Box and Fiddle
Year 05 No 08
April 1982
Price 25p
12 pages
8 month subscription £2.88
Editor – Ian Smith, 50 Mount Vernon Road, Stranraer Tele 4098
B&F Treasurer – Mrs Mary Plunkett, 2 Dounan Road, Dunragit, Wigtownshire
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Here we are then at the end of another season. In some ways it’s a pity, for Clubs are swinging along in great style, but, on the other hand, it’s great to look forward to a break from organizing and planning.
Looking ahead to the spring and summer, we find that there is quite a lot going on. Festivals, weekends, concerts etc., so, in a way, although most Clubs will be closed, there is something going on somewhere.
Talking about weekends, remember the AGM Weekend. The more Clubs are involved with the AGM the clearer the picture arrived at on how people think. So send your delegates.
The ‘Box and Fiddle’ wishes to thank all those who contributed Club news, articles and a big thank you to our photographers who let us see ourselves as others see us.
To our advertisers who chose us to show their wares, we trust you were pleased with our efforts.
Finally, may we express our thanks to Les Robinson for his interesting articles about the intestines of the box and Jimmy Clinkscale, whose stories about the top players made fascinating reading.
See you come September.
Successful Festival at Musselburgh
by Norrie Williams
On behalf of the Musselburgh Festival Committee, may I express warmest thanks to all who contributed in whatever capacity to this year’s event.
To the stewards, announcers, clerks, accompanists, etc., who, in the main, come from the following member Clubs (my apologies for any omissions) - Beith, Dundee, Dunfermline, East Kilbride, Galston, Newtongrange, Newton St Boswells, Perth and Stranraer.
This dedicated band was augmented by the Association main Executive in force (only the Secretary, Andrew Nairn, was missing due to a bad bout of flu) and by non-Association helpers from the Stirling area and from Glasgow Caledonian S&R Society. All the abovementioned, despite a long, hard day’s work, were still smiling at the end of it.
And talking of long days, the adjudicators deserve special mention for their marathon stints, extending in some cases from 9am to 6pm. Their judgments would also appear to have met with general approval – only a few isolated differences of opinion on that score – there would be something far wrong if this was not the case.
Still on the long hours theme, many commented on the courteous and pleasant manner of the refreshments catering staff even after a 12-hour duty spell.
Many thanks to Jim Johnstone and his staff who had the Brunton Halls and the nearby Congregational Church Hall perfectly organised for our use and comfort and who lent a willing hand throughout the day whenever required.
Incidentally, Jim himself was very disappointed at being unable to be around on the Saturday, but he also had the flu bug, as did Freeland Barbour of the BBC who had intended coming along.
Mention of Freeland reminds me that we are indebted to Radio Scotland (Robbie Shepherd), Radio Forth (Robin Brock) and Radio West Sound (John Carmichael) for their excellent advance publicity and reporting of the Festival. Only unforeseen priority demands on staff and recording equipment prevented a Radio Scotland team from covering the concert.
Once again the Musselburgh local newspapers did the Festival proud, both before and after the event. We are very fortunate that one reporter in particular is a real enthusiast and has our ‘message’ very much at heart – the coverage is both full and well informed.
The Clinkscale Roadshow with Jimmy Snr himself in attendance was a welcome ‘fringe’ to the Festival and just put the finishing touches.
And now right to the jeart of the matter – the competitors. Our warmest thanks to all 159 of you (and your 303 entries). You gave us everything we were looking for and more. Every year I imagine that the standard of playing must surely reach its peak, but although I am normally right (I’m perfect, not bigheaded) I’m wrong again! The hours of practice that must have been put in to produce these performances.
Whether place or not every one of you contributed that little individual something which makes the Festival what it is.
I would not normally single out a competitor for special mention, but on this occasion I feel justified. The organizing Committee were delighted that for the first time a full sic-piece band made up entirely of young players (oldest 15) was entered – the ‘Dundee Accordion and Fiddle Club Junior Band.’ Unplaced maybe, but the audience response said it all. On this showing against experienced senior opposition of professional standard, their day must surely be not far away. We sincerely hope their example will encourage more young folk to have a go at group playing.
As already reported by the Editor in the March issue the concert was highly successful. In addition to our thanks to all the artistes a very big thank you to ‘Alex Little M.C.’ – it just could not and would not be the same without you Alex.
And two final bouquets, firstly to that most knowledgeable band of enthusiasts, the audience, who carry the competitors through thick and thin. Their tremendous support is indispensable in encouraging and consoling through the tensions of the day.
Last, but not least, to John Huband and the Tayside Sound for a great finish to a most enjoyable day. A well balanced sound and good music well played. Thank you John and to all those who came and supported the dance.
For the record and for all their unstinting efforts (and so that they can share the blame) the Festival Committee are :-
Mrs Joan Blue (Perth)
Eddie MacDonald (Dundee)
Anne and Bob Scott (Lochgelly) and
Willie Wilson (Beith)
And I haven’t forgotten the Secretary – you see I have been living with her and have been for some time!! Thank you Sheila.
The Reel Radio
by Derek Hamilton
Here it is then – the last Reel Radio column by yours truly. So let’s end on a bright note by looking to the future and all the good things that will be coming our way via the Radio Stations during the close season.
The BBC have been auditioning quiet a few new bands who will get an airing during the summer months. For example, there’s Dennis Morrison who does his first broadcast on 17th April 82.
Graham Geddes and his Band appear on 15th May and on 22nd May a second broadcast for young Robert MacLeod, son of the legendary Bobby of Tobermory.
Elite Band
On 29th May another band new to broadcasting appears – Charlie Kirkpatrick and his Band. Charlie is a three-row button-box player – one of a small elite band of box players who own a black three-row Morino. Just for the record (or broadcast rather!) Charlie has with him John Carmichael on second box, Billy Grant on drums, Euon Miller on bass and a certain half-baked, bionic-eared pianist of one note!!
Other bands to look out for are The Cullievoe Dance Band from Shetland and the Foundry Bar Band who are having a first broadcast.
Old favourites are not forgotten of course. Jim MacLeod ‘Takes the Floor’ to Coylumbridge Hotel on 24th April for a one-off live session. Jim’ incidentally, has just started up his own record label – J.D.M. Records – and has issued his first LP which is a compilation of some older Decca tracks, but some new stuff will be coming in the not-too-distant future.
On 1st May the BBC’s ‘TTF’ takes on a new look – or indeed revives an old look. The ‘Deil’ disappears as the signature tune and Freeland Barbour had decided to bring back the old favourite ‘Kate Dalrymple’ which served the programme admirably for so many years.
In conjunction with this, on that nigh the band will be a long-loved name – Angus Fitchet. Angus has got together a band of All-Stars for a session and that should be a real cracker!
The following week, on 8th May, Ian Holmes celebrates 20 years, exactly to the day, of broadcasting. Yes, Ian Holmes and his Band first broadcast on 8th May, 1962, so it’s fitting that Freeland Barbour has chosen to broadcast Ian’s latest session on that day this year.
Return Visit
Andrew Rankine makes a return visit from his exile in Leicester to record another set for ‘TTF’ which will come out early in May and the Wallochmore Ceilidh Band have a session lined up too.
July and August will see a series of repeats from the series which started in October.
‘TTF’ will then go out and about for a short season in the autumn.
On 10th June the BBC will be recording a one-off session in Keith, so all locals in that area should look out for details of that event.
The present series of the ‘Reel Blend’ (Robbie shepherd, Fridays at 9.30pm) is due to continue until the end of June and may I say what an excellent programme it is with Robbie presenting a super mixture of old and new. I’ve managed (thanks to Ian, my brother, who is a keen fan of ‘Reel Blend’) to catch all the reent shows. Names from the past like Johnstone’s Accordion Band, Lindsay Ross, Peter White from Cumnock and the Mansfield Singers. Great to hear all these artistes again!
Worthy of Mention
Two bands made their first broadcast recently and are very worthy of a mention. On ‘TTF’ Graham Ross and his Band presented one of the best rehearsed sessions I’ve heard in a long time. They really were excellent. I met Graham at the Armadale Club recently and he really is a first-class three-row player with a smoothness of playing only the best can achieve. Apart from that he is a very quiet and unassuming chap. All the boys played their part well in the broadcast, but if may single out 15-year-old Graham Jamieson who is undoubtedly one of the drummers of the future. Providing he ’keeps the heid’ (as they say) he will make it and be in big demand.
First Broadcast
On Radio Forth, young Robert Black and his Band made their very first broadcast recently and again it was excellent. Robert, playing his Golina (which served another great bandleader well prior to Robert’s acquisition. It was Ronnie Easton’s broadcasting box!) provided some of the best music I’ve heard in years.
With bands like these two youngsters have, the music is safe for evermore and will no doubt continue to grow in popularity, thanks to the interest being shown by the enthusiasts and punters alike.
As if to underline the fact – Radio forth have just started to repeat ‘Folk’s Around Robin’ on a Saturday night. So with the show going out on Monday’s from 7 – 8pm., Thursdays on Radio Tay from 7-8 and Saturdays on Radio forth from 8-9pm folk in the East have a real feast of Scottish Dance music.
Radio Forth and Radio Clyde have joined forces too to go out and about round the country to record a series of programmes for transmission later called ‘The Sound of Scotland.’ Jim MacLeod features in the series.
Touch of Tartan
On 23rd April, Radio Forth are recording a show in the Playhouse Theatre with John Carmichael, Kenneth McKellar and The Tartan Lads to name but a few. ‘A Touch of Tartan’ is the show’s name and if you want to be in the audience get your ticket now.
Another audience show is Radio Forth’s ‘Accordion ‘82’ which will take place in November, but the reason for mentioning it so early is to remind all budding composers that Robin Brock is now accepting entries for the tune competitions. There’s a cup and a £50 cheque for the winners of the accordion tune and the fiddle tune. Send either you manuscript copy or a tape of the tune to Robin Brock at Radio Forth. The winners will be presented with their awards at ‘Accordion 82’ in the Playhouse, Edinburgh, in November.
Back to Health
Robin missed last year’s show, having been rushed to hospital a few days before for a major gall bladder operation. I’m glad to report he’s almost back to full health once again.
Before I finish I must take the opportunity to thank all of you who wrote to me personally and to the ‘B&F’ about ‘The Reel Radio’ column. No doubt I’ve made some enemies over the years, but I’ve made a lot of friends too.
I would also like to thank the various radio shows and presenters of the various radio shows for their unfailing help in providing information for the column.
Have a good holiday, folks, and happy listening!!
Jimmy Shand
by Jimmy Clinkscale
After a recording career spanning almost 50 years, Jimmy Shand still has no plans to finally call it a day – and who would want him to? His records still sell well and his latest – ‘Scotland My Home’ – is a fine collection, well worthy of the Shand name.
So mach has been said and written about the man that there are few new angles to look at from any vantage point. Such is the nature of Jimmy’s career, a career which has seen him inspire, encourage and entrance players of all ages and give a definitive name and face to Scottish dance music.
Everyone has heard of Jimmy Shand. The name is now almost indelibly stamped on the Scottish public’s genetic consciousness, but Jimmy himself remains, well, just Jimmy. Eager to praise others above himself, modest of his own contribution.
His old Producer George Martin, for instance, is one of the first to receive a mention.
“George gave me faith to keep playing after I had been seriously ill” Jimmy confessed during a recent interview in Edinburgh’s Craighall Studios.
“He was one of the finest men I ever met. I thought I would be finished with recordings in the mid-50s, but when George took over from Oscar Preuse as Parlophone’s Scottish Producer he just told me to come down to London and record whenever I felt like it. That flexibility was just what I needed. Bryce Laing of Waverley Records who I’ve been recording with over the last 13 years is just the same.”
Jimmy recalls going down to London at that time on his own and recording ‘Happy Hours’ with George Martin. The band also did an impromptu session with the Stuart Gordon Singers, with Johnnie Pearson on piano and recorded ‘Singing with Jimmy Shand.’
“That record still sells well to this day” says Jimmy with affection. “Bert Weedon even accompanied me on some of the recordings.
“George Martin just said to me ‘There are years and years of playing in you yet!’ You felt you were letting people down if you didn’t record.
“My name was known through gramophone records before I even played at some places. You were a myth to the public before they say you.
“I remember playing in Peebles once while I was working for Forbes of Dundee. It was an exhibition. Chrissie Leatham, Louis Cabrelli and Tommy Muirhead were also there, all great players.
“There was a great interest in accordion music that night, played in all their own styles and mannerisms. There was a local man there with his family and the wee lass said afterwards, referring to me ‘the man just stood and the sound came.’ “
Characteristically, Jimmy goes on to criticise himself.
“The time when I most needed help was when I wanted to write music. My music teacher once said to ma after I’d played the strathspey ‘The Marquis of Huntly’s Farewell,’ if you saw that in print Jimmy you would get a fright. I didn’t play the music as it was written.
“I just read music slowly, but when making up selections for recordings and broadcasts you got tunes that didn’t have the right lead-in, then you were left with no option but to get on and write your own.”
Then comes the philosophy.
“I strongly believe there is always someone, somewhere, sitting at a fireside, that could put up as good a show if not better than some of the professionals.
“When you read the music papers these days you can see how many youngsters there are. There is more music today than ever in history. There are so many that you can hardly name them all. I wouldn’t try what they are playing today.”
And then on to the tours and the Press.
“My first tour abroad was in 1955. That was in Canada with Robert Wilson, Margaret Mitchell, Jack Anthony, Roberto Ricardo and Jimmy Neill.”
“We had no free nights for nine weeks. I went back again recently, two years ago in fact, at the request of my friends Mr and Mrs Clem MacLean, Orangeville, Canada, to do a one-night charity show in the Sheraton Hotel, Toronto.”
Jimmy even remember the exact date – April 14 – and adds two other names, Alasdair Gillies and Stan Hamilton who backed him.
“I’ve had a few bad reviews in my time though. The reporter was often the only one who didn’t like me. The main complaint was that I never smiled, but I was always too busy concentrating.
I was never a lover of publicity and will be the same until I go to the grave. I just can’t be bothered with fuss, never did get used to it.”
Jimmy goes on to outline the development of the Hohner Morino accordion which he and Charles Forbes helped to design before the war, in 1938, in conjunction with Hohner of Germany. The finished product was a 40 treble – 105 bass, Hohner Morino Special, and the first was delivered in June, 1939, to Jimmy, which he used for many years. Jimmy says “after the war I was asked if I wanted a new accordion, and I thought if I ordered four, I would be sure to get one, but to my surprise when the railway lorry arrived at my door in Sutherland Street, Dundee, with the packing case, it consisted of four new Shand Morino models.”
The specification of this instrument was 46 Treble buttons – 117 bass, four sets of treble reeds – five sets of bass reeds. Five treble and two bass registers. They weren’t very good but they matured with the years” says Jimmy. “There was no kick or anything because it was new wood. Morino stormed out of the room when I told him my complaints. I was a thorn in Hohner’s flesh for a long time with my opinions, but they never paid attention. At least I was honest about it”.
But on to the new record.
It has 14 tracks, all of them, except two, written or arranged by Jimmy himself. He has even written his own sleeve notes about their origins.
‘Marie MacLean’s Wedding March’ for example was written on the plane to Canada for the charity show mentioned above, while ‘Alexander Blue of Dunning’ is dedicated to Jimmy Blue’s father, whom Jimmy met in Perth Royal Infirmary.
“I was greatly impressed by the pride he had for his son’s achievements” says the sleeve notes.
It was recorded quickly, taking only two sessions. A politely framed question suggesting that perhaps Jimmy may be wanting to give up recording met with a not entirely unexpected hunch of the shoulders. Jimmy’s obviously got a long way to go yet!
But he says he never picks up the accordion now unless he has to.
“I never refuse to play in the house if I am asked to” he adds.
“We had Australian visitors a few weeks ago. All of a sudden a knock came to the door. It was a Polish lad, he had brought a woman from Kelso who wanted me to go down to the Borders and play for her there.
“I said I couldn’t, but I played ‘Moonlight and Roses’ for her as she went down the path, happy as anything.”
Playing to folk obviously still gives Jimmy a lot of pleasure. “To me, playing for the old folk in a Church Hall is as important as the biggest concert in the country. You are always pleased that folk are interested.”
And interested they are indeed. Jimmy still received countless visits and letters from friends and fans at home and abroad. His home in Achtermuchty – which he built himself with the help of his son Jimmy Jnr and friends – is still Open House and as welcoming as ever.
But Jimmy hates answering letters.
“I would much rather ‘phone than write” he says “Oh, oh everyone will be expecting a call now!”
Accordions Galore Concert at Ayr
by Ian Smith
The Ayr Branch of the Arthritis and Rheumatism Council of Research held a concert in the Pavilion Theatre, Ayr, on 4th April. A capacity filled house enjoyed the concert for sheer quality which could not be surpassed.
The show, compered by Peter Paterson of Bellshill got off to a great start with the John Carmichael SDB (woth John Crawford (piano), Billy Thom (drums), G. Robb and D. Findlay (guitars) and that extrovert John Carmichael on accordion).
The band had great lift and drive and in just a few seconds the feet were going and the hands were clapping. A great beginning and the tempo was kept going with the John McKenna Irish Dancers, young John Morgan on accordion and ace fiddler Charlie Cowie from Stranraer.
Sheila Johnstone and Forbes Wallace of Ayr Operatic Society sang beautifully. The delightful Tartan Lassies, sisters Shona and Karin Leitch, accordions, with Lynda Harkness on fiddle, did their spot in style. They were followed by two young girls whose high number was ‘The Birdie Song.’ They were accordionists Nicola Paterson and Lynn Mair. The first half ended with a session by the Wardlaw SDB (Kenny & Stuart Thomson (accordions), Gordon Simpson (fiddle), Jim Clark (piano), Derek Hamilton (drums), Dave Watters (bass)). A great ending to the first half. Could the second half be better?
The first spot in the second half was taken up with the Jimmy Blair Accordion Orchestra, conducted by Mrs Loretta Blair. The case was proved by these young people who seem to get better the more one hears then. Great start to the second half.
The unintended start of the show then took the stage. Twelve-year-old Diane Armstrong on the accordion took the Pavilion apart with her virtuosity. All the experts at the back of the stage couldn’t contain their admiration. ‘A second Pearl Fawcett’, ‘Magic!’, ‘I’m hanging up my box!’, ‘Unbelievable.’ These were just a few of the comments.
The show continued on this high level right to the end. Peter Paterson sang a couple of rousing songs, then the Senior Scottish Accordion Champion of 1980 and 81 Richard Ross played for us. First-class stuff.
The John Carmichael Band then proceeded to a grand finale and stramash.
There can’t have been any complaints about the show, especially when the amount raised for charity was £600.
Compliments tp everyone who helped to organize this slick affair.
CLUB DIARY
Aberdeen (Queen’s Hotel) –
Alnwick (Nag’s Head) – members only
Armadale (Rob Roy Inn) –
Balloch (Griffin Hotel, Alexandria) – 18 Apr 82 The Currie Brothers 30 Apr 82 Annual Dance Iain MacPhail SDB
Banchory (Burnett Arms Hotel) – 26 Apr 82 Graham Geddes SDB
Banff (Royal Oak Hotel) –
Beith (Anderson Hotel) – 19 Apr 82 Duncan McCallum SDB
Biggar (Clydesdale Hotel) –
Buchan (Buchaness Hotel) –
Campbeltown (Argyll Arms) –
Castle Douglas (Ernespie Hotel) –
Cleland (Dalrymple House) –
Coupar Angus (Royal Hotel) –
Crieff (Arduthie Hotel) – 6 May 82 Alex MacArthur
Cumnock (Tup Inn) – 20 Apr 82 Donaldson Brothers
Dalriada (Royal Hotel, Lochgilphead) –
Denny & Dunipace (Dunipace Junior Social Club) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dumfries (Oughton’s Restaurant) -
Dunblane (Hydro) – 11 May 82 Donaldson Brothers 15 May 82 Barn Dance, Redhill Farm, Millhall, Fallin Road, Stirling Wallochmore Ceilidh Band
Dundee (Queen’s Hotel, Nethergate) – 6 May 82 Kingdom of Fife A&F Club
Dunfermline (Unitas Hall) –
East Kilbride (Stuart Hotel) – 27 Apr 82 Iain MacPhail & Brian Griffin
Edinburgh (The Berry Suite, Abbey Hill) – 21 Apr 82 Walter Perrie 19 May 82 Annual Dance Jim Johnstone SDB
Falkirk (Park Hotel) –
Fintry (Clachan Hotel) – 26 Apr 82 Iain MacPhail & Brian Griffin
Forres (Brig Motel) – 12 May 82 John Huband & the Tayside Sound 21 May 82 Youth Night + The Currie Brothers in Town Hall
Fort William (Highland Hotel) – 20 Apr 82 The Black Family
Galston (Barr Castle Social Club, Galston) –
Glendale (Black Bull Hotel – Wooler) – members only
Gorebridge (Rangers FC Social Club) – 13 May 82 Walter Perrie
Highland/ Inverness (Drumossie Hotel) – 17 May 82 Willie Simpson Trio
Kelso (Cross Key’s Hotel) –
Kintore (Crown Hotel) – 5 May 82 The Currie Brothers
Langholm (Crown Hotel) –
Lesmahagow (Craignethan Hotel) – 6 May 82 Paddy Neary 3 June Club Night 1 July Club Night 5 Aug Club Night 2 Sept AGM
Livingston (Cameron Ironworks Social Club) –
Lockerbie (Queen’s Hotel) – 27 Apr 82 Addie Harper Trio
M.A.F.I.A. (Black Bull, Milngavie) – 6 May 82 Wallochmore Ceilidh Band
Monkland (Eastercroft Hotel, Caldercruix, Airdrie) – 5 Apr 82 Club Night
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) –
Newton St Boswells (Railway Hotel) –
North Cumbria (Huntsman Inn – Penton) – 21 May 82 Dinner Dance John Douglas Trio
North East (Seafield Arms, Keith) – 15 May 82 Festival
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Ex-Servicemen’s Club) – 29 Apr 82 John Crawford SDB 28 May 82 Dance to Alex MacArthur SDB
Perth (Salutation Hotel) – 18 May 82 Wallocjmore Ceilidh Band
Premier NI (Wilson’s of Crumlin) -
Renfrew (Glynhill Hotel)
Rothbury (Queen’s Head Hotel)
Shetland (venue?)
Stranraer (Buck’s Head Hotel) – 5 Apr 82 Alastair Hunter
Thurso (Pentland Hotel) – 5 Apr 82 Marian Anderson
Turriff (Royal Oak Hotel) -
Tynedale (The Royal Hotel, Hexham) -
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Balloch
3. Banchory
4. Banff & District
5. Coquetdale
6. Crieff & District
7. Cumnock & District
8. Dalriada
9. Derwentside
10. Dingwall
11. Dunblane & District
12. Edinburgh
13. Fintry
14. Forres
15. Fort William
16. Highland
17. Kelso
18. Kintore
19. Lesmahagow
20. Livingston
21. Lockerbie
22. M.A.F.I.A.
23. Newtongrange
24. North Cumbria
25. North East
26. Ormiston
27. Peebles
28. Stranraer
29. Thurso
30. Walmer (Bridge of Allan)
31. Wick
CLUB DIRECTORY AS AT SEPT 1981 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1980) originally called Bathgate Club (for 2 months)
4. Balloch A&F Club (Sept 1971)
5. Banchory A&F Club (1978)
6. Banff & District A&F Club (Oct 1973)
7. Beith & District A&F Club (Sept 1971)
8. Biggar A&F Club (Oct 1974)
9. Buchan A&F Club
10. Campbeltown & District A&F Club (c Dec 1980)
11. Castle Douglas A&F Club (c Sept 1980)
12. Crieff A&F Club (cSept 1981)
13. Cumnock A&F Club
14. Dalriada A&F Club (cMar 1981)
15. Denny & Dunipace A&F Club (c Nov 1980)
16. Derwentside A&F Club
17. Dingwall & District (Aug 1979)
18. Cleland (cNov 1981) originally called Drumpellier A&F Club (for 2 months)
19. Dumfries Accordion Club (Oughton’s) (April 1965)
20. Dunblane & District A&F Club (1971)
21. Dundee & District A&F Club
22. Dunfermline & District A&F Club
23. East Kilbride A&F Club (Sept 1980)
24. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
25. Falkirk A&F Club
26. Forres A&F Club (Jan 1978)
27. Fort William A&F Club (Oct 1980)
28. Galston A&F Club (1969)
29. Glendale Accordion Club (Jan 1973)
30. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
31. Greenhead Accordion Club (Hexham)
32. Highland A&F Club (Inverness)
33. Islesteps A&F Club (Jan 1981)
34. Kelso A&F Club (May 1976)
35. Kintore A&F Club
36. Kirriemuir A&F Club (cSept 1981)
37. Langholm A&F Club (Oct 1967)
38. Lesmahagow A&F Club (Oct 1980)
39. Livingston A&F Club (Sept 1973)
40. Lockerbie A&F Club (Nov 1973)
41. M.A.F.I.A.
42. Monkland A&F Club
43. Newcastleton Accordion Club
44. Newtongrange A&F Club (Oct 1977)
45. Newton St Boswells Accordion Club
46. North Cumbria A&F Club
47. North East A&F Club aka Keith A&FC (Sept 1971)
48. Oban A&F Club (Nov 1975)
49. Orkney A&F Club (Mar 1978)
50. Ormiston Miners’ Welfare Society A&F Club
51. Peebles A&F Club (26 Nov 1981)
52. Perth & District A&F Club (Aug 1970)
53. Premier A&F Club NI (cNov 1980)
54. Rothbury Accordion Club (Feb 1974)
55. Shetland A&F Club (Sept 1978)
56. Stranraer & District Accordion Club
57. Thurso A&F Club (cSept 1981)
58. Turriff A&F Club (March 1982)
59. Tynedale A&F Club (Nov 1980)
60. Walmer A&F Club (Walmer Hotel, Bridge of Allan, Stirlingshire) (c March 1982)
61. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
62. Bonchester Accordion Club (Closed?)
63. Club Accord
64. Coquetdale
65. Coupar Angus A&F Club
66. Dunbar Cement Works A&F Club (Closed?)
67. Fintry A&F Club
68. Gretna A&F Club (June 1966)
69. New Cumnock A&F Club
70. Renfrew A&F Club
71. Straiton Accordion Club (opened? 3rd club to open – closed March 1979)
72. Torthorwald A&F Club (near Dumfries)
73. Wellbank A&F Club
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B&F Treasurer – Mrs Mary Plunkett, 2 Dounan Road, Dunragit, Wigtownshire
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Here we are then at the end of another season. In some ways it’s a pity, for Clubs are swinging along in great style, but, on the other hand, it’s great to look forward to a break from organizing and planning.
Looking ahead to the spring and summer, we find that there is quite a lot going on. Festivals, weekends, concerts etc., so, in a way, although most Clubs will be closed, there is something going on somewhere.
Talking about weekends, remember the AGM Weekend. The more Clubs are involved with the AGM the clearer the picture arrived at on how people think. So send your delegates.
The ‘Box and Fiddle’ wishes to thank all those who contributed Club news, articles and a big thank you to our photographers who let us see ourselves as others see us.
To our advertisers who chose us to show their wares, we trust you were pleased with our efforts.
Finally, may we express our thanks to Les Robinson for his interesting articles about the intestines of the box and Jimmy Clinkscale, whose stories about the top players made fascinating reading.
See you come September.
Successful Festival at Musselburgh
by Norrie Williams
On behalf of the Musselburgh Festival Committee, may I express warmest thanks to all who contributed in whatever capacity to this year’s event.
To the stewards, announcers, clerks, accompanists, etc., who, in the main, come from the following member Clubs (my apologies for any omissions) - Beith, Dundee, Dunfermline, East Kilbride, Galston, Newtongrange, Newton St Boswells, Perth and Stranraer.
This dedicated band was augmented by the Association main Executive in force (only the Secretary, Andrew Nairn, was missing due to a bad bout of flu) and by non-Association helpers from the Stirling area and from Glasgow Caledonian S&R Society. All the abovementioned, despite a long, hard day’s work, were still smiling at the end of it.
And talking of long days, the adjudicators deserve special mention for their marathon stints, extending in some cases from 9am to 6pm. Their judgments would also appear to have met with general approval – only a few isolated differences of opinion on that score – there would be something far wrong if this was not the case.
Still on the long hours theme, many commented on the courteous and pleasant manner of the refreshments catering staff even after a 12-hour duty spell.
Many thanks to Jim Johnstone and his staff who had the Brunton Halls and the nearby Congregational Church Hall perfectly organised for our use and comfort and who lent a willing hand throughout the day whenever required.
Incidentally, Jim himself was very disappointed at being unable to be around on the Saturday, but he also had the flu bug, as did Freeland Barbour of the BBC who had intended coming along.
Mention of Freeland reminds me that we are indebted to Radio Scotland (Robbie Shepherd), Radio Forth (Robin Brock) and Radio West Sound (John Carmichael) for their excellent advance publicity and reporting of the Festival. Only unforeseen priority demands on staff and recording equipment prevented a Radio Scotland team from covering the concert.
Once again the Musselburgh local newspapers did the Festival proud, both before and after the event. We are very fortunate that one reporter in particular is a real enthusiast and has our ‘message’ very much at heart – the coverage is both full and well informed.
The Clinkscale Roadshow with Jimmy Snr himself in attendance was a welcome ‘fringe’ to the Festival and just put the finishing touches.
And now right to the jeart of the matter – the competitors. Our warmest thanks to all 159 of you (and your 303 entries). You gave us everything we were looking for and more. Every year I imagine that the standard of playing must surely reach its peak, but although I am normally right (I’m perfect, not bigheaded) I’m wrong again! The hours of practice that must have been put in to produce these performances.
Whether place or not every one of you contributed that little individual something which makes the Festival what it is.
I would not normally single out a competitor for special mention, but on this occasion I feel justified. The organizing Committee were delighted that for the first time a full sic-piece band made up entirely of young players (oldest 15) was entered – the ‘Dundee Accordion and Fiddle Club Junior Band.’ Unplaced maybe, but the audience response said it all. On this showing against experienced senior opposition of professional standard, their day must surely be not far away. We sincerely hope their example will encourage more young folk to have a go at group playing.
As already reported by the Editor in the March issue the concert was highly successful. In addition to our thanks to all the artistes a very big thank you to ‘Alex Little M.C.’ – it just could not and would not be the same without you Alex.
And two final bouquets, firstly to that most knowledgeable band of enthusiasts, the audience, who carry the competitors through thick and thin. Their tremendous support is indispensable in encouraging and consoling through the tensions of the day.
Last, but not least, to John Huband and the Tayside Sound for a great finish to a most enjoyable day. A well balanced sound and good music well played. Thank you John and to all those who came and supported the dance.
For the record and for all their unstinting efforts (and so that they can share the blame) the Festival Committee are :-
Mrs Joan Blue (Perth)
Eddie MacDonald (Dundee)
Anne and Bob Scott (Lochgelly) and
Willie Wilson (Beith)
And I haven’t forgotten the Secretary – you see I have been living with her and have been for some time!! Thank you Sheila.
The Reel Radio
by Derek Hamilton
Here it is then – the last Reel Radio column by yours truly. So let’s end on a bright note by looking to the future and all the good things that will be coming our way via the Radio Stations during the close season.
The BBC have been auditioning quiet a few new bands who will get an airing during the summer months. For example, there’s Dennis Morrison who does his first broadcast on 17th April 82.
Graham Geddes and his Band appear on 15th May and on 22nd May a second broadcast for young Robert MacLeod, son of the legendary Bobby of Tobermory.
Elite Band
On 29th May another band new to broadcasting appears – Charlie Kirkpatrick and his Band. Charlie is a three-row button-box player – one of a small elite band of box players who own a black three-row Morino. Just for the record (or broadcast rather!) Charlie has with him John Carmichael on second box, Billy Grant on drums, Euon Miller on bass and a certain half-baked, bionic-eared pianist of one note!!
Other bands to look out for are The Cullievoe Dance Band from Shetland and the Foundry Bar Band who are having a first broadcast.
Old favourites are not forgotten of course. Jim MacLeod ‘Takes the Floor’ to Coylumbridge Hotel on 24th April for a one-off live session. Jim’ incidentally, has just started up his own record label – J.D.M. Records – and has issued his first LP which is a compilation of some older Decca tracks, but some new stuff will be coming in the not-too-distant future.
On 1st May the BBC’s ‘TTF’ takes on a new look – or indeed revives an old look. The ‘Deil’ disappears as the signature tune and Freeland Barbour had decided to bring back the old favourite ‘Kate Dalrymple’ which served the programme admirably for so many years.
In conjunction with this, on that nigh the band will be a long-loved name – Angus Fitchet. Angus has got together a band of All-Stars for a session and that should be a real cracker!
The following week, on 8th May, Ian Holmes celebrates 20 years, exactly to the day, of broadcasting. Yes, Ian Holmes and his Band first broadcast on 8th May, 1962, so it’s fitting that Freeland Barbour has chosen to broadcast Ian’s latest session on that day this year.
Return Visit
Andrew Rankine makes a return visit from his exile in Leicester to record another set for ‘TTF’ which will come out early in May and the Wallochmore Ceilidh Band have a session lined up too.
July and August will see a series of repeats from the series which started in October.
‘TTF’ will then go out and about for a short season in the autumn.
On 10th June the BBC will be recording a one-off session in Keith, so all locals in that area should look out for details of that event.
The present series of the ‘Reel Blend’ (Robbie shepherd, Fridays at 9.30pm) is due to continue until the end of June and may I say what an excellent programme it is with Robbie presenting a super mixture of old and new. I’ve managed (thanks to Ian, my brother, who is a keen fan of ‘Reel Blend’) to catch all the reent shows. Names from the past like Johnstone’s Accordion Band, Lindsay Ross, Peter White from Cumnock and the Mansfield Singers. Great to hear all these artistes again!
Worthy of Mention
Two bands made their first broadcast recently and are very worthy of a mention. On ‘TTF’ Graham Ross and his Band presented one of the best rehearsed sessions I’ve heard in a long time. They really were excellent. I met Graham at the Armadale Club recently and he really is a first-class three-row player with a smoothness of playing only the best can achieve. Apart from that he is a very quiet and unassuming chap. All the boys played their part well in the broadcast, but if may single out 15-year-old Graham Jamieson who is undoubtedly one of the drummers of the future. Providing he ’keeps the heid’ (as they say) he will make it and be in big demand.
First Broadcast
On Radio Forth, young Robert Black and his Band made their very first broadcast recently and again it was excellent. Robert, playing his Golina (which served another great bandleader well prior to Robert’s acquisition. It was Ronnie Easton’s broadcasting box!) provided some of the best music I’ve heard in years.
With bands like these two youngsters have, the music is safe for evermore and will no doubt continue to grow in popularity, thanks to the interest being shown by the enthusiasts and punters alike.
As if to underline the fact – Radio forth have just started to repeat ‘Folk’s Around Robin’ on a Saturday night. So with the show going out on Monday’s from 7 – 8pm., Thursdays on Radio Tay from 7-8 and Saturdays on Radio forth from 8-9pm folk in the East have a real feast of Scottish Dance music.
Radio Forth and Radio Clyde have joined forces too to go out and about round the country to record a series of programmes for transmission later called ‘The Sound of Scotland.’ Jim MacLeod features in the series.
Touch of Tartan
On 23rd April, Radio Forth are recording a show in the Playhouse Theatre with John Carmichael, Kenneth McKellar and The Tartan Lads to name but a few. ‘A Touch of Tartan’ is the show’s name and if you want to be in the audience get your ticket now.
Another audience show is Radio Forth’s ‘Accordion ‘82’ which will take place in November, but the reason for mentioning it so early is to remind all budding composers that Robin Brock is now accepting entries for the tune competitions. There’s a cup and a £50 cheque for the winners of the accordion tune and the fiddle tune. Send either you manuscript copy or a tape of the tune to Robin Brock at Radio Forth. The winners will be presented with their awards at ‘Accordion 82’ in the Playhouse, Edinburgh, in November.
Back to Health
Robin missed last year’s show, having been rushed to hospital a few days before for a major gall bladder operation. I’m glad to report he’s almost back to full health once again.
Before I finish I must take the opportunity to thank all of you who wrote to me personally and to the ‘B&F’ about ‘The Reel Radio’ column. No doubt I’ve made some enemies over the years, but I’ve made a lot of friends too.
I would also like to thank the various radio shows and presenters of the various radio shows for their unfailing help in providing information for the column.
Have a good holiday, folks, and happy listening!!
Jimmy Shand
by Jimmy Clinkscale
After a recording career spanning almost 50 years, Jimmy Shand still has no plans to finally call it a day – and who would want him to? His records still sell well and his latest – ‘Scotland My Home’ – is a fine collection, well worthy of the Shand name.
So mach has been said and written about the man that there are few new angles to look at from any vantage point. Such is the nature of Jimmy’s career, a career which has seen him inspire, encourage and entrance players of all ages and give a definitive name and face to Scottish dance music.
Everyone has heard of Jimmy Shand. The name is now almost indelibly stamped on the Scottish public’s genetic consciousness, but Jimmy himself remains, well, just Jimmy. Eager to praise others above himself, modest of his own contribution.
His old Producer George Martin, for instance, is one of the first to receive a mention.
“George gave me faith to keep playing after I had been seriously ill” Jimmy confessed during a recent interview in Edinburgh’s Craighall Studios.
“He was one of the finest men I ever met. I thought I would be finished with recordings in the mid-50s, but when George took over from Oscar Preuse as Parlophone’s Scottish Producer he just told me to come down to London and record whenever I felt like it. That flexibility was just what I needed. Bryce Laing of Waverley Records who I’ve been recording with over the last 13 years is just the same.”
Jimmy recalls going down to London at that time on his own and recording ‘Happy Hours’ with George Martin. The band also did an impromptu session with the Stuart Gordon Singers, with Johnnie Pearson on piano and recorded ‘Singing with Jimmy Shand.’
“That record still sells well to this day” says Jimmy with affection. “Bert Weedon even accompanied me on some of the recordings.
“George Martin just said to me ‘There are years and years of playing in you yet!’ You felt you were letting people down if you didn’t record.
“My name was known through gramophone records before I even played at some places. You were a myth to the public before they say you.
“I remember playing in Peebles once while I was working for Forbes of Dundee. It was an exhibition. Chrissie Leatham, Louis Cabrelli and Tommy Muirhead were also there, all great players.
“There was a great interest in accordion music that night, played in all their own styles and mannerisms. There was a local man there with his family and the wee lass said afterwards, referring to me ‘the man just stood and the sound came.’ “
Characteristically, Jimmy goes on to criticise himself.
“The time when I most needed help was when I wanted to write music. My music teacher once said to ma after I’d played the strathspey ‘The Marquis of Huntly’s Farewell,’ if you saw that in print Jimmy you would get a fright. I didn’t play the music as it was written.
“I just read music slowly, but when making up selections for recordings and broadcasts you got tunes that didn’t have the right lead-in, then you were left with no option but to get on and write your own.”
Then comes the philosophy.
“I strongly believe there is always someone, somewhere, sitting at a fireside, that could put up as good a show if not better than some of the professionals.
“When you read the music papers these days you can see how many youngsters there are. There is more music today than ever in history. There are so many that you can hardly name them all. I wouldn’t try what they are playing today.”
And then on to the tours and the Press.
“My first tour abroad was in 1955. That was in Canada with Robert Wilson, Margaret Mitchell, Jack Anthony, Roberto Ricardo and Jimmy Neill.”
“We had no free nights for nine weeks. I went back again recently, two years ago in fact, at the request of my friends Mr and Mrs Clem MacLean, Orangeville, Canada, to do a one-night charity show in the Sheraton Hotel, Toronto.”
Jimmy even remember the exact date – April 14 – and adds two other names, Alasdair Gillies and Stan Hamilton who backed him.
“I’ve had a few bad reviews in my time though. The reporter was often the only one who didn’t like me. The main complaint was that I never smiled, but I was always too busy concentrating.
I was never a lover of publicity and will be the same until I go to the grave. I just can’t be bothered with fuss, never did get used to it.”
Jimmy goes on to outline the development of the Hohner Morino accordion which he and Charles Forbes helped to design before the war, in 1938, in conjunction with Hohner of Germany. The finished product was a 40 treble – 105 bass, Hohner Morino Special, and the first was delivered in June, 1939, to Jimmy, which he used for many years. Jimmy says “after the war I was asked if I wanted a new accordion, and I thought if I ordered four, I would be sure to get one, but to my surprise when the railway lorry arrived at my door in Sutherland Street, Dundee, with the packing case, it consisted of four new Shand Morino models.”
The specification of this instrument was 46 Treble buttons – 117 bass, four sets of treble reeds – five sets of bass reeds. Five treble and two bass registers. They weren’t very good but they matured with the years” says Jimmy. “There was no kick or anything because it was new wood. Morino stormed out of the room when I told him my complaints. I was a thorn in Hohner’s flesh for a long time with my opinions, but they never paid attention. At least I was honest about it”.
But on to the new record.
It has 14 tracks, all of them, except two, written or arranged by Jimmy himself. He has even written his own sleeve notes about their origins.
‘Marie MacLean’s Wedding March’ for example was written on the plane to Canada for the charity show mentioned above, while ‘Alexander Blue of Dunning’ is dedicated to Jimmy Blue’s father, whom Jimmy met in Perth Royal Infirmary.
“I was greatly impressed by the pride he had for his son’s achievements” says the sleeve notes.
It was recorded quickly, taking only two sessions. A politely framed question suggesting that perhaps Jimmy may be wanting to give up recording met with a not entirely unexpected hunch of the shoulders. Jimmy’s obviously got a long way to go yet!
But he says he never picks up the accordion now unless he has to.
“I never refuse to play in the house if I am asked to” he adds.
“We had Australian visitors a few weeks ago. All of a sudden a knock came to the door. It was a Polish lad, he had brought a woman from Kelso who wanted me to go down to the Borders and play for her there.
“I said I couldn’t, but I played ‘Moonlight and Roses’ for her as she went down the path, happy as anything.”
Playing to folk obviously still gives Jimmy a lot of pleasure. “To me, playing for the old folk in a Church Hall is as important as the biggest concert in the country. You are always pleased that folk are interested.”
And interested they are indeed. Jimmy still received countless visits and letters from friends and fans at home and abroad. His home in Achtermuchty – which he built himself with the help of his son Jimmy Jnr and friends – is still Open House and as welcoming as ever.
But Jimmy hates answering letters.
“I would much rather ‘phone than write” he says “Oh, oh everyone will be expecting a call now!”
Accordions Galore Concert at Ayr
by Ian Smith
The Ayr Branch of the Arthritis and Rheumatism Council of Research held a concert in the Pavilion Theatre, Ayr, on 4th April. A capacity filled house enjoyed the concert for sheer quality which could not be surpassed.
The show, compered by Peter Paterson of Bellshill got off to a great start with the John Carmichael SDB (woth John Crawford (piano), Billy Thom (drums), G. Robb and D. Findlay (guitars) and that extrovert John Carmichael on accordion).
The band had great lift and drive and in just a few seconds the feet were going and the hands were clapping. A great beginning and the tempo was kept going with the John McKenna Irish Dancers, young John Morgan on accordion and ace fiddler Charlie Cowie from Stranraer.
Sheila Johnstone and Forbes Wallace of Ayr Operatic Society sang beautifully. The delightful Tartan Lassies, sisters Shona and Karin Leitch, accordions, with Lynda Harkness on fiddle, did their spot in style. They were followed by two young girls whose high number was ‘The Birdie Song.’ They were accordionists Nicola Paterson and Lynn Mair. The first half ended with a session by the Wardlaw SDB (Kenny & Stuart Thomson (accordions), Gordon Simpson (fiddle), Jim Clark (piano), Derek Hamilton (drums), Dave Watters (bass)). A great ending to the first half. Could the second half be better?
The first spot in the second half was taken up with the Jimmy Blair Accordion Orchestra, conducted by Mrs Loretta Blair. The case was proved by these young people who seem to get better the more one hears then. Great start to the second half.
The unintended start of the show then took the stage. Twelve-year-old Diane Armstrong on the accordion took the Pavilion apart with her virtuosity. All the experts at the back of the stage couldn’t contain their admiration. ‘A second Pearl Fawcett’, ‘Magic!’, ‘I’m hanging up my box!’, ‘Unbelievable.’ These were just a few of the comments.
The show continued on this high level right to the end. Peter Paterson sang a couple of rousing songs, then the Senior Scottish Accordion Champion of 1980 and 81 Richard Ross played for us. First-class stuff.
The John Carmichael Band then proceeded to a grand finale and stramash.
There can’t have been any complaints about the show, especially when the amount raised for charity was £600.
Compliments tp everyone who helped to organize this slick affair.
CLUB DIARY
Aberdeen (Queen’s Hotel) –
Alnwick (Nag’s Head) – members only
Armadale (Rob Roy Inn) –
Balloch (Griffin Hotel, Alexandria) – 18 Apr 82 The Currie Brothers 30 Apr 82 Annual Dance Iain MacPhail SDB
Banchory (Burnett Arms Hotel) – 26 Apr 82 Graham Geddes SDB
Banff (Royal Oak Hotel) –
Beith (Anderson Hotel) – 19 Apr 82 Duncan McCallum SDB
Biggar (Clydesdale Hotel) –
Buchan (Buchaness Hotel) –
Campbeltown (Argyll Arms) –
Castle Douglas (Ernespie Hotel) –
Cleland (Dalrymple House) –
Coupar Angus (Royal Hotel) –
Crieff (Arduthie Hotel) – 6 May 82 Alex MacArthur
Cumnock (Tup Inn) – 20 Apr 82 Donaldson Brothers
Dalriada (Royal Hotel, Lochgilphead) –
Denny & Dunipace (Dunipace Junior Social Club) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dumfries (Oughton’s Restaurant) -
Dunblane (Hydro) – 11 May 82 Donaldson Brothers 15 May 82 Barn Dance, Redhill Farm, Millhall, Fallin Road, Stirling Wallochmore Ceilidh Band
Dundee (Queen’s Hotel, Nethergate) – 6 May 82 Kingdom of Fife A&F Club
Dunfermline (Unitas Hall) –
East Kilbride (Stuart Hotel) – 27 Apr 82 Iain MacPhail & Brian Griffin
Edinburgh (The Berry Suite, Abbey Hill) – 21 Apr 82 Walter Perrie 19 May 82 Annual Dance Jim Johnstone SDB
Falkirk (Park Hotel) –
Fintry (Clachan Hotel) – 26 Apr 82 Iain MacPhail & Brian Griffin
Forres (Brig Motel) – 12 May 82 John Huband & the Tayside Sound 21 May 82 Youth Night + The Currie Brothers in Town Hall
Fort William (Highland Hotel) – 20 Apr 82 The Black Family
Galston (Barr Castle Social Club, Galston) –
Glendale (Black Bull Hotel – Wooler) – members only
Gorebridge (Rangers FC Social Club) – 13 May 82 Walter Perrie
Highland/ Inverness (Drumossie Hotel) – 17 May 82 Willie Simpson Trio
Kelso (Cross Key’s Hotel) –
Kintore (Crown Hotel) – 5 May 82 The Currie Brothers
Langholm (Crown Hotel) –
Lesmahagow (Craignethan Hotel) – 6 May 82 Paddy Neary 3 June Club Night 1 July Club Night 5 Aug Club Night 2 Sept AGM
Livingston (Cameron Ironworks Social Club) –
Lockerbie (Queen’s Hotel) – 27 Apr 82 Addie Harper Trio
M.A.F.I.A. (Black Bull, Milngavie) – 6 May 82 Wallochmore Ceilidh Band
Monkland (Eastercroft Hotel, Caldercruix, Airdrie) – 5 Apr 82 Club Night
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) –
Newton St Boswells (Railway Hotel) –
North Cumbria (Huntsman Inn – Penton) – 21 May 82 Dinner Dance John Douglas Trio
North East (Seafield Arms, Keith) – 15 May 82 Festival
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Ex-Servicemen’s Club) – 29 Apr 82 John Crawford SDB 28 May 82 Dance to Alex MacArthur SDB
Perth (Salutation Hotel) – 18 May 82 Wallocjmore Ceilidh Band
Premier NI (Wilson’s of Crumlin) -
Renfrew (Glynhill Hotel)
Rothbury (Queen’s Head Hotel)
Shetland (venue?)
Stranraer (Buck’s Head Hotel) – 5 Apr 82 Alastair Hunter
Thurso (Pentland Hotel) – 5 Apr 82 Marian Anderson
Turriff (Royal Oak Hotel) -
Tynedale (The Royal Hotel, Hexham) -
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Balloch
3. Banchory
4. Banff & District
5. Coquetdale
6. Crieff & District
7. Cumnock & District
8. Dalriada
9. Derwentside
10. Dingwall
11. Dunblane & District
12. Edinburgh
13. Fintry
14. Forres
15. Fort William
16. Highland
17. Kelso
18. Kintore
19. Lesmahagow
20. Livingston
21. Lockerbie
22. M.A.F.I.A.
23. Newtongrange
24. North Cumbria
25. North East
26. Ormiston
27. Peebles
28. Stranraer
29. Thurso
30. Walmer (Bridge of Allan)
31. Wick
CLUB DIRECTORY AS AT SEPT 1981 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1980) originally called Bathgate Club (for 2 months)
4. Balloch A&F Club (Sept 1971)
5. Banchory A&F Club (1978)
6. Banff & District A&F Club (Oct 1973)
7. Beith & District A&F Club (Sept 1971)
8. Biggar A&F Club (Oct 1974)
9. Buchan A&F Club
10. Campbeltown & District A&F Club (c Dec 1980)
11. Castle Douglas A&F Club (c Sept 1980)
12. Crieff A&F Club (cSept 1981)
13. Cumnock A&F Club
14. Dalriada A&F Club (cMar 1981)
15. Denny & Dunipace A&F Club (c Nov 1980)
16. Derwentside A&F Club
17. Dingwall & District (Aug 1979)
18. Cleland (cNov 1981) originally called Drumpellier A&F Club (for 2 months)
19. Dumfries Accordion Club (Oughton’s) (April 1965)
20. Dunblane & District A&F Club (1971)
21. Dundee & District A&F Club
22. Dunfermline & District A&F Club
23. East Kilbride A&F Club (Sept 1980)
24. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
25. Falkirk A&F Club
26. Forres A&F Club (Jan 1978)
27. Fort William A&F Club (Oct 1980)
28. Galston A&F Club (1969)
29. Glendale Accordion Club (Jan 1973)
30. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
31. Greenhead Accordion Club (Hexham)
32. Highland A&F Club (Inverness)
33. Islesteps A&F Club (Jan 1981)
34. Kelso A&F Club (May 1976)
35. Kintore A&F Club
36. Kirriemuir A&F Club (cSept 1981)
37. Langholm A&F Club (Oct 1967)
38. Lesmahagow A&F Club (Oct 1980)
39. Livingston A&F Club (Sept 1973)
40. Lockerbie A&F Club (Nov 1973)
41. M.A.F.I.A.
42. Monkland A&F Club
43. Newcastleton Accordion Club
44. Newtongrange A&F Club (Oct 1977)
45. Newton St Boswells Accordion Club
46. North Cumbria A&F Club
47. North East A&F Club aka Keith A&FC (Sept 1971)
48. Oban A&F Club (Nov 1975)
49. Orkney A&F Club (Mar 1978)
50. Ormiston Miners’ Welfare Society A&F Club
51. Peebles A&F Club (26 Nov 1981)
52. Perth & District A&F Club (Aug 1970)
53. Premier A&F Club NI (cNov 1980)
54. Rothbury Accordion Club (Feb 1974)
55. Shetland A&F Club (Sept 1978)
56. Stranraer & District Accordion Club
57. Thurso A&F Club (cSept 1981)
58. Turriff A&F Club (March 1982)
59. Tynedale A&F Club (Nov 1980)
60. Walmer A&F Club (Walmer Hotel, Bridge of Allan, Stirlingshire) (c March 1982)
61. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
62. Bonchester Accordion Club (Closed?)
63. Club Accord
64. Coquetdale
65. Coupar Angus A&F Club
66. Dunbar Cement Works A&F Club (Closed?)
67. Fintry A&F Club
68. Gretna A&F Club (June 1966)
69. New Cumnock A&F Club
70. Renfrew A&F Club
71. Straiton Accordion Club (opened? 3rd club to open – closed March 1979)
72. Torthorwald A&F Club (near Dumfries)
73. Wellbank A&F Club
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