Pipe Major John McLellan D.C.M. of Dunoon
(1875 – 1949)
by P/M Jim Henderson, Dunoon
John McLellan, as I remember him, was a very shy and quiet individual not given to pushing himself or promoting the great talent he possessed. Besides being a quite outstanding bagpipe music composer, he wrote songs, was a poet of some distinction and had a great talent for painting in both water colours and in oils. On the few occasions that I visited his home I recall two pictures which hung on the wall of his room. The first was simply called ‘The Lochanside’ (the loch of the famous Retreat air) while the other was skilfully achieved by using white and khaki block blanco normally used for cleaning army belts and equipment. Old soldiers will know exactly what I mean. Some sort of red stain was also used. The picture was of a wounded soldier being attended to while lying on a stretcher. These pictures, and others, are still within the family. My late father, Neil Henderson, who was Jock’s nephew, told me that Jock would do almost anything rather than talk about himself. I believe this is part of the reason we know so little about the great man. I remember, as a boy, asking him about how he won his D.C.M. – all he would say was that it was ‘a long time ago’ and that he couldn’t remember. Fortunately I’ve been able to find out something about him from other sources, though not as much as I would have liked.
Before we go any further I must clear up a small matter of confusion that crops up from time to time. The late Capt. John A. MacLellan M.B.E. was no relation and was a much younger man. I have met people who thought that they were one and the same person. The two men knew each other quite well. Capt. John told me when I was studying under him at Edinburgh Castle that he had corresponded with the ‘Old Gentlemen’ for some years in the forties.
John McLellan was born in St Andrew’s Street, Dunoon on 8th August 1875. He was one of a family of six, all born in Dunoon, namely Sarah, Archibald, Margaret, John, Neil and Ann. Their parents were Neil McLellan and Mary Darroch McLellan who were born on Islay and Jura respectively. They came to the mainland in 1869 and were married in Greenock on 2nd June that same year. They set up their first home in Edward Street in Dunoon. Unfortunately Neil McLellan died at the very early age of 40 years and there is evidence that Mary Darroch McLellan took her young family back to her native Jura for a time. To have had six children and no husband must have been quite a struggle in those days. It is not known how long they stayed on Jura but eventually they returned to Dunoon.
I have not been able to find out much about the family between returning from Jura and when John joined the Highland Light Infantry at the age of 17 in 1892. Much to my surprise and disappointment I have not even been able to find out who taught him to play the bagpipes. Some say he may have been taught by Willie Lawrie but Willie was 8 years younger than John so this would seem unlikely. Some suggest John MacDougal Gillies may have had a hand in it, but again the timing is wrong. My late father told me that it had been suggested to him that John was self taught but this would seem to me to be very unlikely. I have come to the conclusion that he and his brother Neil may have been taught during their stay on Jura after their father’s death. If anyone can shed any light on this I’d be glad to hear from them.
In the early part of his service with the H.L.I. he was stationed in Malta. I think it was here that he started naming his compositions after places he had served, to commemorate events or battles, or naming them after officers or friends he had served with. While serving in Malta he composed a 2/4 march entitled ‘The Bells of Malta’. It’s not a competition march but a nice melody for all that, as many of John’s tunes are. It was published some years later in the 8th Argyll’s Book which I will refer to later. The H.L.I. seemed to move about quite a lot as they saw service in Crete, during the rebellions there, before moving to Egypt. His most famous melody at one time was entitled ‘The Burning Sands of Egypt’. More about this later.
In 1899 the H.L.I. were bound for the South African War as one of the units of the Highland Brigade. At its outset everyone assumed, as always, that it would be short and sweet. I think the Boer War lasted four years and the Highland Brigade were in the thick of it. It was at one of these famous actions that John won the Distinguished Conduct Medal (D.C.M.). He also composed the famous and well loved Retreat Air ‘The Highland Brigade at Magersfontein’ to commemorate the battle.
There were other less well known tunes composed by John around this time, possibly just after the war ended. One which comes to mind is a nice little two part strathspey called ‘Chasing De Wet’. General De Wet was one of the Boers more colourful Generals and was an expert in hit and run tactics. The British chased him for most of the war, unsuccessfully, and the tune seems to be a tribute to him from Jock.
‘Surrender of Cronje’ and ‘The Fall of Port Arthur’ were another two tunes written about this time. These two tunes are attractive two part 6/8 marches. All four tunes mentioned are published in The Cowal Collection of Modern Highland Bagpipe Music. I will refer to this book later.
John left the army in 1903 and joined the Govan Police Pipe Band. I believe his brother Neil was also a member of the band. Later this band became the City of Glasgow Police Pipe Band and eventually the Strathclyde Police Pipe Band. A number of John’s tunes were published in the old Henderson Books under ‘J McLellan Govan Police’. I’m not sure how long he served in the Police Band but it would appear he was back in Dunoon by 1904 or 1905.
On his return to Dunoon he started to teach and was probably the only teacher in the Cowal area at that time. His best pupil was one James Wilson whom I remember as a very good player. Two others who spring to mind were Charles and William Jeffrey both of whom I knew very well. Later on he taught my late father, Neil, and his brother Alasdair and John Henderson. I had the privilege to have lessons from his myself when I was a young piper.
In 1905 or 1906 John compiled and arranged The Cowal Collection. Most of the tunes in this collection were composed by John himself and being published for the first time, Lochanside, Heroes of Vittoria and Cowal Society amongst others. The book was published by a local gentleman called Joe Quigley priced at 1/6d (8p) – ah happy days! It should be pointed out that John McLellan was a very fine musician. The late Pipe Major Ronald MacCallum, 8th A&SH, told me John had attended the Army School of Music during his spell in the army which would account for his fine musicianship. Not many pipers had these skills at that time. Besides the bagpipes he could play the piano, the fiddle and my father told me he was a top class penny whistle player.
John joined the 8th Argyll’s (TA) in 1912. They were the successor to the old 5th Volunteer Battalion A&SH some of whom had fought in the Boer War. Two years later the 8th Argyll’s, along with all the other TA units, were mobilised and before long were sent to France at the start of the Great War. John was off to war again at the age of 39. One wonders why men of his age were allowed to go?
He was in the band at the beginning of the war under Pipe Major George Ross. Pipe Major Willie Lawrie took over the band in 1915. About this time John was wounded at Laventie in North West France. How serious his wound was is not known but for some reason or another he was away from the Pipes and Drums for some time. I recall conversations I had with two local men Dan Wardlaw and Toak Smart (who was in the trenches at the age of 15) who said they had served with him in a rifle section for some time. They related to me how he had written a poem giving each of the members of the section a verse to himself. I know this to be true as I have the original in my possession. John wrote many fine poems in his time, one of which is inscribed on the Memorial at Buzancy in France.
In 1916 Pipe Major Willie Lawrie died suddenly. Contrary to popular belief however, John did not succeed him as Pipe Major. The reason for this is unknown but the post was taken over by the aforementioned James Wilson of Dunoon, John’s pupil, who was at that time the youngest Pipe Major in the army at 19 or 20.
During, or just after the war, John composed many fine tunes commemorating battles and events or simply calling them after serving officers and friends. They include ‘The Taking of Beaumont Hamel’ and ‘The Bloody Fields of Flanders’.
John became Pipe Major of the 8th Argyll’s in 1919 and remained in post through the reconstitution to being a TA unit again and finally retired from the 8th in 1930. In 1932 Cowal Highland Gathering organised a competition for an original march, the winner to be entitled Cowal Gathering. One of John’s tunes took first prize.
After this competition the Cowal Highland Gathering Committee published the Fourth Cowal Collection containing the twenty best tunes, including the winner. No fewer than seven of John’s tunes were included in the book. ‘Cowal Gathering’ is a very fine 2/4 march and along with ’The Taking of Beaumont Hamel’, ‘South Hall’, ‘Bonnie Dunoon’, ‘Glen Caladh Castle’, ‘Colonel MacLean of Ardgour’ and many others these have become ‘standard’ tunes for bagpipe, box and fiddle. It may be of interest to note that the famous 6/8 march ‘Ballochyle’ was placed second in the competition composed by a very young Peter MacLeod Jnr, Glasgow.
On his return from the Great War John went to live with my grandmother, Margaret. I should point out that ‘Maggie’, as John called her, was his older sister. My grandfather Henderson had been killed in the war, so Uncle Jock seemed more of a grandfather to us than a grand uncle.
When John retired from the 8th Argyll’s his successor was Pipe Major George MacDonald. George had been a very successful Pipe Major with his previous band, Millhall Pipe Band winning the World Pipe Band Championships on three occasions at Cowal Games. Soon after taking over the 8th Argyll’s he set about publishing a book of pipe tunes composed by members and former members of the 8th. Of the 65 or so tunes published in this book, 40 were penned by John McLellan. I referred to one of those tunes in an earlier paragraph ‘The Burning Sands of Egypt’. Its original title, and that used in the book was ‘The Bens of Jura’ but nowadays we know it as ‘The Road to the Isles’. It was John McLellan who composed the tune for this world famous song.
During the thirties and forties John helped to teach the Dunoon Grammar School Cadet Pipe Band and sometimes helped out with the local BB band. During the Second World War the local Home Guard sometimes paraded a band of all sorts. I don’t know how much he had to do with this but he composed a tune called ‘Dunoon Home Guard’.
Between 1945 and 1949 was the time I knew John, if a boy of my age could really claim to know him. I cherish the lessons I had with him and knowing him albeit for such a short while. It was only after I joined the Army that I found out the esteem in which he was held. He died suddenly on 31st July, 1949 at Dunoon Cottage Hospital after a short illness. He was buried, with full Military Honours, in Dunoon Cemetery.
In 1972 friends and the Dunoon Town Council got together and erected a ‘Memorial Plaque’ in his honour. It is situated in the Castle Gardens in Dunoon, opposite the pier.
He was 73 when he died, not at all old in today’s terms, but I’m sure that readers will agree that his music will never die.
On the Road to Glendaruel (My Dream Valley)
Words and Music by John McLellan, Dunoon
In the gloaming by the river, there are scenes that haunt me ever
There is peace and love, as in Heaven above, in the sweet Valley of my Dreams
And there’s glory in the morning, dewy flowers the fields adoring
Love to share, with a maiden fair, in the Sweet Valley of my Dreams.
In the wild woods birds are singing, overhead the trees are ringing
With the cheerful song, from the feathered throng, in the sweet Valley of my Dreams
In the shadow of the mountains, silvery streams like fairy mountains
Dance their merry ways, to the salt sea bays, through the Valley of my Dreams.
By the sheiling pipes are sounding, pipes of peace with joys abounding
And I tap my feet, to the measured beat, in the sweet Valley of my Dreams
Tales of fairies oft have thrilled me, tales of ghosts with awe have filled me
And I here declare, that I saw them there, in the sweet Valley of my Dreams.
Compositions of P/M John McLellan D.C.M. Dunoon
(in alphabetical order)
01
8th Argyll’s Farewell to France (The)
March
02
8th Battalion A&SH Farewell to the 51st Highland Division
March
03
Angler (The)
Reel
04
Ardgour Ferry
March
05
Argyll and the Isles
Slow March
06
Argyll and the Western Isles
March
07
Argyllshire Highlanders (The)
Retreat
08
Argyll’s Salute
Slow March
09
Bells of Malta (The)
March
10
Benmore
March
11
Bens (or Paps) of Jura (The)
Strathspey
12
Bloody Fields of Flanders (The)
Retreat
13
Bogleha
Reel
14
Bonnie Dunoon
March
15
Burning Sands of Egypt
Strathspey
16
Buzancy
Retreat
17
Campbeltown Kiltie Ball
Strathspey
18
Captain Alistair MacArthur
March
19
Caves of Neiuville of St Vaast (The)
March
20
City of Glasgow’s Own
March
21
Clahan Fiddler (The)
Strathspey
22
Colonel Campbell of South Hall
March
23
Colonel Ian Campbell of Airds
March
24
Colonel McLean of Ardgour
March
25
Colonel Robin Campbell, DSO
Retreat
26
Colonel Wilson
March
27
Cowal Gathering
March
28
Cowal Society (The)
Strathspey
29
Crossing the Sound
March
30
Dream Valley of Glendaruel
Retreat
31
Dunloskin
March
32
Dunoon Castle
March
33
Fiddlers Joy (The)
Strathspey
34
Glen Caladh Castle
March
35
Glen Finnart
March
36
Glenmorag
March
37
Glenstriven
March
38
Golden Mountain (The)
March
39
Heroes of Vittoria
Retreat
40
Highland Brigade at Magersfontein (The)
Retreat
41
Highland Mary
March
42
Hills of Cowal (The)
March
43
His Majesty King George Vs Welcome to Edinburgh
March
44
HRH Princess Louise, Duchess of Argyll
March
45
In the Gloaming
Retreat
46
Jock’s Farewell to the 8th Argyll’s
March
47
John MacDonald (The Blood) CSM MBE,MC,DCM
Slow March
48
Kirstie MacCallman’s Favourite
Strathspey
49
Lads of Argyll
Retreat
50
Lieutenant Lyon
March
51
Lieutenant J. C. Buchan, VC
March
52
Lochanside
Retreat
53
MacBeath’s Farewell to the 71st H.L.I.
March
54
Macrihannish Bay
March
55
Maids of Jura
Slow Air
56
Maids of St Kilda (The)
Strathspey
57
Major Andrew Lockie
March
58
Major Charles MacTaggart, MC
March
59
Major Moir of Villevique
March
60
Major Sandor MacIntrye, MC
March
61
Mavis (The)
Reel
62
Memorial Bells of Inveraray (The)
March
63
Men of Argyll
March
64
Mary Darroch
Waltz / Slow March
65
Morag’s Fairy Glen
Strathspey
66
Mount Saint Aloi
March
67
Mrs James Cameron
Strathspey
68
Mrs Marjory Kennedy Fraser
Strathspey
69
My Hometown
March
70
O’er the Hills to Inveraray
March
71
Pass of Melfort (The)
March
72
Pats Hat
Irish Jig
73
Peaks of Arran
March
74
Pipe Majors Banner (The)
Reel
75
Queen of the Hebrides
March
76
Road to the Isles
Strathspey
77
Rookery (The)
Reel
78
Rosneath
Strathspey
79
Ruins of Arras
March
80
Sheiling (The)
Lullaby?
81
Shores of Argyll
Retreat
82
Stronsaul
March
83
Sunset
Retreat
84
Taking of Beaumont Hamel (The)
March
85
Thin Red Line (The)
March
86
Trooping the Colour
Slow / Quick March
87
Unknown Warrior (The)
Retreat
88
Wild McCreas (The)
Reel
89
Young Hamish
Retreat
Box and Fiddle
April 1999
Before we go any further I must clear up a small matter of confusion that crops up from time to time. The late Capt. John A. MacLellan M.B.E. was no relation and was a much younger man. I have met people who thought that they were one and the same person. The two men knew each other quite well. Capt. John told me when I was studying under him at Edinburgh Castle that he had corresponded with the ‘Old Gentlemen’ for some years in the forties.
John McLellan was born in St Andrew’s Street, Dunoon on 8th August 1875. He was one of a family of six, all born in Dunoon, namely Sarah, Archibald, Margaret, John, Neil and Ann. Their parents were Neil McLellan and Mary Darroch McLellan who were born on Islay and Jura respectively. They came to the mainland in 1869 and were married in Greenock on 2nd June that same year. They set up their first home in Edward Street in Dunoon. Unfortunately Neil McLellan died at the very early age of 40 years and there is evidence that Mary Darroch McLellan took her young family back to her native Jura for a time. To have had six children and no husband must have been quite a struggle in those days. It is not known how long they stayed on Jura but eventually they returned to Dunoon.
I have not been able to find out much about the family between returning from Jura and when John joined the Highland Light Infantry at the age of 17 in 1892. Much to my surprise and disappointment I have not even been able to find out who taught him to play the bagpipes. Some say he may have been taught by Willie Lawrie but Willie was 8 years younger than John so this would seem unlikely. Some suggest John MacDougal Gillies may have had a hand in it, but again the timing is wrong. My late father told me that it had been suggested to him that John was self taught but this would seem to me to be very unlikely. I have come to the conclusion that he and his brother Neil may have been taught during their stay on Jura after their father’s death. If anyone can shed any light on this I’d be glad to hear from them.
In the early part of his service with the H.L.I. he was stationed in Malta. I think it was here that he started naming his compositions after places he had served, to commemorate events or battles, or naming them after officers or friends he had served with. While serving in Malta he composed a 2/4 march entitled ‘The Bells of Malta’. It’s not a competition march but a nice melody for all that, as many of John’s tunes are. It was published some years later in the 8th Argyll’s Book which I will refer to later. The H.L.I. seemed to move about quite a lot as they saw service in Crete, during the rebellions there, before moving to Egypt. His most famous melody at one time was entitled ‘The Burning Sands of Egypt’. More about this later.
In 1899 the H.L.I. were bound for the South African War as one of the units of the Highland Brigade. At its outset everyone assumed, as always, that it would be short and sweet. I think the Boer War lasted four years and the Highland Brigade were in the thick of it. It was at one of these famous actions that John won the Distinguished Conduct Medal (D.C.M.). He also composed the famous and well loved Retreat Air ‘The Highland Brigade at Magersfontein’ to commemorate the battle.
There were other less well known tunes composed by John around this time, possibly just after the war ended. One which comes to mind is a nice little two part strathspey called ‘Chasing De Wet’. General De Wet was one of the Boers more colourful Generals and was an expert in hit and run tactics. The British chased him for most of the war, unsuccessfully, and the tune seems to be a tribute to him from Jock.
‘Surrender of Cronje’ and ‘The Fall of Port Arthur’ were another two tunes written about this time. These two tunes are attractive two part 6/8 marches. All four tunes mentioned are published in The Cowal Collection of Modern Highland Bagpipe Music. I will refer to this book later.
John left the army in 1903 and joined the Govan Police Pipe Band. I believe his brother Neil was also a member of the band. Later this band became the City of Glasgow Police Pipe Band and eventually the Strathclyde Police Pipe Band. A number of John’s tunes were published in the old Henderson Books under ‘J McLellan Govan Police’. I’m not sure how long he served in the Police Band but it would appear he was back in Dunoon by 1904 or 1905.
On his return to Dunoon he started to teach and was probably the only teacher in the Cowal area at that time. His best pupil was one James Wilson whom I remember as a very good player. Two others who spring to mind were Charles and William Jeffrey both of whom I knew very well. Later on he taught my late father, Neil, and his brother Alasdair and John Henderson. I had the privilege to have lessons from his myself when I was a young piper.
In 1905 or 1906 John compiled and arranged The Cowal Collection. Most of the tunes in this collection were composed by John himself and being published for the first time, Lochanside, Heroes of Vittoria and Cowal Society amongst others. The book was published by a local gentleman called Joe Quigley priced at 1/6d (8p) – ah happy days! It should be pointed out that John McLellan was a very fine musician. The late Pipe Major Ronald MacCallum, 8th A&SH, told me John had attended the Army School of Music during his spell in the army which would account for his fine musicianship. Not many pipers had these skills at that time. Besides the bagpipes he could play the piano, the fiddle and my father told me he was a top class penny whistle player.
John joined the 8th Argyll’s (TA) in 1912. They were the successor to the old 5th Volunteer Battalion A&SH some of whom had fought in the Boer War. Two years later the 8th Argyll’s, along with all the other TA units, were mobilised and before long were sent to France at the start of the Great War. John was off to war again at the age of 39. One wonders why men of his age were allowed to go?
He was in the band at the beginning of the war under Pipe Major George Ross. Pipe Major Willie Lawrie took over the band in 1915. About this time John was wounded at Laventie in North West France. How serious his wound was is not known but for some reason or another he was away from the Pipes and Drums for some time. I recall conversations I had with two local men Dan Wardlaw and Toak Smart (who was in the trenches at the age of 15) who said they had served with him in a rifle section for some time. They related to me how he had written a poem giving each of the members of the section a verse to himself. I know this to be true as I have the original in my possession. John wrote many fine poems in his time, one of which is inscribed on the Memorial at Buzancy in France.
In 1916 Pipe Major Willie Lawrie died suddenly. Contrary to popular belief however, John did not succeed him as Pipe Major. The reason for this is unknown but the post was taken over by the aforementioned James Wilson of Dunoon, John’s pupil, who was at that time the youngest Pipe Major in the army at 19 or 20.
During, or just after the war, John composed many fine tunes commemorating battles and events or simply calling them after serving officers and friends. They include ‘The Taking of Beaumont Hamel’ and ‘The Bloody Fields of Flanders’.
John became Pipe Major of the 8th Argyll’s in 1919 and remained in post through the reconstitution to being a TA unit again and finally retired from the 8th in 1930. In 1932 Cowal Highland Gathering organised a competition for an original march, the winner to be entitled Cowal Gathering. One of John’s tunes took first prize.
After this competition the Cowal Highland Gathering Committee published the Fourth Cowal Collection containing the twenty best tunes, including the winner. No fewer than seven of John’s tunes were included in the book. ‘Cowal Gathering’ is a very fine 2/4 march and along with ’The Taking of Beaumont Hamel’, ‘South Hall’, ‘Bonnie Dunoon’, ‘Glen Caladh Castle’, ‘Colonel MacLean of Ardgour’ and many others these have become ‘standard’ tunes for bagpipe, box and fiddle. It may be of interest to note that the famous 6/8 march ‘Ballochyle’ was placed second in the competition composed by a very young Peter MacLeod Jnr, Glasgow.
On his return from the Great War John went to live with my grandmother, Margaret. I should point out that ‘Maggie’, as John called her, was his older sister. My grandfather Henderson had been killed in the war, so Uncle Jock seemed more of a grandfather to us than a grand uncle.
When John retired from the 8th Argyll’s his successor was Pipe Major George MacDonald. George had been a very successful Pipe Major with his previous band, Millhall Pipe Band winning the World Pipe Band Championships on three occasions at Cowal Games. Soon after taking over the 8th Argyll’s he set about publishing a book of pipe tunes composed by members and former members of the 8th. Of the 65 or so tunes published in this book, 40 were penned by John McLellan. I referred to one of those tunes in an earlier paragraph ‘The Burning Sands of Egypt’. Its original title, and that used in the book was ‘The Bens of Jura’ but nowadays we know it as ‘The Road to the Isles’. It was John McLellan who composed the tune for this world famous song.
During the thirties and forties John helped to teach the Dunoon Grammar School Cadet Pipe Band and sometimes helped out with the local BB band. During the Second World War the local Home Guard sometimes paraded a band of all sorts. I don’t know how much he had to do with this but he composed a tune called ‘Dunoon Home Guard’.
Between 1945 and 1949 was the time I knew John, if a boy of my age could really claim to know him. I cherish the lessons I had with him and knowing him albeit for such a short while. It was only after I joined the Army that I found out the esteem in which he was held. He died suddenly on 31st July, 1949 at Dunoon Cottage Hospital after a short illness. He was buried, with full Military Honours, in Dunoon Cemetery.
In 1972 friends and the Dunoon Town Council got together and erected a ‘Memorial Plaque’ in his honour. It is situated in the Castle Gardens in Dunoon, opposite the pier.
He was 73 when he died, not at all old in today’s terms, but I’m sure that readers will agree that his music will never die.
On the Road to Glendaruel (My Dream Valley)
Words and Music by John McLellan, Dunoon
In the gloaming by the river, there are scenes that haunt me ever
There is peace and love, as in Heaven above, in the sweet Valley of my Dreams
And there’s glory in the morning, dewy flowers the fields adoring
Love to share, with a maiden fair, in the Sweet Valley of my Dreams.
In the wild woods birds are singing, overhead the trees are ringing
With the cheerful song, from the feathered throng, in the sweet Valley of my Dreams
In the shadow of the mountains, silvery streams like fairy mountains
Dance their merry ways, to the salt sea bays, through the Valley of my Dreams.
By the sheiling pipes are sounding, pipes of peace with joys abounding
And I tap my feet, to the measured beat, in the sweet Valley of my Dreams
Tales of fairies oft have thrilled me, tales of ghosts with awe have filled me
And I here declare, that I saw them there, in the sweet Valley of my Dreams.
Compositions of P/M John McLellan D.C.M. Dunoon
(in alphabetical order)
01
8th Argyll’s Farewell to France (The)
March
02
8th Battalion A&SH Farewell to the 51st Highland Division
March
03
Angler (The)
Reel
04
Ardgour Ferry
March
05
Argyll and the Isles
Slow March
06
Argyll and the Western Isles
March
07
Argyllshire Highlanders (The)
Retreat
08
Argyll’s Salute
Slow March
09
Bells of Malta (The)
March
10
Benmore
March
11
Bens (or Paps) of Jura (The)
Strathspey
12
Bloody Fields of Flanders (The)
Retreat
13
Bogleha
Reel
14
Bonnie Dunoon
March
15
Burning Sands of Egypt
Strathspey
16
Buzancy
Retreat
17
Campbeltown Kiltie Ball
Strathspey
18
Captain Alistair MacArthur
March
19
Caves of Neiuville of St Vaast (The)
March
20
City of Glasgow’s Own
March
21
Clahan Fiddler (The)
Strathspey
22
Colonel Campbell of South Hall
March
23
Colonel Ian Campbell of Airds
March
24
Colonel McLean of Ardgour
March
25
Colonel Robin Campbell, DSO
Retreat
26
Colonel Wilson
March
27
Cowal Gathering
March
28
Cowal Society (The)
Strathspey
29
Crossing the Sound
March
30
Dream Valley of Glendaruel
Retreat
31
Dunloskin
March
32
Dunoon Castle
March
33
Fiddlers Joy (The)
Strathspey
34
Glen Caladh Castle
March
35
Glen Finnart
March
36
Glenmorag
March
37
Glenstriven
March
38
Golden Mountain (The)
March
39
Heroes of Vittoria
Retreat
40
Highland Brigade at Magersfontein (The)
Retreat
41
Highland Mary
March
42
Hills of Cowal (The)
March
43
His Majesty King George Vs Welcome to Edinburgh
March
44
HRH Princess Louise, Duchess of Argyll
March
45
In the Gloaming
Retreat
46
Jock’s Farewell to the 8th Argyll’s
March
47
John MacDonald (The Blood) CSM MBE,MC,DCM
Slow March
48
Kirstie MacCallman’s Favourite
Strathspey
49
Lads of Argyll
Retreat
50
Lieutenant Lyon
March
51
Lieutenant J. C. Buchan, VC
March
52
Lochanside
Retreat
53
MacBeath’s Farewell to the 71st H.L.I.
March
54
Macrihannish Bay
March
55
Maids of Jura
Slow Air
56
Maids of St Kilda (The)
Strathspey
57
Major Andrew Lockie
March
58
Major Charles MacTaggart, MC
March
59
Major Moir of Villevique
March
60
Major Sandor MacIntrye, MC
March
61
Mavis (The)
Reel
62
Memorial Bells of Inveraray (The)
March
63
Men of Argyll
March
64
Mary Darroch
Waltz / Slow March
65
Morag’s Fairy Glen
Strathspey
66
Mount Saint Aloi
March
67
Mrs James Cameron
Strathspey
68
Mrs Marjory Kennedy Fraser
Strathspey
69
My Hometown
March
70
O’er the Hills to Inveraray
March
71
Pass of Melfort (The)
March
72
Pats Hat
Irish Jig
73
Peaks of Arran
March
74
Pipe Majors Banner (The)
Reel
75
Queen of the Hebrides
March
76
Road to the Isles
Strathspey
77
Rookery (The)
Reel
78
Rosneath
Strathspey
79
Ruins of Arras
March
80
Sheiling (The)
Lullaby?
81
Shores of Argyll
Retreat
82
Stronsaul
March
83
Sunset
Retreat
84
Taking of Beaumont Hamel (The)
March
85
Thin Red Line (The)
March
86
Trooping the Colour
Slow / Quick March
87
Unknown Warrior (The)
Retreat
88
Wild McCreas (The)
Reel
89
Young Hamish
Retreat
Box and Fiddle
April 1999
