Box and Fiddle
Year 12 No 03
December 1988
Price 40p
12 pages
8 month subscription £4.60
Joint Editors – Tom Clark, 55 Sutherland Crescent, Dundee, DD2 2HP or Douglas Adamson, 22 Westfield Drive, Forfar, DD8 1EQ
B&F Treasurer – Mrs Cathy Andrew, 22 Lochinver Crescent, Foxbar, Paisley Tele 2824
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Following the disastrous spell in October and the appeal to you in the Oct/Nov issue, there has been a very good response.
My sincere thanks to all who got busy with their pens. This was very welcome and dispelled any concern we had about this issue, so please keep up the good work.
In the approach to Christmas we anticipate some minor problems due to holiday closures, but hopefully your reports will arrive as early as possible to allow us to get moving ahead of the usual deadline date.
From the ‘B&F’ team, the ‘Compliments of the Season’ and every good wish for the coming year.
Tom Clark
Sandy Tulloch
by Tom Clark
It must be approaching 40 years now since I first came into contact with Sandy Tulloch. From the start I couldn’t but be impressed by the dedication of this man and his attention to detail in everything he does. Sandy is a man of many talents. As well as being an Eye Consultant, he found time over the years to reach a high degree of proficiency in many other fields as hobbies, but his first love in his spare time activities has always been for music. Sandy’s musical interests have been widespread, but centred mainly on the accordion and he has always been highly regarded for his prowess on the British Chromatic “Shand Morino”.
In the past few years Sandy has become keenly interested in the Accordion and Fiddle Club at Dundee, and through his regular performances there, I can hear a return to his former playing standard. Sandy’s playing, along with fiddler friend Jim Doig (another relative newcomer to the A&F Club scene) delights regular attenders at the Club. It was with characteristic modesty that Sandy eventually agreed to be featured in the B&F.
“My association with Accordion and Fiddle Clubs only dates from my retirement five years ago, so it was with some diffidence that I agreed to my old friend Tom Clark’s request for a short personal history. He paid me a backhanded compliment by reminding me that ‘I had been around a long time’, in the Scottish music scene. This is certainly true.
As a small boy I had no doubt that the accordion was to be my instrument. I listened to records by Peter and Daniel Wyper and manager to get my own 10 key melodeon at the age of eight.
About 1929 I had a two row 19 key box, still with spoon bass, but in 1934 graduated to the new Hohner Black Dot Double Ray. This was when I met Jimmy Shand in Forbes Music Shop and heard the unmistakable Shand sound for the first time.
I became a medical student in 1936 and played at various student ‘hops’ and hospital concerts. Competitions have never appealed to me, but I did enter a ‘diddling’ competition or two and vividly remember being disqualified in Tealing Hall in 1939 for having a 3 row 34/80 Scandalli.
I also remember being in the Odeon Cinema and hearing a record of accordion music that made me sit up and take notice. I found out from the manager that the numbers were “Happy Hours” and “L’Entrainante” played by Jimmy Shand. This gave me courage to go to Jimmy and ask for lessons. I don’t remember any formal teaching, but we became firm friends, something that has now lasted 50 years.
During my residence in Maryfield Hospital, I was lucky enough to be allowed to sit in with the Shand Band on Monday evenings in the Maitland Street Hall. This gave me a firm grounding in playing for dancing, not only in strict tempo, but in arranging sets of suitable tunes and playing the correct number of bars for the dance. These early days are treasured memories – so many characters to remember. I’m happy to say that many of us still keep in touch.
War now intervened and the R.A.M.C. did not offer much opportunity for playing, but my interest in music continued and I started my (now) fairly extensive collection. I still have a file of “Continentals” I manager to buy in Belgium in 1944.
Demobilisation in 1946 saw me taking up my career again in Glasgow. There are many outstanding memories of that time – playing with the group that went on to be the Strathclyde S.C.D.B. Strict playing for Society Dances sometimes under the stricter eye of the redoubtable Miss Milligan. I was also lucky enough to be appointed Visiting Eye Specialist Argyll and the Inner Isles and had several happy years playing in a much more relaxed atmosphere with the “Taynault Occasionals.”
Jimmy was doing a lot of broadcasting at the time from Glasgow and we managed to keep in regular touch. It was then we discussed the possibility of a new accordion, and after some delay due to post-war difficulties the first four “Hohner Shand Morino Specials” were delivered, and I became the very proud owner of one. The same year, in 1951, I went to the Accordion Festival in London with the Shand Band and well remember helping to block off an over enthusiastic air valve and loosen up a new bass before Jimmy went on stage. Accordions are very individual instruments – no two are exactly alike, and although I prefer my present black Morino I would gladly buy back the original red one, but the present owner (quite rightly) has no intention of parting with it.
A highlight of the London visit was back in the hotel listening to an off duty session by virtuoso Maurice Sittenet of Paris. Continental music continued to fascinate me and I bought a Norwegian 5 row, but I found I was unable to play both instruments and despite its limitations returned to my first love, the diatonic 3 row accordion.
In 1953 I was appointed Eye Consultant Eastern Hospital Region and returned to work in Dundee and Angus. Work did not allow much playing, but with your Editor and other good friends, I had many a happy session playing for some of the Saturday night dances in Rockwell School, and here I must mention the late James McKelvie, a great friend who was a complete ‘natural’ and with his instinct and Charlie Dora’s guidance I was helped along the road to more advanced bass playing.
At the time it was not easy to find printed music, and I started to write tunes on manuscript to add to the collection. Nowadays it is much easier and a great deal of contemporary music has been published and is freely available, but hardly a week passes by without a phone call “Sandy, do you have? Who composed? Who published?” – the home made index is not infallible, but for good friends I can usually oblige.
One disadvantage of a collection dating from 1700 onwards (and playing the tunes for sight reading practice) is the feeling that you have heard quite a lot of it before. Indexing my tapes, I have kept a note of most of the tunes broadcast over a number of years now and it is a sobering thought that the vast majority of ‘new’ tunes have been played only one or twice. Aspiring composers please note – not only has someone thought of it before but only a few – a very few – will go down to posterity.
It is certainly a sign of the age that I find some present day trends fall unkindly on the ear, but I admit change must happen and there is room for all of us. Like the tunes, time will tell. Life would indeed be dull without change and discussion. Long may we continue to have both along with the comradeship the Clubs have to offer.”
As you can see, Sandy seems to have poured himself into this accordion playing with renewed enthusiasm since he retired. I can personally vouch for his indexing system since I am sure I am one of those who phone up quite regularly – and he never fails! I have come across his music on many occasions while playing with others. A piece of manuscript is produced and I can immediately recognise the writing. I still play some of the sets I played with Sandy in Rockwell at Saturday night dances all those years ago.
“Well done Sandy” and keep up the good work.
Blanche McInnes
A Tribute to a Great Lady and Esteemed Musician
by Bill Wilkie
With the passing of Blanche McInnes, those of us who knew her, have experienced profound and inexpressible sadness. The many musicians who were privileged to work with her will never forget the subtle harmonies, the exhilaration and the warmth of her music. Her admirers in their multitude will remember her always, their enjoyment in her inspired piano playing. Most of all will be remembered her sparkling personality, her cheery wave and friendly smile.
Blanche was a professional to her fingertips. Talented and experienced, she was accomplished in every field of piano playing. She accompanied some of the greatest international artistes, as well as our own national celebrities, but still she would happily play the humble dance job.
Irrespective of whether the function was in the tiniest dance hall or Gleneagles Hotel, Blanche would turn up in good time, beautifully dressed as if out of the proverbial band box, ready to give of her very best. She was a great trouper and no matter what conditions prevailed, rain, hail or snow, Blanche would be there.
Following a thorough grounding in pianoforte, under the renowned and demanding teacher, Flora McGlynn, Blanche entered the dance business at the age od 15, when she became a pianist with the Les Hart Band in the Pavilion, Perth. Les and his Band were all established professionals from Glasgow and this no doubt gave Blanche the experience she required for her next job which was with the Big Cavendish Dance Orchestra in the City Hall, Perth. There she worked alongside all the big name bands of the day, Ted Heath, Ken McIntosh, Syril Stapleton etc.
She also accompanied such star performers as Matt Munro. All this while still in her teens or early twenties.
In years to come she played with many top Scottish Bands and appeared with many Scottish shows. She was a popular figure in Perth Theatre, where she joined John Scrimger to accompany the Christmas Pantomimes.
It was as accompanist with the Breath of Scotland and the White Heather Club Shows that she gained international fame.
With both companies she undertook demanding coast to coast tours of Canada and the United States.
She also made more than 60 appearances with the Royal Clansmen on Grampian T.V.
Accordionists will remember Blanche for her brilliant work as accompanist in the Bill Wilkie City Hall shows. She also played piano in Bill Wilkie’s Dance Band for many years.
Blanche, whose home was in Crammond Place, Perth, is survived by her husband, Bill, and daughter Jacqueline, to whom we extend our deepest sympathy.
Three in a Row for Wayne
by ?
Wayne Robertson of Marywell, Arbroath has been playing the accordion for seven years now. Wayne, 14, is a pupil of Arbroath Academy and has always been interested in playing the accordion.
Over the past few years his interests have certainly paid off as this year at Bill Wilkie’s Accordion Festival in Perth he won the Junior Scottish Championship for the third year in a row.
Quite a feat by any standards, but Wayne also went on to win the Junior Scottish Pipe Music Section. For the past five years Wayne has been tutors by Gordon Pattullo who is extremely pleased with his pupil’s progress.
Wayne has also picked up first prizes at the Highlands and Islands Accordion and Fiddle Festival and the Musselburgh Festival. With his successful record of first prizes we certainly look forward to his future career with great interest.
The Stanley Ceilidh
by Bill Black
Once again the ‘Stanley Ceilidh’ has come and gone and again it was an absolutely huge success.
Players and enthusiasts appeared from all parts of Scotland and the North of England and they were treated to a tremendous feat of Scottish music.
My sincere thanks goes to all players and others who travelled so far and helped to make this night yet another one to remember. I must also thank everyone for giving to the collection so generously, as a result of which, the handicapped children will benefit to the tune of £430. That is the most we have collected yet from one of our ceilidh nights.
I would like to say a special thank you to Derek Hendry, Graeme Mitchell, Sandy Harley, Duncan Black and David Fielding for all the help they gave in backing all the various groups who took the stage, and Brian Cruickshank on bass.
A big thank you must also go to Terry Duffin, the manager of the Tayside Hotel for all the help he gave during the evening and morning and also to his staff for being so co-operative in every way.
The evening started off as usual with my own band at around eight o’clock, and from then on it was non-stop music until a quarter to two in the morning, that of course being the official part of the evening, but music could be heard from all corners as daylight was coming in.
Musicians present on the night were :
On accordion – Alex Morrison and Ian Crighton, both from the Isle of Lewis, Sandy Ross from Wester Ross, Neil MacEachern, Duncan Black, Lynn Gould, George Anderson, Graeme Mitchell, George Work, Tracey Rodger, Lindsay Weir, Allison and Fiona Gilfillan, Bruce Quirrie and Jennifer Forrest.
On fiddle – Judith Davidson, Angela Smith, Ian Robertson from London, Stella Wilkie, Neil Dawson, Margaret Quirrie and Mark McDougall.
On piano – Derek Hendry and Ann Black, and of course a great help there from Graeme Mitchell and Duncan Black.
On drums – Sandy Harley, David Fielding and Ian Adamson.
On bass – Brian Cruickshank.
A surprise but nevertheless very welcome visitor appeared during the evening. He was none other than internationally known comedy star Eddie Rose who gave us a very entertaining spot.
As the unofficial part of the night got under way, another band of musicians appeared. Yes, it was Michael Philips and his SDB who had been playing at a function in some other part of the country and then made a dash for Stanley to give us some great music, some of which I’m sure can be heard on his first cassette which will be released any time now.
One man we must not forget as he has been a stalwart at our ceilidh since the beginning. He, of course, is our compere Jim Webster, who worked as always so very hard to keep everything going with a swing.
Plans are already in hand for next year’s ceilidh, which will be held in the Tayside Hotel, the date being the 3rd of November, 1989, so all you players both professional and otherwise, if you want a night to remember, get that date in your diary now, you most certainly will not regret it.
If by any chance I have missed anyone out, please accept my apologies, I can only do my best.
Once again, to everyone who came to play or listen, and to everyone who helped in any way at all to make it such a tremendous night, may I thank you all most sincerely and look forward to having to all back next year.
Musselburgh 1989
by Norrie Williams
By the time this gets into print ‘Musselburgh’ will be just around the corner, but at face value will seem to be miles away – just over two months in fact. “Och we’ve plenty time to get our entry forms in”. How often does that ‘old chestnut come up?’ In reality it will descend on us all as if it was next week. So all you would-be competitors – the life blood of the Festival – why not treat it as if it ‘was’ next week, the Festival Secretary certainly will not mind how soon the entries come in, the earlier they are the sweeter life becomes.
There are no additional classes this time round. We are anticipating that the two new sections introduced last time i.e. the fiddle groups and button-key accordion (British Chromatic), will consolidate and build up. Both competitions were very well received by the audiences, and evoked much favourable comment. At the button-key event, held in a well filled Theatre, a number of 3-row players were in evidence in the audience presumably weighing up the opposition. Hopefully they will join the fray on March 4th, 1989. Once again I quote Alex Little of Dumfries – “It’s not the winning that counts, it’s the trying”.
Of our six adjudicators, three will be joining the panel for the first time. In alphabetical order :- Accordionist Neil Barron from Edinburgh, although still only in his early twenties, has already made a considerable impact on the Scottish dance music scene, as a solo player, a supporting player – part of his grounding being as 2nd accordion with the Jim Johnstone Band, and as a bandleader with ‘TTF’ programmes to his credit. He has also adjudicated on a number of occasions e.g. at the Mull and Oban Festivals and has gained respect in this capacity.
Our second newcomer is Ivor Britton, a native of Inveraray, but now living in the Gifford area of Glasgow. A former Perth Senior Scottish Traditional Accordion Champion, Ivor won the event with a pipe set. In those days he played 3-row Shand Morino, but has since switched to the Continental instrument. He has played with the Bobby Harvey Trio and Band for almost 30 years, his first preference being for Gaelic and pipe music, of which he is a first class exponent. Logically enough, Ivor will be judging the Button Key and Pipe Music classes.
Our last new face is one of the two fiddle adjudicators and hails from Clackmannan, and although this will be his first appearance at Musselburgh, Bill Cook is certainly no stranger to a large section of the public as conductor of the Stirling S&R Society and leader of John Mason’s Scottish fiddle Orchestra. As is the case with the majority of trained fiddle players, he started with classical music at the age of seven, his first teacher being his father, who was also one time conductor of the Stirling S&R Society. Further experience was gained during National Service as a member of the Royal Engineer’s Corps Band and Orchestra – a wind instrument in the Band because as Bill says, “You don’t normally march along playing a fiddle.” He is now a full time violin instructor for schools in the Central Region.
The remaining three adjudicators are all ‘weel kent’ faces on the scene. To share the traditional accordion duties with Neil and Ivor, another former Perth Scottish Champion, accordion teacher, repairer, tuner, band leader etc., from Muirhead near Dundee, John Huband. Also originally from Dundee, but now staying in Drymen, the ‘one and only’ Jimmy Yeaman will team up with Bill Cook to sort out the fiddle classes. Incidentally, Jimmy and John were ‘partners in crime’ in the Olympian’s Scottish Dance Band a number of years back.
Last, but certainly not least, our classical adjudicator making his third consecutive visit to Musselburgh from the ‘deep south’ Mr Cyril Pasby from Slough – and talking about the classical, representations have been made by interested parties on a number of occasions regarding the possibility of having a classical judge from north of the Border, and also test pieces set by someone from these parts. Both points have been carefully considered by the Festival committee and they still firmly believe that the fairest deal for the competitors is a N.A.O. or B.C.A. adjudicator from the south. Mr Pasby qualifies on all counths. As for test pieces, advice was sought from teachers, adjudicators, and professional bodies and the consensus was that ‘own choice’ in all classes was best.
Still on the classical side, may I draw the attention of all competitors to the notes in the Festival advertisement in the ‘B&F’, and on the sheets accompanying the entry forms, relating to music copies. As more stringent checks for copyright infringement are now being carried out by the ‘Performing Rights Society’, one copy of every classical piece should be submitted by a competitor for the use of the adjudicator, and this must be an authorised copy from the publisher or retailer, NOT a photostat made subsequent to purchase.
But enough of that, and back on a lighter vein, Musselburgh will finish up as always with an All Winner’s Concert and Dance. This year we welcome Graeme Mitchell and his SDB, paying their first visit to the Festival, i.e. the first visit on duty. No further comment is required regarding this group. Once again it will be a case of ‘Happy to Meet’.
See you on the 4th of March.
Letters to the Editor
Sir – Thank you for publishing Oct/Nov issue with a double helping of Club News, also the news of the Ayrshire Festival, the Perth Festival, Record Review and good reading from Fiddling Heritage by Bill Smith.
Your report in the Editorial, reporting the shortage of material – what’s happening to the Secretaries or organizers of the many Clubs, there must be many stories told, or could be told, or does their interest finish at the end of their Club Night?
But then again, let us look at the Club News readings – much of it is not interesting reading. Do we want to read the names of every tune a player plays? This to me does not make interesting reading and I do note that more and more Clubs are using this way of news for their Clubs.
We miss our paper when it is not published, but if all Clubs adopt this tactic, the paper will become in liking to a ‘Busker’s Diary’.
So come on Secretaries – dig up some interesting news.
Jack Gray (Lesmahagow Club Chairman)
Sir – Congratulation to Robert Black, firstly for winning the Senior Scottish at Perth and secondly, for having the courage to enter as a past winner and therefore bringing some credibility to the competition.
Enough has been said about “He shouldn’t have entered, as it meant nobody else had a chance”. Of course, somebody else had a chance – if they had been good enough.
Surely, when Rangers or Celtic win the Scottish Cup, no football follower would expect them never to enter the competition again! If this were the case, it would only be a matter of time before Clubs from the lower divisions would be winners, due to obvious elimination. Very soon it would become a worthless exercise.
So it is with the Senior Scottish at Perth.
Far from suggesting that Robert should not have entered this competition, let’s hope that more of our past winners have the courage to come forward in the years to come, and give back to the title ‘Scottish Champion’ the credibility it deserves.
Doug Adamson
Bernard Dixon’s Letter
As a listener I was keenly interested in Bernard’s letter to me (as Editor) in the last issue. Whilst I would agree that there may have been a few releases over the years where faults in engineering could be found, I think that Bernard is tending to oversimplify the problem. I think that we need to keep our feet on the ground and admit to ourselves that the general standard of performance in the Scottish dance band scene is not always what it should be.
There are so many bands involved in the recording business these days and in not a few cases the experience and ability of those involved could be better. Sometimes a band sounds reasonable ‘in the flesh’, where the listeners don’t really have the opportunity to hear and analyse details, but once on record the same band is subjected to fairly critical listening again and again, and it is then that the shortcomings are often in evidence. Many players themselves make the same criticism, but I would suggest that they listen to themselves carefully the next time they are out.
Bernard makes the point that the standard in recording technique has improved over the past 25 years – I would agree, and I would suggest that this is the reason why the ‘dull thunk’ is heard clearly, the recording is so good that the imperfections of the performance are exposed.
There are, of course, notable exceptions amongst our Dance Bands, and we all know who they are, and why they always seem to turn out good performances on record. Bernard gives an example of one well-known band whose recording he enjoys. I think that he has found the answer to his own problem when he describes the musicianship of that band as ‘superlative’. I would think that the recording facilities available to this band aren’t vastly superior to those available to other bands – so why does it sound good so consistently?
So far as old recordings are concerned, I think that there is always an element of nostalgia involved when comparisons are made with newer recordings. I am led to the conclusion that the improvement in real musicianship in the Scottish scene over the past 25 year hasn’t kept pace with the improvement in the recording field.
All of this doesn’t mean that there isn’t a place in the market for variable standards, so long as we accept the material available and try not to suggest that it is always the recording to blame when we are disappointed. It all depends on what people are prepared to buy – and that is as it should be.
The general recording business is very extensive these days, covering all types of music, with many fine artistes in different fields, but we shouldn’t imagine that all Scottish musicians are up to the general standard - I don’t think they really want to be, so let’s enjoy what we have for the present.
Tom Clark (Listener)
Sir – On Friday, 28th October, a pre-Festival gathering was held in Scone Arms, and thanks to the publicity in your letter columns we enjoyed a fine night of music.
A prize draw was held, which realised the handsome sum of £110.50, the said sum being duly paid over to the Glebe Street School for Handicapped Children.
Thanks are due to the following who gave their services free :-
Sheena Todd (keyboard), Bill Tosh (5-row), Peter Mutch (drums), Peem Edwards (fiddle), Stan Lyons and Archie Craig (accordion & mandolin) both from Northern Ireland, Colin Bradford (accordion and Northumbrian pipes), Fiona and Alison Gilfillan (accordions), Lynn Gould (accordion), Sheila Douglas (ballad singer), Fiona Loughlin (keyboards), Dominick McNab (fiddle), Kevin Loughlin (button key) and Laurence M. Henry (ballad singer) – the last 4 were from Ireland.
Thanks also to Margaret for selling raffle tickets and to the proprietors for the use of the premises.
Jim Baker
Sir – I would like, through your column, to express my sincere thanks to all the kind people who listened to my tale of woe, when I had my Combo Amp stolen from my estate car at the Eaglton Hotel, Bridge of Allan, on the evening of Sunday, 13th November.
The good news is that someone had a change of heart and returned it to the spot from which it was removed 24 hours earlier.
It will need a “lot of semi-quarters” to pay the phone bill, but it should be a lot less than paying for a new amp.
Bobby Crowe, Balmullo, Fife
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Golden Fleece) – members only
Armadale (Masonic Arms Hotel) –
Ayr (Gartferry Hotel) –
Balloch (Bell Centre, Dumbarton) – 18th Dec 88 Gary Blair Trio
15th Jan 89 Neil MacEachern SDB
Banchory (Burnett Arms Hotel) –
Banff & District (Royal Oak Hotel) –
Beith & District (Hotel de Croft, Dalry) –
Belford (Community Club) –
Biggar (Toftcombs Hotel) – 8th Jan 89 Archie Duncan & Frank Henery
Blairgowrie (Moorfield Hotel) -
Bridge of Allan (Walmer Hotel) -
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Ernespie Hotel) –
Coupar Angus (Royal Hotel) –
Crieff & District (Drummond Arms Hotel)
Dalriada (Royal Hotel, Lochgilphead) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dunblane (Westlands Hotel) –
Dundee (The Marquee) –
Dunfermline (Northern Roadhouse) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (King’s Park Hotel, Rutherglen) – 26th Jan 89 Stuart McKeown SDB
Edinburgh (Abbey Suite, Abbey Lane) –
Ellon (Ladbroke Hotel) –
Fintry (Fintry Sports Centre) – 26th Dec 88 Deirdre Adamson
Forfar (Plough Inn) - 18th Dec 88 Colin Dewar
Forres (Brig Motel) – 11th Jan 89 Club Night
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Theo’s Restaurant, Galston) –
Glendale (Black Bull Hotel – Wooler) –
Gorebridge (Rangers FC Social Club) –
Highland (Drumossie Hotel) –
Islesteps (Driveway Inn) –
Kelso (Ednam House Hotel) – 25th Jan 89 Alistair Wood SDB
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 12th Jan 89 Kelvin Ceilidh Band
Livingston (Golden Circle Hotel, Bathgate) 20th Dec 88 Newburgh Club
Lockerbie (Bluebell Hotel) -
Mauchline (The Jean Armour Restaurant)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) – 30th Jan 89 Rob Gordon Quartet
Newton St Boswells (Railway Hotel) –
North Cumbria (Golden Fleece, Ruleholme) (prev called Gretna Club) – 21st Dec 88 Rigadoon
North East (Seafield Hotel, Keith) –
Oban (Highlander Restaurant) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Countryside Inn) –
Perth (Station Hotel) –
Premier NI (Camlin function Rooms) -
Renfrew (Masonic Hall, Broadloom) – 10th Jan 89 Paddy Neary
Rothbury (Jubilee Hall
Shetland (venue?) -
Stranraer (Railway Club) –
Thornhill (?)
Thurso (McKay’s Hotel) –
Turriff (Royal Oak Hotel) – 5th Jan 89 Members Night
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Acharacle
3. Ayr
4. Balloch
5. Banchory
6. Banff
7. Belford
8. Biggar
9. Button Key
10. Derwentside
11. Dingwall & District
12. Dundee
13. East Kilbride
14. Forfar
15. Forres
16. Galston
17. Glendale
18. Kintore
19. Lesmahagow
20. M.A.F.I.A.
21. Mauchline
22. Newtongrange
23. North Cumbria
24. North East
25. Ormiston
26. Peebles
27. Perth
28. Renfrew
29. Shetland
30. Thurso
CLUB DIRECTORY AS AT SEPT 1987 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Acharacle A&F Club (cMay 1988)
3. Alnwick A&F Club (Sept 1976)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
6. Balloch A&F Club (Sept 1972 – per January 1978 issue)
7. Banchory A&F Club (1978)
8. Banff & District A&F Club (Oct 1973)
9. Beith & District A&F Club (Sept 1972 – per first edition)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974)
12. Blairgowrie A&F Club (
13. Buchan A&F Club
14. Button Key A&F Club (
15. Callander A&F Club (
16. Campbeltown & District A&F Club (c Dec 1980)
17. Castle Douglas A&F Club (c Sept 1980)
18. Crieff A&F Club (cSept 1981)
19. Dalriada A&F Club (Feb 1981)
20. Derwentside A&F Club
21. Dingwall & District A&F Club (May 1979 – per first report)
22. Dunblane & District A&F Club (1971)
23. Dundee & District A&F Club
24. Dunfermline & District A&F Club (1974 – per first edition)
25. Dunoon & Cowal A&F Club (
26. East Kilbride A&F Club (Sept 1980)
27. Ellon A&F Club (
28. Fintry A&F Club
29. Forfar A&F Club
30. Forres A&F Club (Jan 1978)
31. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
32. Galashiels A&F Club (joined Sept 1982)
33. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
34. Glendale Accordion Club (Jan 1973)
35. Highland A&F Club (Inverness)
36. Islesteps A&F Club (Jan 1981)
37. Isle of Skye A&F Club (
38. Kelso A&F Club (May 1976)
39. Kintore A&F Club
40. Langholm A&F Club (Oct 1967)
41. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
42. Livingston A&F Club (Sept 1973 – per first edition)
43. Lockerbie A&F Club (Nov 1973)
44. M.A.F.I.A. (early)
45. Mauchline A&F Club (first mention 1986?)
46. Montrose A&F Club (joined Sept 1982)
47. Newtongrange A&F Club (joined Sept 1979)
48. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
49. North Cumbria A&F Club (originally Gretna started June 1966 – had to move to a venue in the North of England and changed name – eventually changed back when they returned to the Halcrow Stadium. No breaks in the continuity of the Club)
50. North East A&F Club aka Keith A&FC (Sept 1971)
51. Oban A&F Club (Nov 1975)
52. Orkney A&F Club (Mar 1978)
53. Ormiston Miners’ Welfare Society A&F Club
54. Peebles A&F Club (26 Nov 1981)
55. Perth & District A&F Club (Aug 1970)
56. Premier A&F Club NI (cNov 1980)
57. Rothbury Accordion Club (1987??)
58. Shetland A&F Club (Sept 1978)
59. Stranraer & District Accordion Club (1974 – per first edition)
60. Sutherland A&F Club (
61. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
62. Thurso A&F Club (cSept 1981)
63. Turriff A&F Club (March 1982)
64. Tynedale A&F Club (Nov 1980)
65. Walmer (Bridge of Allan) A&F Club
66. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
67. Bonchester Accordion Club (Closed?)
68. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
69. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
70. Club Accord
71. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
72. Coupar Angus A&F Club (cSept 1978 - ?)
73. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
74. Denny & Dunipace A&F Club (Feb 1981)
75. Dornoch A&F Club (first mention in directory 1986)
76. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
77. Dunbar Cement Works A&F Club (Closed?)
78. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
79. Falkirk A&F Club (Sept 1978 - )
80. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
81. Gretna A&F Club (June 1966)
82. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
83. Kinlochsheil A&F Club (
84. Kirriemuir A&F Club (cSept 1981)
85. Monklands A&F Club (Nov 1978 – closed cApril 1983)
86. Morecambe A&F Club (joined Sept 1982)
87. Newcastleton Accordion Club
88. New Cumnock A&F Club (cMarch 1979)
89. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
90. Straiton Accordion Club (c1968 – closed March 1979)
91. Torthorwald A&F Club (near Dumfries)
92. Wellbank A&F Club
Advertising rates
Full Page - £92
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Quarter Page - £23
B&F Treasurer – Mrs Cathy Andrew, 22 Lochinver Crescent, Foxbar, Paisley Tele 2824
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Following the disastrous spell in October and the appeal to you in the Oct/Nov issue, there has been a very good response.
My sincere thanks to all who got busy with their pens. This was very welcome and dispelled any concern we had about this issue, so please keep up the good work.
In the approach to Christmas we anticipate some minor problems due to holiday closures, but hopefully your reports will arrive as early as possible to allow us to get moving ahead of the usual deadline date.
From the ‘B&F’ team, the ‘Compliments of the Season’ and every good wish for the coming year.
Tom Clark
Sandy Tulloch
by Tom Clark
It must be approaching 40 years now since I first came into contact with Sandy Tulloch. From the start I couldn’t but be impressed by the dedication of this man and his attention to detail in everything he does. Sandy is a man of many talents. As well as being an Eye Consultant, he found time over the years to reach a high degree of proficiency in many other fields as hobbies, but his first love in his spare time activities has always been for music. Sandy’s musical interests have been widespread, but centred mainly on the accordion and he has always been highly regarded for his prowess on the British Chromatic “Shand Morino”.
In the past few years Sandy has become keenly interested in the Accordion and Fiddle Club at Dundee, and through his regular performances there, I can hear a return to his former playing standard. Sandy’s playing, along with fiddler friend Jim Doig (another relative newcomer to the A&F Club scene) delights regular attenders at the Club. It was with characteristic modesty that Sandy eventually agreed to be featured in the B&F.
“My association with Accordion and Fiddle Clubs only dates from my retirement five years ago, so it was with some diffidence that I agreed to my old friend Tom Clark’s request for a short personal history. He paid me a backhanded compliment by reminding me that ‘I had been around a long time’, in the Scottish music scene. This is certainly true.
As a small boy I had no doubt that the accordion was to be my instrument. I listened to records by Peter and Daniel Wyper and manager to get my own 10 key melodeon at the age of eight.
About 1929 I had a two row 19 key box, still with spoon bass, but in 1934 graduated to the new Hohner Black Dot Double Ray. This was when I met Jimmy Shand in Forbes Music Shop and heard the unmistakable Shand sound for the first time.
I became a medical student in 1936 and played at various student ‘hops’ and hospital concerts. Competitions have never appealed to me, but I did enter a ‘diddling’ competition or two and vividly remember being disqualified in Tealing Hall in 1939 for having a 3 row 34/80 Scandalli.
I also remember being in the Odeon Cinema and hearing a record of accordion music that made me sit up and take notice. I found out from the manager that the numbers were “Happy Hours” and “L’Entrainante” played by Jimmy Shand. This gave me courage to go to Jimmy and ask for lessons. I don’t remember any formal teaching, but we became firm friends, something that has now lasted 50 years.
During my residence in Maryfield Hospital, I was lucky enough to be allowed to sit in with the Shand Band on Monday evenings in the Maitland Street Hall. This gave me a firm grounding in playing for dancing, not only in strict tempo, but in arranging sets of suitable tunes and playing the correct number of bars for the dance. These early days are treasured memories – so many characters to remember. I’m happy to say that many of us still keep in touch.
War now intervened and the R.A.M.C. did not offer much opportunity for playing, but my interest in music continued and I started my (now) fairly extensive collection. I still have a file of “Continentals” I manager to buy in Belgium in 1944.
Demobilisation in 1946 saw me taking up my career again in Glasgow. There are many outstanding memories of that time – playing with the group that went on to be the Strathclyde S.C.D.B. Strict playing for Society Dances sometimes under the stricter eye of the redoubtable Miss Milligan. I was also lucky enough to be appointed Visiting Eye Specialist Argyll and the Inner Isles and had several happy years playing in a much more relaxed atmosphere with the “Taynault Occasionals.”
Jimmy was doing a lot of broadcasting at the time from Glasgow and we managed to keep in regular touch. It was then we discussed the possibility of a new accordion, and after some delay due to post-war difficulties the first four “Hohner Shand Morino Specials” were delivered, and I became the very proud owner of one. The same year, in 1951, I went to the Accordion Festival in London with the Shand Band and well remember helping to block off an over enthusiastic air valve and loosen up a new bass before Jimmy went on stage. Accordions are very individual instruments – no two are exactly alike, and although I prefer my present black Morino I would gladly buy back the original red one, but the present owner (quite rightly) has no intention of parting with it.
A highlight of the London visit was back in the hotel listening to an off duty session by virtuoso Maurice Sittenet of Paris. Continental music continued to fascinate me and I bought a Norwegian 5 row, but I found I was unable to play both instruments and despite its limitations returned to my first love, the diatonic 3 row accordion.
In 1953 I was appointed Eye Consultant Eastern Hospital Region and returned to work in Dundee and Angus. Work did not allow much playing, but with your Editor and other good friends, I had many a happy session playing for some of the Saturday night dances in Rockwell School, and here I must mention the late James McKelvie, a great friend who was a complete ‘natural’ and with his instinct and Charlie Dora’s guidance I was helped along the road to more advanced bass playing.
At the time it was not easy to find printed music, and I started to write tunes on manuscript to add to the collection. Nowadays it is much easier and a great deal of contemporary music has been published and is freely available, but hardly a week passes by without a phone call “Sandy, do you have? Who composed? Who published?” – the home made index is not infallible, but for good friends I can usually oblige.
One disadvantage of a collection dating from 1700 onwards (and playing the tunes for sight reading practice) is the feeling that you have heard quite a lot of it before. Indexing my tapes, I have kept a note of most of the tunes broadcast over a number of years now and it is a sobering thought that the vast majority of ‘new’ tunes have been played only one or twice. Aspiring composers please note – not only has someone thought of it before but only a few – a very few – will go down to posterity.
It is certainly a sign of the age that I find some present day trends fall unkindly on the ear, but I admit change must happen and there is room for all of us. Like the tunes, time will tell. Life would indeed be dull without change and discussion. Long may we continue to have both along with the comradeship the Clubs have to offer.”
As you can see, Sandy seems to have poured himself into this accordion playing with renewed enthusiasm since he retired. I can personally vouch for his indexing system since I am sure I am one of those who phone up quite regularly – and he never fails! I have come across his music on many occasions while playing with others. A piece of manuscript is produced and I can immediately recognise the writing. I still play some of the sets I played with Sandy in Rockwell at Saturday night dances all those years ago.
“Well done Sandy” and keep up the good work.
Blanche McInnes
A Tribute to a Great Lady and Esteemed Musician
by Bill Wilkie
With the passing of Blanche McInnes, those of us who knew her, have experienced profound and inexpressible sadness. The many musicians who were privileged to work with her will never forget the subtle harmonies, the exhilaration and the warmth of her music. Her admirers in their multitude will remember her always, their enjoyment in her inspired piano playing. Most of all will be remembered her sparkling personality, her cheery wave and friendly smile.
Blanche was a professional to her fingertips. Talented and experienced, she was accomplished in every field of piano playing. She accompanied some of the greatest international artistes, as well as our own national celebrities, but still she would happily play the humble dance job.
Irrespective of whether the function was in the tiniest dance hall or Gleneagles Hotel, Blanche would turn up in good time, beautifully dressed as if out of the proverbial band box, ready to give of her very best. She was a great trouper and no matter what conditions prevailed, rain, hail or snow, Blanche would be there.
Following a thorough grounding in pianoforte, under the renowned and demanding teacher, Flora McGlynn, Blanche entered the dance business at the age od 15, when she became a pianist with the Les Hart Band in the Pavilion, Perth. Les and his Band were all established professionals from Glasgow and this no doubt gave Blanche the experience she required for her next job which was with the Big Cavendish Dance Orchestra in the City Hall, Perth. There she worked alongside all the big name bands of the day, Ted Heath, Ken McIntosh, Syril Stapleton etc.
She also accompanied such star performers as Matt Munro. All this while still in her teens or early twenties.
In years to come she played with many top Scottish Bands and appeared with many Scottish shows. She was a popular figure in Perth Theatre, where she joined John Scrimger to accompany the Christmas Pantomimes.
It was as accompanist with the Breath of Scotland and the White Heather Club Shows that she gained international fame.
With both companies she undertook demanding coast to coast tours of Canada and the United States.
She also made more than 60 appearances with the Royal Clansmen on Grampian T.V.
Accordionists will remember Blanche for her brilliant work as accompanist in the Bill Wilkie City Hall shows. She also played piano in Bill Wilkie’s Dance Band for many years.
Blanche, whose home was in Crammond Place, Perth, is survived by her husband, Bill, and daughter Jacqueline, to whom we extend our deepest sympathy.
Three in a Row for Wayne
by ?
Wayne Robertson of Marywell, Arbroath has been playing the accordion for seven years now. Wayne, 14, is a pupil of Arbroath Academy and has always been interested in playing the accordion.
Over the past few years his interests have certainly paid off as this year at Bill Wilkie’s Accordion Festival in Perth he won the Junior Scottish Championship for the third year in a row.
Quite a feat by any standards, but Wayne also went on to win the Junior Scottish Pipe Music Section. For the past five years Wayne has been tutors by Gordon Pattullo who is extremely pleased with his pupil’s progress.
Wayne has also picked up first prizes at the Highlands and Islands Accordion and Fiddle Festival and the Musselburgh Festival. With his successful record of first prizes we certainly look forward to his future career with great interest.
The Stanley Ceilidh
by Bill Black
Once again the ‘Stanley Ceilidh’ has come and gone and again it was an absolutely huge success.
Players and enthusiasts appeared from all parts of Scotland and the North of England and they were treated to a tremendous feat of Scottish music.
My sincere thanks goes to all players and others who travelled so far and helped to make this night yet another one to remember. I must also thank everyone for giving to the collection so generously, as a result of which, the handicapped children will benefit to the tune of £430. That is the most we have collected yet from one of our ceilidh nights.
I would like to say a special thank you to Derek Hendry, Graeme Mitchell, Sandy Harley, Duncan Black and David Fielding for all the help they gave in backing all the various groups who took the stage, and Brian Cruickshank on bass.
A big thank you must also go to Terry Duffin, the manager of the Tayside Hotel for all the help he gave during the evening and morning and also to his staff for being so co-operative in every way.
The evening started off as usual with my own band at around eight o’clock, and from then on it was non-stop music until a quarter to two in the morning, that of course being the official part of the evening, but music could be heard from all corners as daylight was coming in.
Musicians present on the night were :
On accordion – Alex Morrison and Ian Crighton, both from the Isle of Lewis, Sandy Ross from Wester Ross, Neil MacEachern, Duncan Black, Lynn Gould, George Anderson, Graeme Mitchell, George Work, Tracey Rodger, Lindsay Weir, Allison and Fiona Gilfillan, Bruce Quirrie and Jennifer Forrest.
On fiddle – Judith Davidson, Angela Smith, Ian Robertson from London, Stella Wilkie, Neil Dawson, Margaret Quirrie and Mark McDougall.
On piano – Derek Hendry and Ann Black, and of course a great help there from Graeme Mitchell and Duncan Black.
On drums – Sandy Harley, David Fielding and Ian Adamson.
On bass – Brian Cruickshank.
A surprise but nevertheless very welcome visitor appeared during the evening. He was none other than internationally known comedy star Eddie Rose who gave us a very entertaining spot.
As the unofficial part of the night got under way, another band of musicians appeared. Yes, it was Michael Philips and his SDB who had been playing at a function in some other part of the country and then made a dash for Stanley to give us some great music, some of which I’m sure can be heard on his first cassette which will be released any time now.
One man we must not forget as he has been a stalwart at our ceilidh since the beginning. He, of course, is our compere Jim Webster, who worked as always so very hard to keep everything going with a swing.
Plans are already in hand for next year’s ceilidh, which will be held in the Tayside Hotel, the date being the 3rd of November, 1989, so all you players both professional and otherwise, if you want a night to remember, get that date in your diary now, you most certainly will not regret it.
If by any chance I have missed anyone out, please accept my apologies, I can only do my best.
Once again, to everyone who came to play or listen, and to everyone who helped in any way at all to make it such a tremendous night, may I thank you all most sincerely and look forward to having to all back next year.
Musselburgh 1989
by Norrie Williams
By the time this gets into print ‘Musselburgh’ will be just around the corner, but at face value will seem to be miles away – just over two months in fact. “Och we’ve plenty time to get our entry forms in”. How often does that ‘old chestnut come up?’ In reality it will descend on us all as if it was next week. So all you would-be competitors – the life blood of the Festival – why not treat it as if it ‘was’ next week, the Festival Secretary certainly will not mind how soon the entries come in, the earlier they are the sweeter life becomes.
There are no additional classes this time round. We are anticipating that the two new sections introduced last time i.e. the fiddle groups and button-key accordion (British Chromatic), will consolidate and build up. Both competitions were very well received by the audiences, and evoked much favourable comment. At the button-key event, held in a well filled Theatre, a number of 3-row players were in evidence in the audience presumably weighing up the opposition. Hopefully they will join the fray on March 4th, 1989. Once again I quote Alex Little of Dumfries – “It’s not the winning that counts, it’s the trying”.
Of our six adjudicators, three will be joining the panel for the first time. In alphabetical order :- Accordionist Neil Barron from Edinburgh, although still only in his early twenties, has already made a considerable impact on the Scottish dance music scene, as a solo player, a supporting player – part of his grounding being as 2nd accordion with the Jim Johnstone Band, and as a bandleader with ‘TTF’ programmes to his credit. He has also adjudicated on a number of occasions e.g. at the Mull and Oban Festivals and has gained respect in this capacity.
Our second newcomer is Ivor Britton, a native of Inveraray, but now living in the Gifford area of Glasgow. A former Perth Senior Scottish Traditional Accordion Champion, Ivor won the event with a pipe set. In those days he played 3-row Shand Morino, but has since switched to the Continental instrument. He has played with the Bobby Harvey Trio and Band for almost 30 years, his first preference being for Gaelic and pipe music, of which he is a first class exponent. Logically enough, Ivor will be judging the Button Key and Pipe Music classes.
Our last new face is one of the two fiddle adjudicators and hails from Clackmannan, and although this will be his first appearance at Musselburgh, Bill Cook is certainly no stranger to a large section of the public as conductor of the Stirling S&R Society and leader of John Mason’s Scottish fiddle Orchestra. As is the case with the majority of trained fiddle players, he started with classical music at the age of seven, his first teacher being his father, who was also one time conductor of the Stirling S&R Society. Further experience was gained during National Service as a member of the Royal Engineer’s Corps Band and Orchestra – a wind instrument in the Band because as Bill says, “You don’t normally march along playing a fiddle.” He is now a full time violin instructor for schools in the Central Region.
The remaining three adjudicators are all ‘weel kent’ faces on the scene. To share the traditional accordion duties with Neil and Ivor, another former Perth Scottish Champion, accordion teacher, repairer, tuner, band leader etc., from Muirhead near Dundee, John Huband. Also originally from Dundee, but now staying in Drymen, the ‘one and only’ Jimmy Yeaman will team up with Bill Cook to sort out the fiddle classes. Incidentally, Jimmy and John were ‘partners in crime’ in the Olympian’s Scottish Dance Band a number of years back.
Last, but certainly not least, our classical adjudicator making his third consecutive visit to Musselburgh from the ‘deep south’ Mr Cyril Pasby from Slough – and talking about the classical, representations have been made by interested parties on a number of occasions regarding the possibility of having a classical judge from north of the Border, and also test pieces set by someone from these parts. Both points have been carefully considered by the Festival committee and they still firmly believe that the fairest deal for the competitors is a N.A.O. or B.C.A. adjudicator from the south. Mr Pasby qualifies on all counths. As for test pieces, advice was sought from teachers, adjudicators, and professional bodies and the consensus was that ‘own choice’ in all classes was best.
Still on the classical side, may I draw the attention of all competitors to the notes in the Festival advertisement in the ‘B&F’, and on the sheets accompanying the entry forms, relating to music copies. As more stringent checks for copyright infringement are now being carried out by the ‘Performing Rights Society’, one copy of every classical piece should be submitted by a competitor for the use of the adjudicator, and this must be an authorised copy from the publisher or retailer, NOT a photostat made subsequent to purchase.
But enough of that, and back on a lighter vein, Musselburgh will finish up as always with an All Winner’s Concert and Dance. This year we welcome Graeme Mitchell and his SDB, paying their first visit to the Festival, i.e. the first visit on duty. No further comment is required regarding this group. Once again it will be a case of ‘Happy to Meet’.
See you on the 4th of March.
Letters to the Editor
Sir – Thank you for publishing Oct/Nov issue with a double helping of Club News, also the news of the Ayrshire Festival, the Perth Festival, Record Review and good reading from Fiddling Heritage by Bill Smith.
Your report in the Editorial, reporting the shortage of material – what’s happening to the Secretaries or organizers of the many Clubs, there must be many stories told, or could be told, or does their interest finish at the end of their Club Night?
But then again, let us look at the Club News readings – much of it is not interesting reading. Do we want to read the names of every tune a player plays? This to me does not make interesting reading and I do note that more and more Clubs are using this way of news for their Clubs.
We miss our paper when it is not published, but if all Clubs adopt this tactic, the paper will become in liking to a ‘Busker’s Diary’.
So come on Secretaries – dig up some interesting news.
Jack Gray (Lesmahagow Club Chairman)
Sir – Congratulation to Robert Black, firstly for winning the Senior Scottish at Perth and secondly, for having the courage to enter as a past winner and therefore bringing some credibility to the competition.
Enough has been said about “He shouldn’t have entered, as it meant nobody else had a chance”. Of course, somebody else had a chance – if they had been good enough.
Surely, when Rangers or Celtic win the Scottish Cup, no football follower would expect them never to enter the competition again! If this were the case, it would only be a matter of time before Clubs from the lower divisions would be winners, due to obvious elimination. Very soon it would become a worthless exercise.
So it is with the Senior Scottish at Perth.
Far from suggesting that Robert should not have entered this competition, let’s hope that more of our past winners have the courage to come forward in the years to come, and give back to the title ‘Scottish Champion’ the credibility it deserves.
Doug Adamson
Bernard Dixon’s Letter
As a listener I was keenly interested in Bernard’s letter to me (as Editor) in the last issue. Whilst I would agree that there may have been a few releases over the years where faults in engineering could be found, I think that Bernard is tending to oversimplify the problem. I think that we need to keep our feet on the ground and admit to ourselves that the general standard of performance in the Scottish dance band scene is not always what it should be.
There are so many bands involved in the recording business these days and in not a few cases the experience and ability of those involved could be better. Sometimes a band sounds reasonable ‘in the flesh’, where the listeners don’t really have the opportunity to hear and analyse details, but once on record the same band is subjected to fairly critical listening again and again, and it is then that the shortcomings are often in evidence. Many players themselves make the same criticism, but I would suggest that they listen to themselves carefully the next time they are out.
Bernard makes the point that the standard in recording technique has improved over the past 25 years – I would agree, and I would suggest that this is the reason why the ‘dull thunk’ is heard clearly, the recording is so good that the imperfections of the performance are exposed.
There are, of course, notable exceptions amongst our Dance Bands, and we all know who they are, and why they always seem to turn out good performances on record. Bernard gives an example of one well-known band whose recording he enjoys. I think that he has found the answer to his own problem when he describes the musicianship of that band as ‘superlative’. I would think that the recording facilities available to this band aren’t vastly superior to those available to other bands – so why does it sound good so consistently?
So far as old recordings are concerned, I think that there is always an element of nostalgia involved when comparisons are made with newer recordings. I am led to the conclusion that the improvement in real musicianship in the Scottish scene over the past 25 year hasn’t kept pace with the improvement in the recording field.
All of this doesn’t mean that there isn’t a place in the market for variable standards, so long as we accept the material available and try not to suggest that it is always the recording to blame when we are disappointed. It all depends on what people are prepared to buy – and that is as it should be.
The general recording business is very extensive these days, covering all types of music, with many fine artistes in different fields, but we shouldn’t imagine that all Scottish musicians are up to the general standard - I don’t think they really want to be, so let’s enjoy what we have for the present.
Tom Clark (Listener)
Sir – On Friday, 28th October, a pre-Festival gathering was held in Scone Arms, and thanks to the publicity in your letter columns we enjoyed a fine night of music.
A prize draw was held, which realised the handsome sum of £110.50, the said sum being duly paid over to the Glebe Street School for Handicapped Children.
Thanks are due to the following who gave their services free :-
Sheena Todd (keyboard), Bill Tosh (5-row), Peter Mutch (drums), Peem Edwards (fiddle), Stan Lyons and Archie Craig (accordion & mandolin) both from Northern Ireland, Colin Bradford (accordion and Northumbrian pipes), Fiona and Alison Gilfillan (accordions), Lynn Gould (accordion), Sheila Douglas (ballad singer), Fiona Loughlin (keyboards), Dominick McNab (fiddle), Kevin Loughlin (button key) and Laurence M. Henry (ballad singer) – the last 4 were from Ireland.
Thanks also to Margaret for selling raffle tickets and to the proprietors for the use of the premises.
Jim Baker
Sir – I would like, through your column, to express my sincere thanks to all the kind people who listened to my tale of woe, when I had my Combo Amp stolen from my estate car at the Eaglton Hotel, Bridge of Allan, on the evening of Sunday, 13th November.
The good news is that someone had a change of heart and returned it to the spot from which it was removed 24 hours earlier.
It will need a “lot of semi-quarters” to pay the phone bill, but it should be a lot less than paying for a new amp.
Bobby Crowe, Balmullo, Fife
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Golden Fleece) – members only
Armadale (Masonic Arms Hotel) –
Ayr (Gartferry Hotel) –
Balloch (Bell Centre, Dumbarton) – 18th Dec 88 Gary Blair Trio
15th Jan 89 Neil MacEachern SDB
Banchory (Burnett Arms Hotel) –
Banff & District (Royal Oak Hotel) –
Beith & District (Hotel de Croft, Dalry) –
Belford (Community Club) –
Biggar (Toftcombs Hotel) – 8th Jan 89 Archie Duncan & Frank Henery
Blairgowrie (Moorfield Hotel) -
Bridge of Allan (Walmer Hotel) -
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Ernespie Hotel) –
Coupar Angus (Royal Hotel) –
Crieff & District (Drummond Arms Hotel)
Dalriada (Royal Hotel, Lochgilphead) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dunblane (Westlands Hotel) –
Dundee (The Marquee) –
Dunfermline (Northern Roadhouse) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (King’s Park Hotel, Rutherglen) – 26th Jan 89 Stuart McKeown SDB
Edinburgh (Abbey Suite, Abbey Lane) –
Ellon (Ladbroke Hotel) –
Fintry (Fintry Sports Centre) – 26th Dec 88 Deirdre Adamson
Forfar (Plough Inn) - 18th Dec 88 Colin Dewar
Forres (Brig Motel) – 11th Jan 89 Club Night
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Theo’s Restaurant, Galston) –
Glendale (Black Bull Hotel – Wooler) –
Gorebridge (Rangers FC Social Club) –
Highland (Drumossie Hotel) –
Islesteps (Driveway Inn) –
Kelso (Ednam House Hotel) – 25th Jan 89 Alistair Wood SDB
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 12th Jan 89 Kelvin Ceilidh Band
Livingston (Golden Circle Hotel, Bathgate) 20th Dec 88 Newburgh Club
Lockerbie (Bluebell Hotel) -
Mauchline (The Jean Armour Restaurant)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) – 30th Jan 89 Rob Gordon Quartet
Newton St Boswells (Railway Hotel) –
North Cumbria (Golden Fleece, Ruleholme) (prev called Gretna Club) – 21st Dec 88 Rigadoon
North East (Seafield Hotel, Keith) –
Oban (Highlander Restaurant) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Countryside Inn) –
Perth (Station Hotel) –
Premier NI (Camlin function Rooms) -
Renfrew (Masonic Hall, Broadloom) – 10th Jan 89 Paddy Neary
Rothbury (Jubilee Hall
Shetland (venue?) -
Stranraer (Railway Club) –
Thornhill (?)
Thurso (McKay’s Hotel) –
Turriff (Royal Oak Hotel) – 5th Jan 89 Members Night
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Acharacle
3. Ayr
4. Balloch
5. Banchory
6. Banff
7. Belford
8. Biggar
9. Button Key
10. Derwentside
11. Dingwall & District
12. Dundee
13. East Kilbride
14. Forfar
15. Forres
16. Galston
17. Glendale
18. Kintore
19. Lesmahagow
20. M.A.F.I.A.
21. Mauchline
22. Newtongrange
23. North Cumbria
24. North East
25. Ormiston
26. Peebles
27. Perth
28. Renfrew
29. Shetland
30. Thurso
CLUB DIRECTORY AS AT SEPT 1987 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Acharacle A&F Club (cMay 1988)
3. Alnwick A&F Club (Sept 1976)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
6. Balloch A&F Club (Sept 1972 – per January 1978 issue)
7. Banchory A&F Club (1978)
8. Banff & District A&F Club (Oct 1973)
9. Beith & District A&F Club (Sept 1972 – per first edition)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974)
12. Blairgowrie A&F Club (
13. Buchan A&F Club
14. Button Key A&F Club (
15. Callander A&F Club (
16. Campbeltown & District A&F Club (c Dec 1980)
17. Castle Douglas A&F Club (c Sept 1980)
18. Crieff A&F Club (cSept 1981)
19. Dalriada A&F Club (Feb 1981)
20. Derwentside A&F Club
21. Dingwall & District A&F Club (May 1979 – per first report)
22. Dunblane & District A&F Club (1971)
23. Dundee & District A&F Club
24. Dunfermline & District A&F Club (1974 – per first edition)
25. Dunoon & Cowal A&F Club (
26. East Kilbride A&F Club (Sept 1980)
27. Ellon A&F Club (
28. Fintry A&F Club
29. Forfar A&F Club
30. Forres A&F Club (Jan 1978)
31. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
32. Galashiels A&F Club (joined Sept 1982)
33. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
34. Glendale Accordion Club (Jan 1973)
35. Highland A&F Club (Inverness)
36. Islesteps A&F Club (Jan 1981)
37. Isle of Skye A&F Club (
38. Kelso A&F Club (May 1976)
39. Kintore A&F Club
40. Langholm A&F Club (Oct 1967)
41. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
42. Livingston A&F Club (Sept 1973 – per first edition)
43. Lockerbie A&F Club (Nov 1973)
44. M.A.F.I.A. (early)
45. Mauchline A&F Club (first mention 1986?)
46. Montrose A&F Club (joined Sept 1982)
47. Newtongrange A&F Club (joined Sept 1979)
48. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
49. North Cumbria A&F Club (originally Gretna started June 1966 – had to move to a venue in the North of England and changed name – eventually changed back when they returned to the Halcrow Stadium. No breaks in the continuity of the Club)
50. North East A&F Club aka Keith A&FC (Sept 1971)
51. Oban A&F Club (Nov 1975)
52. Orkney A&F Club (Mar 1978)
53. Ormiston Miners’ Welfare Society A&F Club
54. Peebles A&F Club (26 Nov 1981)
55. Perth & District A&F Club (Aug 1970)
56. Premier A&F Club NI (cNov 1980)
57. Rothbury Accordion Club (1987??)
58. Shetland A&F Club (Sept 1978)
59. Stranraer & District Accordion Club (1974 – per first edition)
60. Sutherland A&F Club (
61. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
62. Thurso A&F Club (cSept 1981)
63. Turriff A&F Club (March 1982)
64. Tynedale A&F Club (Nov 1980)
65. Walmer (Bridge of Allan) A&F Club
66. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
67. Bonchester Accordion Club (Closed?)
68. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
69. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
70. Club Accord
71. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
72. Coupar Angus A&F Club (cSept 1978 - ?)
73. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
74. Denny & Dunipace A&F Club (Feb 1981)
75. Dornoch A&F Club (first mention in directory 1986)
76. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
77. Dunbar Cement Works A&F Club (Closed?)
78. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
79. Falkirk A&F Club (Sept 1978 - )
80. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
81. Gretna A&F Club (June 1966)
82. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
83. Kinlochsheil A&F Club (
84. Kirriemuir A&F Club (cSept 1981)
85. Monklands A&F Club (Nov 1978 – closed cApril 1983)
86. Morecambe A&F Club (joined Sept 1982)
87. Newcastleton Accordion Club
88. New Cumnock A&F Club (cMarch 1979)
89. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
90. Straiton Accordion Club (c1968 – closed March 1979)
91. Torthorwald A&F Club (near Dumfries)
92. Wellbank A&F Club
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