johnstone, formed in 1947. This again had a clean cut sound with lifting bouncy playing, perhaps not just quite as light as the previous combinations probably due to the number of boxes, but again a pleasing distinctive sound.
And talking of distinctive sounds, the next Band had this with a vengeance, unique would be an apt description – a superb blend of fiddle (probably Angus Cameron) and accordion (the leader, the late Lindsay Ross), and a first class bass and rhythm section. A waltz track by this combination had the quality of liquid silk if there is such a thing, and a fine recording of the difficult ‘General Stuart’s Reel’ evoked the following aside from Jim Johnstone – “When I play that reel there’s a mark on the carpet where I’ve been sitting!” Incidentally, when introducing the Lindsay Ross section, Farquhar commented that at one stage the Wednesday evening programme clashed with his nightschool classes and the teacher just could not understand how S.D.M. could take precedence over calculus – ‘Ba Heid!’
A Further Seven of the Best
The contrasting styles and material of a further seven bands were demonstrated, but, unfortunately, space dictates that comment on these must be brief. The Max Houliston Band in a 1968 programme, a great strathspey ‘Gala Water’, good R.S.C.D.S. tempo, very traditional, clean with good coordination. Concluded with the jig ‘Lassies of Dunse’, surprisingly up-tempo considering the strathspey, but lots of atmosphere because done live with audience and dancers.
The Inverness based Alan Williams Trio first broadcast in 1958. Reels and hornpipes with as difficult tunes as one could meet – a very brave bandleader to attempt such tricky stuff when so exposed. Just imagine having to jump from the original to the ‘Johnson’ and ‘High Level’ hornpipes in the Petronella set – the mind boggles, but it came off – an exciting performance.
Now on to the relaxed distinctive (sorry to keep repeating that word) on-beat rhythm, giving a MacLeodish sound, of Ian Holmes and his Band, with the 2/4s ‘Argyllshire Gathering’ and ‘P/M John Stewart’. Excellent uncluttered bass playing and interesting selective use of G# at times in the pipe tunes where one (guess who) might have expected a G natural. A very difficult reel set wound up the Holme’s contribution – good open tempo – a very competent band.
And again another complete contrast, the Hamish Menzies Band (1965) with Jack Delaney, Lex Keith, Robert Anderson, Walter Sinton and Gus Millar on drums. Firstly a waltz track which had that special wee something – difficult to pinpoint – which invites instant audience participation – not only the choice of tunes, but the swing, the sound and that ‘wee something’. Whatever it was it clicked and everyone in the room sang their heads off – amazing. The ‘Red House’ followed with an unusual but very nifty change into ‘The Breakdown’. Always an interesting Band.
And now for the final three bands, which are numbered among Farquhar’s favourites. Jim Johnstone (first broadcast 1963) who was sitting there right in the firing line close to the speaker. A rendering of ‘The Balmoral Highlanders’ by Jim’s original 5-piece group with some lively syncopated brushing from Bobby Colgan. A jig set followed, played by a later combination which included the ubiquitous Jack Delaney, this time on second box. (Incidentally, Jack was on second with Andrew Rankine for many years). What can one say that has not already been said about this band. Always a consistently good performance – nothing less would satisfy this particular leader.
Last, but certainly not least, two bands which were very closely linked indeed, in that one evolved from the other merely by a change of leadership and the inclusion of one ‘new face’. No prizes for guessing – Ian Powrie and Jimmy Blue.
The tracks used to illustrate the Powrie sound were from the second last broadcast (end of 1966) before Ian emigrated to Australia. A set for ‘Cadgers in the Cannongate’ starting with ‘John McNeil’s Reel’ was a model of phrasing and expression, first class playing and a fine blend of fiddle and lead accordion (Jimmy Blue). This was certainly classic stuff. The follow-up was a Foursome Reel and Reel of Tulloch – mentioned earlier in passing. Even the opening choed had a characteristic freshness which identified the Band, and the breaks in the Tulloch were exemplary in their co-ordination. Memories of the late Arthur Easson sprang to mind.
When Ian left these shores Jimmy Blue took over and Ron Kerr joined as fiddler. Many will remember the first-class L.P.s produced by this band – Jimmy quickly implanted his stamp with his own particular choice and arrangement of tunes. One particular favourite of mine included the 2/4 march ‘The Ladies from Hell’ and fortuitously Farquhar played a track with this tune, couples with the 6/8 ‘Dr Ross’s Welcome to the 50th Argyllshire Gathering’. The final offering was a set of Shetland reels with a very fresh accordion – the classic sound of the late ‘60s with the characteristic second accordion progression of that period.
The session ended all too soon but it was a triumph for Farquhar Mathieson – good judgement and presentation – and must surely be the forerunner of more of the same, especially as Farquhar apologised for having had to miss out so many top class Bands, including some of the all-time greats.
Saturday Evening
In addition to our musical ‘All Our Yesterdays’, an exhibition of vintage Scottish Dance Band photos had been set up in an adjacent room and throughout the weekend – “goodness, he had hair then!”
Mrs Joan Blue had also been circulating with a Scottish music quiz, the proceeds from which were to go into the Association funds. The winner of this competition was to be announced at the Sunday luncheon and was to be presented with a new composition by a well-known Scottish musician – this composition to bear the lucky soul’s name.
Saturday evening was, of course, the dance, and very well attended it was this year, almost a capacity crowd I should think, and as last year Jim Johnstone’s Band did the honours with their usual impeccable timing and choice of dances. The ‘interval’ Band was led by the formidable combination who finished Farquhar’s afternoon session, viz. Ian Powrie and Jimmy Blue.
The ‘jiggin’ finished at 1am, delicate souls retired to their rooms for a bit of shuteye, other more hardy chiels stayed up for the promised ceilidh sessions and they were not disappointed. At breakfast we got reports of a senior citizen demonstrating Highland dancing at 3am, and at 4.30am we were privileged and charmed to be wakened by hymn singing from a choir of members from a Club which shall be nameless, but is just south of Edinburgh! This very appropriate start to the Sabbath set us up for the day.
Sunday
11am on Sunday morning and a well attended A.G.M. turned out to be a very relaxed and harmonious affair with no controversial issues. All was set fair for the climax of the weekend, the luncheon and the Celebrity Box and Fiddle Club.
The dining room was a picture – the Station Hotel really knows its business – and the attendance was the best for some time. All rose as the principal guests took their places – Mr and Mrs Angus Fitchet, Mr and Mrs Ian Powrie, Mr and Mrs Jimmy Shand Snr, and Mr and Mrs Andy Stewart. Chairman Jimmy Blue gave a warm welcome to the principal guests and to one and all, and passed on apologies from Mr and Mrs Bobby MacLeod for non attendance due to Bobby’s ill health. Despite his indisposition, Bobby sent on a greatly appreciated greetings cable from his wife Jean and himself wishing all a happy weekend.
Incidentally, the potatoes for the meal were reputedly ‘Sharp’s Express’ supplied by the Chairman. I don’t really know what that had got to do with anything, but there you are.
The meal over, and Jimmy Blue donned his compere’s hat and introduced the first turn, a redoubtable six piece with Angus Fitchet, Bobby Crowe and Hamish Smith in the front line, supported by Joan Blue (piano), Billy Craib (bass) and Bobby Colgan (drums). As one would expect, we got music off the top, liberally interspersed with Angus’s wee quips – “we’ve still got to negotiate the money”. I was particularly taken with two tunes for a ‘Gay Gordons’, both composed for the Chairman, Angus Fitchet’s ‘Jimmy’s Aye Diggin’ and Bobby Crowe’s ‘Lord Provost of Forgandenny’. Both tunes are in the fiddle march style and are absolutely compatible. For their closing number they invited another veteran colleague, Jimmy Stephen, to join them. Jimmy played harmony accordion for Angus in a slow air and then the march ‘Angus Fitchet’s Compliments to Scott Skinner’ – some nifty fingering by Jimmy here. A very popular and professional turn.
Next on a player at the other end of the age scale, young Bruce Lindsay from Windygates on Shand Morino, assisted by Jim Newsome (2nd), Neil Barron (piano) and David Shand on drums. Opening with the march ‘Captain Carswell’, Bruce demonstrated that he is developing a nice style of his own. His gracing was particularly effective. Waltzes and reels rounded off a performance as clean as a whistle, a pleasure to listen to.
Back to the fiddle with Ian Powrie who, like Angus, is now a ‘must’ at these gatherings. Once again we were treated to that richness and depth of tone which is a hallmark of his playing. After a brief solo spot, Ian was joined by another well known fiddler and great enthusiast, Dr Stella Wilkie from Freuchie. A slow air with fiddle harmonies, gentle and expressive, highlighted the empathy between these two players and their enjoyment in playing together was obvious to all.
The fiddle was certainly well represented at the meeting and some time later another ‘4-stringer’ entertained, Gordon Gunn from Wick. This was his first visit to the AGM Weekend, but having heard his performance, hopefully not the last. My goodness, this lad is some player, with a great swing and refreshing style, and very difficult material. He fairly lifted the place and received well deserved acclaim.
Instrumentalists didn’t have it all their own way during the afternoon – comedy was well to the fore in the hands of Bobby Colgan of the Johnstone Band, Andy Stewart (of whom more later), and Robbie Shepherd. Robbie never fails to take a trick with his sketches, recitations and songs, and he obliged with three of these, including a request, ‘The Buchan Bobby’. Robbie’s wife Esma accompanied on piano. He also told a story where a spade was a spade or in this case organic material was organic material! The punchline was so unexpected that I feared total collapse of my wife was a distinct possibility.
As mentioned earlier there were some very poignant moments during the weekend, one such being when Jimmy Blue invited that veteran trouper of stage and television Andy Stewart to do a wee turn. Although all present were so happy that Andy and his wife Sheila had managed along, they were nevertheless concerned that he was not looking particularly well. But when he rose to go out front the professional took over, the adrenalin pumped, his whole demeanour changed, he became 10 feet tall. The transformation was unbelievable, and for 15 minutes he produced the goods as he always has done. It was a heart-warming experience for all privileged to be there and it goes without saying that he received a fitting ovation – as did that other veteran, Jimmy Shand, now in his 81st year, who was looking remarkably well.
Although categorically ‘retired’, he donned a Shand Morino and recruited a band including left-handed fiddler Dave Ireland, a friend and fellow player of many years standing and also into his eighties. Supporting were Joan on piano, son David on drums, and Jim Johnstone. No comment is required regarding the performance of this combination. ‘The Happy Hours Polka’, ‘Willie Snaith’ the Gay Gordons, a waltz (with everyone singing along), the ‘Bluebell Polka’ and many were dancing in the aisles. This was what it was all about. You cannot adequately describe such happenings. What an atmosphere, once again a privilege to be there. A standing ovation accompanied Jimmy back to his seat. As somebody said, “They’ll maybe be as guid, but never better”.
A difficult one to follow, but Jim Johnstone and his Band were up to it with comedy, a solo spot and community singing, concluding with ‘Haste Ye Back’ led by Andy Stewart.
Another most rewarding afternoon directed so competently and unobtrusively by Jimmy Blue, who, as I have said before, has certainly grown in stature as both Chairman and compere. When introducing performers he is concise, humorous and sincere, always with some fresh and meaningful comment. One of his duties during the afternoon was to present the winner of the quiz with a framed copy of the specially commissioned tune, a jig composed by Bobby Crowe, who played it through for our enjoyment before the presentation. A very good tune, and one which is certainly to get many airings in days to come. Its title – ‘Willie Wilson of Beith’ congratulations to him.
Finally, a very big thank you from all to that tireless cratur Jack Cooper who organized the whole shooting match. A big responsibility impeccably discharged.
Not forgetting the staff of the Station Hotel – the service and accommodation were first class.
Mull Traditional Music Festival
By Fiona Jappy
As with all events in Tobermory this year (1988 being the bi-centenary of the town’s foundation and the quarter-centenary of the sinking of the Spanish galleon in the bay) it was hoped that the ‘official’ Tobermory Festival events would be a bit special, and by general agreement, it was just that.
A largely new Committee under the venerable Bobby MacLeod had extended the competitive element in the Festival and had incorporated for the first time workshop sessions on a variety of instruments. More than fifty took advantage of this free tuition and there were increased entries in all the competitions. These were organised most efficiently thanks to Diane McEwan, Competition Secretary, assisted this year by Norrie and Sheila Williams from East Kilbride. The bulk of the Festival planning and organisation was in the capable hands of Secretary Fiona Jappy.
Thanks to sponsorship from Tennant Caledonian Breweries to mark the town’s special year, there were large cash prizes to be won in piping and a first-ever band competition, which was won by the Marie Fielding Band. Angus McColl of Oban took the TCB Trophy in the Open Piping Competition.
To mark the Spanish galleon connection there was a specially invited Spanish group, Steven Biancardo and Sirocco, who delighted the cabaret and concert audiences on Friday and Saturday nights respectively.
The Gaelic element in the Festival was also sizeable with folk group Gleus and Mod medalist Kenneth Thomson taking part. At the traditional opening concert at Glengorm Castle, the venue being kindly provided annually by Major and Mrs Nelson, Janet Macdonald, Attie MacKechnie, the Mull Fiddlers and the Cahallans were among the local artistes performing.
Another new and seemingly successful innovation this year was a mobile ceilidh group which visited Glen Iosal and Tobermory Court, where the informal sessions were much appreciated by the residents. The appearance of the ubiquitous Robbie Shepherd at Glen Iosal ceilidh was a great bonus for those present.
The busiest players at the weekend were once again the ever popular Jim Johnstone and his Band who were in action all three nights in the Aros Hall, being joined at the Sunday night finale by Bobby MacLeod and Friends. An informal ceilidh in the Lower Aros Hall after the concert was one of the highlights of the whole Festival.
As the large visiting contingent boarded the MV Columba on Sunday to the playing of the Mull Pipe Band umber P/M George Noone, one local resident was heard to say (with no disrespect to Para Handy) ‘Aye, she sure was a sublime Festival’.
Results :
Solo Accordion Senior (Ian Holmes Shield) – Heather McIntee
Solo Accordion Junior – (Calum McLean Shield) – Craig Skinner
Solo Fiddle Senior – (Newtongrange Accordion and Fiddle Trophy) – Neil Dawson
Solo Fiddle Junior – (MacPhail Shield) – Tracy Moir
Solo Fiddle Senior (Gaelic Air) – (Mull Fiddlers Trophy) Paul Anderson
Solo Fiddle Junior (Gaelic Air) – Tommy Kettles Shield – Tracy Moir
Open Senior – (Mull Musical Festival Shield) – The Andersons
Open Junior – (Hassan Cup) – Craig Skinner
Open Piping – (Tennent Tobermory Trophy) – Angus McColl
Local Piping Senior – (Argyll & Bute Trophy) – Iain Donaldson
Local Piping Junior – (John Tague Memorial Rose Bowl) – Calum MacDonald
Scottish Dance Band – (Tennent Tobermory Trophy – to keep) – Marie Fielding Band
Mr Donald MacKenzie – Obituary
by A. R Shaw
A very large number of people attended the funeral service of the late MNr Donal MacKenzie, 2 Aird Road, Beauly.
The coffin, draped with the Union Jack, was carried by bearers, led by a single piper playing the traditional tunes ‘The Battle’s O’er’ and ‘Flowers of the Forrest’.
This honour came through his long membership of the Seaforth Highlanders Regimental Association in Dingwall.
He was taken prisoner-of-war at St. Valery, and for many years suffered the pangs of hunger, with so many men of the 51st Highland Division.
He had a lifelong passion for playing the fiddle and recalled bartering a pair of old boots for a fiddle, while a POW, but as food became scarce, he trader the fiddle to a German guard for a loaf of barley bread!
He gladly played for any function, and was an enthusiastic member of both Dingwall and Inverness A&F Clubs. He composed some fine tunes, and was happy to teach any youngsters anxious to learn.
His humorous yarns and keen wit were well known, and he was indeed a well-loved personality, who will be greatly missed by young and old alike.
He is survived by his wife, Jean, and daughter, Rosaline, (Mrs Christie), to whom deepest sympathy is extended.
Allen Anderson - Obituary
by Doug Adamson
I was saddened to hear of the death of Allen Anderson of Orphir, Orkney, on 17th July, 1988. Allen was a stalwart member of Orkney A&F Club.
We stayed with Allen and his wife, Margaret, when my daughter did the guest spot at the Orkney Club last year.
Badly crippled and latterly only able to move in a wheelchair, Allen had an amazing zest for life. His friendliness and general welcoming attitude to the visiting musicians was shown to is immediately on our arrival when he took us for a memorable tour of the islands.
Allen’s life revolved around music and the scene in Orkney will be the poorer for his passing – he leaves a gap not easily filled.
Our sympathies go out to Margaret and his family.
Mr Louis Cabrelli - Obituary
It was with a real sense of sadness and loss that we heard of the death of Louius Cabrelli at the age of 74 in Italy at the end of July.
For those who knew something of the man's wonderful talent the loss will be all the greater. I count mysef as privileged to have sat listening to him play at his home in Old Glamis Road, Dundee, a few years ago before he left for Italy.
Mr Cabrelli's fame was worldwide, being known as a child prodigy in the 1920's. He was held in high regard by some of the world's finest accordionists and will be sadly missed.
Letters to the Editor
Dear Sir - We're back ! Hullo to everyone in the scene.
Biggar Club has been going from strength to strength over the past years, with several of our young stars going on to form Broadcasting Dance Bands, and play to busy diaries, but they are still enthuastic members of the Club, turning up to give us a tune.
This year we are trying out a new format, a new venue, a new day.
The format - guest artiste first on at 7.30pm, followed by our local Club talent, stovie time, then guest artistes to play, and dancing will be on the cards.
Our very own Les Dawson (sorry, John Anderson) is the Master of Ceremonies, and he is usually game for a laugh.
Seriously, John and the team have done an excellent job and kept the Club going from strength to strength.
The night - the second Sunday of the month, September to April.
The venue - Toftcombs Hotel, Biggar, one mile out of town on the A702 road to Edinburgh.
We look forward to seeing and hearing players and listeners.
Kick-off, September 11th, at 7.30pm. See you then.
Peter Rae
Dear Sir – On Friday, 28th October, I have arranged a night of music in the Scone Arms.
The idea is that musicians and friends would have a chance to have a tune and exchange views with each other. Also, anyone who is competing in the Festival next day, will have the chance to play in front of a sympathetic audience.
There will be a backing group there and food will be available.
The proprietors have given us the use of the lounge free, and any proceeds will go to a local charity. Last year a sum of money was donated to Upper Springlands Centre mainly through the efforts of Peem Edwards and Peter Crichton.
The time is 8pm till 1am and buses rum from the Post Office to the Scone Arms. Parking is also available.
Look forward to meeting you there.
J. Baker
Dear Sir – With reference to the letter in the April edition of the ‘B&F’, I wish to point out that I heartily agree with Mr John Mackie of Selkirk. I used to be a ‘fan’ of the Milngavie Club in the days of the Currie Brothers who, at the time, were just young boys, and players such as Alan Roy.
Now we seem to have very few who diversify from the Scottish style which can be very monotonous unless one is dancing.
Margaret Grieve
8 Braeside Avenue
Milngavie
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Golden Fleece) – members only
Armadale (Masonic Arms Hotel) –
Ayr (Gartferry Hotel) –
Balloch (Bell Centre, Dumbarton) – 18th Sept 88 David Halcrow Trio
Banchory (Burnett Arms Hotel) –
Banff & District (Royal Oak Hotel) –
Beith & District (Hotel de Croft, Dalry) –
Belford (Community Club) –
Biggar (Clydesdale Hotel) –
Blairgowrie (Moorfield Hotel) -
Bridge of Allan (Walmer Hotel) -
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Ernespie Hotel) –
Coupar Angus (Royal Hotel) –
Crieff & District (Drummond Arms Hotel)
Dalriada (Royal Hotel, Lochgilphead) – 20th Sept 88 Deirdre Adamson
Derwentside (Working Men’s Club, Consett) – 29th Sept 88 Deirdre Adamson
Dingwall (venue? ) –
Dunblane (Westlands Hotel) –
Dundee (The Marquee) – 6th Oct 88 Kenny Thomson and the Wardlaw
Dunfermline (Northern Roadhouse) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (King’s Park Hotel, Rutherglen) –
Edinburgh (Abbey Suite, Abbey Lane) –
Ellon (Ladbroke Hotel) –
Fintry (Clachan Hotel) – 26th Sept 88 Jack Delaney SDB
Forres (Brig Motel) –
Fort William (McTavish’s Kitchen) –
Galashiels (Maxwell Hotel) –
Galston (Theo’s Restaurant, Galston) –
Glendale (Black Bull Hotel – Wooler) –
Gorebridge (Rangers FC Social Club) –
Highland (Drumossie Hotel) – 19th Sept 88 Willie McGuire
Islesteps (Driveway Inn) –
Kelso (Ednam House Hotel) –
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) –
Livingston (Golden Circle Hotel, Bathgate)
Lockerbie (Bluebell Hotel) -
Mauchline (The Jean Armour Restaurant)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) –
Newton St Boswells (Railway Hotel) –
North Cumbria (Golden Fleece, Ruleholme) (prev called Gretna Club) –
North East (Seafield Hotel, Keith) –
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Countryside Inn) –
Perth (Station Hotel) – 20th Sept 88 David Halcrow Band
Premier NI (Camlin function Rooms) -
Renfrew (Masonic Hall, Broadloom) –
Rothbury (Jubilee Hall 16th Sept 88 Dance to Jimmy Blue
Shetland (venue?) -
Stranraer (Railway Club) –
Thornhill (?)
Thurso (McKay’s Hotel) –
Turriff (Royal Oak Hotel) –
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) – 18th Oct Deirdre Adamson
THERE WERE CLUB REPORTS FROM :-
1. Armadale
2. Ayr
3. Balloch
4. Banchory
5. Banff
6. Belford
7. Button Key
8. Derwentside
9. Dingwall & District
10. Forres
11. Glendale
12. Highland
13. Kintore
14. Lesmahagow
15. Livingston
16. M.A.F.I.A.
17. Mauchline
18. Montrose
19. Newtongrange
20. North Cumbria
21. North East
22. Ormiston
23. Peebles
24. Renfrew
25. Rothbury
26. Shetland
27. Thurso
28. Wick
CLUB DIRECTORY AS AT SEPT 1987 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
4. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
5. Balloch A&F Club (Sept 1972 – per January 1978 issue)
6. Banchory A&F Club (1978)
7. Banff & District A&F Club (Oct 1973)
8. Beith & District A&F Club (Sept 1972 – per first edition)
9. Belford A&F Club (joined Sept 1982)
10. Biggar A&F Club (Oct 1974)
11. Blairgowrie A&F Club (
12. Buchan A&F Club
13. Button Key A&F Club (
14. Callander A&F Club (
15. Campbeltown & District A&F Club (c Dec 1980)
16. Castle Douglas A&F Club (c Sept 1980)
17. Crieff A&F Club (cSept 1981)
18. Dalriada A&F Club (Feb 1981)
19. Derwentside A&F Club
20. Dingwall & District A&F Club (May 1979 – per first report)
21. Dunblane & District A&F Club (1971)
22. Dundee & District A&F Club
23. Dunfermline & District A&F Club (1974 – per first edition)
24. Dunoon & Cowal A&F Club (
25. East Kilbride A&F Club (Sept 1980)
26. Ellon A&F Club (
27. Fintry A&F Club
28. Forres A&F Club (Jan 1978)
29. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
30. Galashiels A&F Club (joined Sept 1982)
31. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
32. Glendale Accordion Club (Jan 1973)
33. Highland A&F Club (Inverness)
34. Islesteps A&F Club (Jan 1981)
35. Isle of Skye A&F Club (
36. Kelso A&F Club (May 1976)
37. Kintore A&F Club
38. Langholm A&F Club (Oct 1967)
39. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
40. Livingston A&F Club (Sept 1973 – per first edition)
41. Lockerbie A&F Club (Nov 1973)
42. M.A.F.I.A. (early)
43. Mauchline A&F Club (first mention 1986?)
44. Montrose A&F Club (joined Sept 1982)
45. Newtongrange A&F Club (joined Sept 1979)
46. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
47. North Cumbria A&F Club (originally Gretna started June 1966 – had to move to a venue in the North of England and changed name – eventually changed back when they returned to the Halcrow Stadium. No breaks in the continuity of the Club)
48. North East A&F Club aka Keith A&FC (Sept 1971)
49. Oban A&F Club (Nov 1975)
50. Orkney A&F Club (Mar 1978)
51. Ormiston Miners’ Welfare Society A&F Club
52. Peebles A&F Club (26 Nov 1981)
53. Perth & District A&F Club (Aug 1970)
54. Premier A&F Club NI (cNov 1980)
55. Rothbury Accordion Club (1987??)
56. Shetland A&F Club (Sept 1978)
57. Stranraer & District Accordion Club (1974 – per first edition)
58. Sutherland A&F Club (
59. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
60. Thurso A&F Club (cSept 1981)
61. Turriff A&F Club (March 1982)
62. Tynedale A&F Club (Nov 1980)
63. Walmer (Bridge of Allan) A&F Club
64. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
65. Bonchester Accordion Club (Closed?)
66. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
67. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
68. Club Accord
69. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
70. Coupar Angus A&F Club (cSept 1978 - ?)
71. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
72. Denny & Dunipace A&F Club (Feb 1981)
73. Dornoch A&F Club (first mention in directory 1986)
74. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
75. Dunbar Cement Works A&F Club (Closed?)
76. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
77. Falkirk A&F Club (Sept 1978 - )
78. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
79. Gretna A&F Club (June 1966)
80. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
81. Kinlochsheil A&F Club (
82. Kirriemuir A&F Club (cSept 1981)
83. Monklands A&F Club (Nov 1978 – closed cApril 1983)
84. Morecambe A&F Club (joined Sept 1982)
85. Newcastleton Accordion Club
86. New Cumnock A&F Club (cMarch 1979)
87. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
88. Straiton Accordion Club (c1968 – closed March 1979)
89. Torthorwald A&F Club (near Dumfries)
90. Wellbank A&F Club
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