Box and Fiddle
Year 18 No 06
March 1995
Price 70p
16 pages
7 month subscription £8.00
Editor – Ron Ramsay, 48 Hospitalfield Road, Arbroath, Angus, DD11 2LS
B&F Treasurer – Mrs Margaret Smith, Smeaton Farm Cottage, Dalkeith, Midlothian, EH22 2NL
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
I read in the local paper that the ‘BBC will keep in closer touch’ with their listeners. Their plans are, in the words of a spokesman, “to keep its finger on the nation’s pulse”. I wonder if this includes BBC Radio Scotland?
They state that “there is a need for a better understanding of our audiences”. The report goes on to say “the widest possible range of high quality programmes” with more creative opportunities for the best of British talent. I would like to think this would include Scottish artistes. Is this the opportunity that we have been waiting for? I for one will be writing to them regarding coverage of Scottish Dance Music, Hogmanay, St Andrew’s Day, etc. Why not drop them a short letter and let them know your feelings?
The next issue (April) will be the last for the season, so if you have club meetings, dances or anything you want the readers to know about during the summer months, please let me know.
Ron Ramsay
Take the Floor
Behind the Scenes…
by Ron Ramsay
Saturday night, 6.30 p.m. and we settle down to listen to ‘Take the Floor’ on Radio Scotland presented by Robbie shepherd, but have you ever considered what’s involved in recording and producing such a programme?
An outside broadcast involves organizing suitable premises, arranging a band, advertising the event, set up an array of equipment, test the systems and a rehearsal, all before the actual recording takes place. The team responsible for all this in ‘Take the Floor’ is producer, Ken Mutch, personal assistant and Girl Friday, Fiona Aitken, audio supervisor, Doug Maskew, P.A. system administrator, Ron McCaskill and presenter, Robbie Shepherd.
Ken Mutch is in overall command of the production. During recordings, Ken is in constant touch with Robbie during a ‘live’ broadcast and with the band during a studio recording. If during the recording, he detects a slight mistake or is not 100% happy with the recording, he either stops the band playing or does a retake later on. The bands are dependent on the producer for a good quality production. Ken is a talented fiddle player and guitarist. He started with the B.B.C. in 1969 as a Technical Operator and later became an Audio Supervisor. He worked for some time as a trainee cameraman at the T.V. Centre, London. Prior to working in Aberdeen he had a spell in the Glasgow studios. He produces other programmes for Radio 2.
Fiona Aitken is responsible for various administration tasks and during a recording, times each dance set to the second. She also collates information about the tunes, composers, etc., and this information is subsequently sent to the Performing Rights, M.C.P.S. and various other bodies.
During an outside broadcast, the audience and dancers must be able to hear a well balanced sound within the venue and this is where Ron McCaskill is in complete control. The microphones from the band are directed to his console and split between him and the recording van outside. Ron is solely responsible for the quality of the sound within the venue.
Doug Maskew is the Audio Supervisor and during an outside broadcast is situated in a small control van adjacent to the venue, with all the available space full of equipment. Doug is responsible for balancing the various channels, so if you think the drums are too loud or not loud enough, you know who to point the finger at. Doug’s job is the same whether it is an outside broadcast or studio recording, and whether it be a football match or a full orchestra in a theatre.
Last and by no means least is the presenter, Robbie Shepherd. During an outside broadcast, Robbie is the link between the band and the recording unit. Although the responsibility of checking tune titles, composers, etc., rests with the bandleader, Robbie does a lot of research into the tunes, finding out their origins, stories behind them, etc. He also has to provide continuity between the dances. It is not necessary for him to be present during a studio recording as he can fill in during the broadcast.
So that is a brief outline of how ‘Take the Floor’ is recorded. A typical recording takes about three hours and is the equivalent of recording an L.P. which would probably take three days to make. All recordings are made on Digital Audio Tapes (DAT) as well as the conventional reel to reel. They are recorded in stereo but a good mono sound is just as important for the listeners with their wee’ trannies’. The typical cost of producing a ‘TTF’ programme is in the region of £1,500.
Charlie Cowie - Obituary
by John Carmichael
It is with sadness that we note the death of fiddler Charlie Cowie. What made Charlie Scotland’s most musical fiddler? Two things, a natural gift of swing and harmony, complemented with the ‘Auld Heid’ of experience.
From the young lad who played nervously in the Glasgow Caeldonian Strathspey and Reel Society in the 50’s to the front man in the ‘Ron Silver Trio’ playing ‘The Spey in Spate’ live on the White Heather Club. From theatre and club tours with the ‘Cluny Boys’ to the long running Gaelic series Se Ur Beatha with the ‘Albanach’s’.
This was all good experience for Charlie, but no musical education would be complete without appearances in the hot and steamy dance halls of the north. You name it, Charlie has played there appearing with Bobby MacLeod, Andrew Rankine, Alister McDonald, Will Starr and others too many to mention.
Charlie was always quick to appreciate new ideas, styles and tunes. He was the first to create a Scottish version of the classic Sean McGuire ‘Mason’s apron’ in the 60’s.
In his album ‘Unsquare Dance’, he displayed his talents with a collection of Scots, Irish, Canadian and American tunes and gave them all his own special treatment.
In the 1970’s, Charlie and his wife Joyce, opened a shop in Stranraer after he came back from Australia. He later bought the Portpatrick Hotel.
John Carmichael describes Charlie as a versatile and wonderful fiddle player, whether it be harmonizing with the band or accompanying a singer. A great personality and friend with a great sense of humour.
Bob McDowall, head of production at Lismor Recordings pays tribute to Charlie and describes him as one of the greats. Charlie was a major player in the two albums by Riverside Ceilidh Band and also featured in the ‘Hooley Ganz Band’ in ‘Noo that’s whit I call a ceilidh’. He also featured with rock albums, Scottish singers and the Dalriada Band. The album ‘Unsquare Dance’ displays his versatility and enjoyment of playing.
Charlie is survived by his wife Joyce, son Jim in Dumfries and a daughter Nicola in Stranraer. Our sympathies are extended to them.
Introducing the Committee
Jim Balneaves
I have been the Association Treasurer for the past six years, after being asked to join the Executive Committee by Jimmy Blue one Thursday night in William Low’s Superstore in Victoria Street, Perth.
My fourteen years as Treasurer of the Perth Club has been a time of fluctuating fortunes for the Club, since the early halcyon days, now having settled to a steady attendance for the last two or three years.
One of my interests is the Murray Clan Society, Balneaves, being a sept, which explains why the Simon Howie Band saw me resembling an under-nourished penguin at the recent Perth Highland Ball. My wife, Helen, and I are Council members of the Clan Society.
One of my hobbies is gardening with a particular preference for the varying daffodil and narcissus varieties.
The other hobby that takes up my time and money is a 1981 Honda Accord, the four headlight model. If anyone has a parcel shelf for the hatchback model, I would be pleased to hear from them.
The time that I spend reading holiday brochures, also qualifies this as a hobby, before visits to Central Europe.
I have been employed by a major transformer and fuse gear manufacturer, man and boy, in various positions, draughtsman, deputy chief draughtsman and design engineer. I am at present involved in estimating and internal sales, and if my VDU password of ‘guess’ is anything to go by, I am not applying a Treasurer’s exact discipline to arrive to arrive at the final price of the product.
21st Anniversary in Coquetdale
by ?
A banner – ‘Happy Anniversary Rothbury Accordion & Fiddle Club’ – greeted everyone to the Queen’s Head Hotel, Rothbury, recently, to celebrate the formation of the club 21 years ago on 7th February, 1974.
A warm welcome to members and great musicians was given by compere Neil Telfer and Chair, Daphne Herdman.
An excellent programme of music followed commencing with ‘first spot’ by founder Chairman Tom Edmondson, accordion, his wife Angela, keyboard, and David Ashbridge, drums. Their selections included Rothbury Hills, Bonnie Cragside and the Cheviot Waltz.
Next on stage the duos of Joe Hutton, Northumbrian small pipes, and Ron Purvis, fiddle, followed by Stuart Barron, accordion and David Ashbridge, drums, Kirsty MacDonald and Sarah Armstrong, accordions.
Also taking part were Will Atkinson, 87 years young earlier in the week, good as ever on the mouthorgan, and Graeme Younger, accordion.
After the Anniversary cake was cut by founder Chairman, Tom Edmondson, everyone enjoyed a superb buffet supper supplied by the Queen’s Head Hotel, where, with few exceptions the Club has always met. As a token of the Club’s appreciation of this, the Chairman presented the manageress, Fiona Anderson, with an arrangement of flowers in a basket.
Then the Secretary, Bob Edmondson, presented flowers to the Chair, Daphne Herdman, Treasurer, Pat Younger, and raffle steward Maxine Cummings. These gifts were much appreciated.
There were 25 prizes, many donated, for a super raffle.
The Chair recalled the origins of the club which is a very nice fairy story that began not so much ‘once upon a time’ but ‘one night’ as Tom traveled to play at a dance at Hexham he said to his drummer Ian Murray, “Wouldn’t it be nice to have an Accordion Club in Coquetdale?”
In due course Coquetdale Accordion Club was formed with Tom as Founder chairman, and Ian as Secretary/Treasurer.
The first guest artiste was Bobby Crowe and his Band, the doorkeeper the first night was Bob Nairn, and financial backing was offered by the then Queen’s Head landlord, the late Jimmy Embleton. Wonderful music has been heard in the Club during the past 21 years and it gave Tom great pleasure to propose the toast ‘to the Club’ and ‘to music’.
Best wishes for continued success were received from Bobby Crowe, Ron Purvis, Wiggy Brown and Willie Taylor.
It was the first visit to Northumberland for the guest artistes – the Black Rose Ceilidh Band from Paisley – Alasdair MacCuish, accordion, David Gracie, keyboard, and 1994 Scottish Accordion Champion, Scott Gordon, drums. They played two ‘spots’ and were well received with a choice of strict tempo Scottish, Irish and Continental music, including Kate Martin’s Waltz, Margaret’s Waltz, old Irish favourites When Irish Eyes Are Smiling, Wild Colonial Boy, Irish Jaunting Car and Green Glens of Antrim.
The Chair, Daphne Herdman, concluded a memorable night by thanking everyone for their attendance, music and support, and asked everyone to show their appreciation to compere Neil Telfer.
Tom Veldon and Charles ‘Chick’ Kelly
Obituary
Tom Veldon, well-known accordion teacher from Chapelhall, near Airdrie, passed away on Sunday, 15th January. Tom’s ‘Orchestra’ of accordionists are well-known throughout the many Festivals.
Another well-known name among accordionists, Charles ‘Chick’ Kelly, passed away on 21st January, 1995. Chick had, under his tuition, many of today’s fine players – Wilson Wood (teacher/player), Ray Carse (of Tartan Lads fame), Jim Cleland (at present with the Jim MacLeod Band) plus many more. His son, Graham Kelly, keeping up the tradition, is also teaching, Chick was in his 80’s.
Spotlight on – Tommy Lees
by Charlie Todd
One of the enjoyable aspects of the duties of the Association Secretary is re-establishing contact with players who have moved on from our local scene. So it was that in speaking to Ritchie Ahearne from Thornton Heath in Surrey, initially about more mundane matters such as Association ties, that he happened to mention his second box player, a certain Tommy Lees. Had I heard of him?
Yes, indeed I had. Tommy features as second box player on one of the prizes in my L.P. collection, Jim Johnstone’s ‘Welcome to the Dance’ which I believe was the one before the better known ‘Measure of Scotch’ and every bit as good.
I asked Ritchie to give me an update on Tommy’s career which he readily did.
“You probably already know Tommy’s career history before he left Scotland : Jimmy Shand Jnr, Jim Johnstone, The White Heather Club, etc.
“Around 1964 he ‘went on the ships’ (P & O) playing many world cruises, then London West End, before going back on the cruises, this time working the Union Castle which plied between London and South Africa.
“Following that he played in the Caledonian Suite, Hanover Street for some years and then did a year’s contract with Geraldo. Played the Scottish Association, Burns Society of London, accordion or piano in various venues in Leicester Square, Highlands and Islands, London, a Swiss tour, Scottish Tourist Board, a four-year West End show called ‘Tilt o’ the Kilt’ produced by Rex Grey and many other theatres, clubs, etc.
“I first met Tommy when I was searching for a second accordionist for my band. Fortunately for me (and the people we play to) what I was attempting to do appealed to him and he fits in the band work around his Theatre and Council of Music Work. He uses a Zero Sette electronic for his stage and solo work and plays a Hohner when working with the band.
“I have the privilege of doing a little concert work with him and also have gone to the various theatres to hear and watch him work. Tommy is as comfortable with Ivor Novello as he is with Gow and Skinner and on more than one occasion I have actually seen them dancing in the aisles. This kind of thing does get around and he is to play the City Variety in Leeds around April of this year.
“In my opinion you’ll not find a better entertainer and you’ll certainly wear out more than one pair of shoes looking for a better second accordionist.”
My thanks to Ritchie for taking the time to write but what of his own band in which Tommy plays. Ritchie, originally from Ireland, calls his band ‘The Dalcassian Country Dance Band’, a name derived from the Gaelic ‘Dalcais’, a powerful sept directly descended from Brian Boru, one of the High Kings of Ireland 986 – 1014. Ahearne is a Dalcassian name, as indeed are some others, notably O’Brien.
Ritchie leads the band on a midi Shand Morino, courtesy of our old (and I mean old!) friend, Charlie Watkins, with Tommy, vocalist Siobain Clancy and drummer Freddie Houlton. I have recently been involved in some good natured correspondence with Charlie Watkins trying to convince him that Scottish Dance music didn’t end when Jimmy Shand retired. Maybe Ritchie can succeed where I have failed.
Again, my thanks to Ritchie Ahearne and my best wishes to himself, Tommy and the band for the future.
Your Letters
May I add my small contribution to the controversy surrounding the debut broadcast of Duncan Black and his band.
I am neither a musician nor a dancer, just an avid listener, but I must say I have been appalled by the recent onslaught of criticism directed at Duncan and his band. In fact some of the comments read out on ‘TTF’ were bordering on the malicious side and in my opinion should never have been aired!
I am sure there are many who would agree that Duncan is a young man with outstanding talent and indeed of outstanding character.
Further more, who is this writer of ‘Correct Information’? (December B&F). Personally, I have never heard of Grant Crawford, so might it be a fair assumption that perhaps Duncan Black has forgotten more about music than this guy has ever learned!!??
It seems to me that anyone held in high esteem, whether they be royalty, politician or musician is an easy target for the certain few who seem only too keen to see then knocked down for one reason or another!
So Duncan and your fellow band members – if you happen to read this just bear in mind, although it cannot be denied that you do have a few critics out there, you also have an army of supporters ready to do battle on your behalf!
And to the powers that be, let’s be hearing lots more of the Duncan Black band in the future!
Murray MacKay, Huntingtower, by Perth
Record Review
Auld Noost – Violet Tulloch, Iain MacPhail, Ronnie Jamieson and Friends – Attic Records
Book Review
Scottish Dance Tunes – ‘Strung Together’ – by Jack Stalker and Ian Morrison
Take the Floor – Repeat Broadcasts
4th Mar 95 – John Ellis and his Highland Country Band
11th Mar 95 – John Carmichael SDB at Musselburgh Festival Dance
18th Mar 95 – Gordon Shand SDB
25th Mar 95 – OB from Kilmarnock with Ian Muir SDB, Joe Gordon & Sally Logan and Scott Gordon
CLUB DIARY
Aberdeen (Dee Motel) – 28th Mar 95 – Angie Smith Group
Alnwick (Golden Fleece) – members only 8th Mar 95 – Deirdre Adamson
Arbroath (Viewfield Hotel) - 5th Mar 95 – Club night and AGM
Armadale (Masonic Hall) – 2nd Mar 95 – Donnie McGregor Trio
Ayr (Gartferry Hotel) – 5th Mar 95 – Gary Blair Duo
Balloch (St. Kessog’s Hall) – 19th Mar 95 – Currie Brothers
Banchory (Burnett Arms Hotel) – 27th Mar 95 – Dave Stewart & Rab Smillie
Banff & District (Banff Springs Hotel) – 22nd Mar 95 – The Strathmore Sound
Beith & District (Hotel de Croft, Dalry) – 20th Mar 95 – Bill Black SDB
Belford (Community Club) –
Biggar (Municipal Hall) – 12th Mar 95 – Steven Carcary Trio
Blairgowrie (Moorfield Hotel) -
Brigmill (Guardbridge Sports & Social Club)
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Carlisle (Border Regiment Club, Carlisle Castle) - 2nd Mar 95 – Peter Bruce
Castle Douglas (Urr Valley Hotel) – 21st Mar 95 – Colin McKechnie Band
Coalburn (Miners’ Welfare) - 16th Mar 95 – John Laidlaw Trio
Crieff & District (Arduthie Hotel)
Dalriada (Argyll Arms Hotel, Lochgilphead)
Derwentside (Working Men’s Club, Consett) –
Dingwall (National Hotel) – 1st Mar 95 – Black Rose Ceilidh Band
Dunblane (Westlands Hotel) – 21st Mar 95 – Jim Johnstone SDB
Dundee (Park Hotel) – 29th Mar 95 - Neil MacEachern SDB
Dunfermline (Roadhouse) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (Sweepers, Cambuslang) – 30th Mar 95 – Charlie Kirkpatrick Trio
Ellon (Ladbroke Hotel) –
Fintry (Fintry Sports Centre) – 27th Mar 95 – Peter Wood SDB
Forfar (Plough Inn) - 19th Mar 95 – Dave Stewart & Rab Smillie
Forres (Brig Motel) – 8th Mar 95 – Willie Simpson Trio
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Barr Castle Social Club) –
Glendale (Black Bull Hotel – Wooler) – 23rd Mar 95 – James Lindsay Trio
Glenrothes (Victoria Hall, Coaltown of Balgownie) -
Glenfarg (Lomond Hotel) - 1st Mar 95 – David Cunningham Jnr
Gretna (Halcrow Stadium) -
Highland (Drumossie Hotel) – 20th Mar 95 – Hector MacFadyen SDB
Inveraray (Loch Fyne Hotel) - 7th Mar 95 – West Telferton Caledonian SDB
Islay (White Hart Hotel) -
Isle of Skye -
Islesteps (Waterhole, Lochfoot) – 7th Mar 95 – Ian Holmes
Kelso (Ednam House Hotel) – 29th Mar 95 – Deirdre Adamson
Kinlochshiel (Islander Function Room) -
Kintore (Crown Hotel) – 1st Mar 95 – Garioch Blend
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 9th Mar 95 – Bruce Lindsay Trio
Livingston (Deans Community Centre) 21st Mar 95 – Judith Linton Trio
Lockerbie (Bluebell Hotel) - 28th Mar 95 – Ian Holmes Trio
Mauchline (Sorn Village Hall) 21st Mar 95 – Charlie Kirkpatrick Trio
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
Muirhead (Belmont Arms, Meigle) - 15th Mar 95 - tbc
Newtongrange (Dean Tavern) – 27th Mar 95 – Brian Griffin & George Darling
North East (Royal British Legion, Keith) –
Oban (Caledonian Hotel) – 2nd Mar 95 – Jennifer Forrest SDB
Orkney (Ayre Hotel, Kirkwall) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Green Tree Hotel) – 30th Mar 95 – Bill Black SDB
Perth (Salutation Hotel) – 21st Mar 95 – John Renton SDB
Premier NI (Camlin Function Rooms) -
Renfrew (Masonic Hall, Broadloan) – 14th Mar 95 – Dochie McCallum & Friends
Rothbury (Queen’s Head) - 2nd Mar 95 – Bill Black SDB
Shetland (venue?) -
Stirling (Terraces Hotel) - 12th Mar 95 – Lothian SDB
Thornhill (?)
Thurso (Pentland Hotel) –
Tranent (East Lothian Labour Club)
Turriff (Royal Oak Hotel) – 2nd Mar 95 – James Corbett Band
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) – 21st Mar 95 – Alistair Hunter
Yarrow (Gordon Arms) - 15th Mar 95 – David Sturgeon & the Waverley SDB
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Arbroath
3. Balloch
4. Banchory
5. Banff
6. Biggar
7. Castle Douglas
8. Crieff
9. Dingwall
10. Dundee
11. East Kilbride
12. Forfar
13. Fintry
14. Forres
15. Gretna
16. Isle of Skye
17. Inveraray
18. Kintore
19. Lesmahagow
20. Livingston
21. Lockerbie
22. Montrose
23. Newtongrange
24. North East
25. Oban
26. Peebles
27. Shetland
28. Thurso
29. Turriff
30. Wick
31. Yarrow
CLUB DIRECTORY AS AT SEPT 1994 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports or in the Club Diary above were definitely open.)
1. Aberdeen A&F Club (1975 – present)
2. Alnwick A&F Club (Sept 1976 – present)
3. Arbroath A&F Club (1991? – present)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months) Closed
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition) Closed
6. Balloch A&F Club (Sept 1972 – per January 1978 issue – present)
7. Banchory A&F Club (1978 – present)
8. Banff & District A&F Club (Oct 1973 – present)
9. Beith & District A&F Club (Sept 1972 – per first edition – present)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974 – present)
12. Blairgowrie A&F Club (
13. Brigmill A&F Club (Oct 1990) Closed
14. Button Key A&F Club (
15. Campbeltown A&F Club (
16. Carlisle A&F Club (joined Sept 1993 -
17. Castle Douglas A&F Club (c Sept 1980 – present)
18. Coalburn A&F Club (
19. Crieff A&F Club (cSept 1981)
20. Dalriada A&F Club (Feb 1981)
21. Derwentside A&F Club
22. Dingwall & District A&F Club (May 1979 – per first report)
23. Dunblane & District A&F Club (1971 – present)
24. Dundee & District A&F Club (1970? -
25. Dunfermline & District A&F Club (1974 – per first edition)
26. Dunoon & Cowal A&F Club (
27. East Kilbride A&F Club (Sept 1980)
28. Ellon A&F Club (
29. Etterick & Yarrow (Jan 1989 -
30. Fintry A&F Club (Dec 1972 – reformed Jan 1980 – present)
31. Forfar A&F Club (
32. Forres A&F Club (Jan 1978)
33. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
34. Galashiels A&F Club (joined Sept 1982 - present)
35. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
36. Glendale Accordion Club (Jan 1973)
37. Glenfarg A&F Club (formed 1988 joined Assoc Mar 95 -
38. Glenrothes A&F Club (Mar 93?
39. Gretna A&F Club (1991) Known as North Cumbria A&F Club previously (originally called Grena when started in June 1966 but later had to move to venues in the North of England and changed name. No breaks in the continuity of the Club)
40. Highland A&F Club (Inverness) (Nov 1973 – present)
41. Inveraray A&F Club (Oct 1991 - present)
42. Islay A&F Club (23 Apr 93 -
43. Islesteps A&F Club (Jan 1981 – present – n.b. evolved from the original Dumfries Club)
44. Isle of Skye A&F Club (
45. Kelso A&F Club (May 1976 – present)
46. Kintore A&F Club (
47. Langholm A&F Club (Oct 1967 - present)
48. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
49. Livingston A&F Club (Sept 1973 – present)
50. Lockerbie A&F Club (Nov 1973 - present)
51. M.A.F.I.A. (1966 – 1993?)
52. Mauchline A&F Club (first mention 1986? - present)
53. Montrose A&F Club (joined Sept 1982 - present)
54. Muirhead A&F Club (Dec 1994 -
55. Mull A&F Club
56. Newtongrange A&F Club (joined Sept 1977 - present)
57. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
58. North East A&F Club aka Keith A&FC (Sept 1971 - present)
59. Oban A&F Club (Nov 1975 - present)
60. Orkney A&F Club (Mar 1978 - present)
61. Peebles A&F Club (26 Nov 1981 - present)
62. Perth & District A&F Club (Aug 1970 - present)
63. Premier A&F Club NI (April 1980)
64. Renfrew A&F Club (
65. Rothbury Accordion Club (7th Feb 1974) orig called Coquetdale
66. Shetland A&F Club (Sept 1978 - present)
67. Stirling A&F Club (Oct 1991 - )
68. Sutherland A&F Club (
69. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition – closed April 2014)
70. Thurso A&F Club (Oct 1981 - present)
71. Tranent A&F Club
72. Turriff A&F Club (March 1982 - present)
73. Tynedale A&F Club (Nov 1980 - present)
74. Wick A&F Club (Oct 1975 - present)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
75. Acharacle & District A&F Club (cMay 1988)
76. Bonchester Accordion Club (Closed?)
77. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
78. Buchan A&F Club
79. Callander A&F Club (
80. Campbeltown & District A&F Club (c Dec 1980)
81. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
82. Club Accord
83. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2? – became Rothbury?)
84. Coupar Angus A&F Club (cSept 1978 - ?)
85. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
86. Denny & Dunipace A&F Club (Feb 1981)
87. Dornoch A&F Club (first mention in directory 1986)
88. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
89. Dunbar Cement Works A&F Club (Closed?)
90. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
91. Falkirk A&F Club (Sept 1978 - )
92. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
93. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
94. Kirriemuir A&F Club (cSept 1981)
95. Monklands A&F Club (Nov 1978 – closed cApril 1983)
96. Morecambe A&F Club (joined Sept 1982)
97. Newcastleton Accordion Club
98. New Cumnock A&F Club (cMarch 1979)
99. Ormiston Miners’ Welfare Society A&F Club (closed April 1992 – per Sept Editorial)
100. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
101. Straiton Accordion Club (c1968 – closed March 1979)
102. Stranraer & District Accordion Club (1974 – per first edition)
103. Torthorwald A&F Club (near Dumfries)
104. Walmer (Bridge of Allan) A&F Club
105. Wellbank A&F Club
Advertising rates
Full Page - £94
Half Page - £47
Quarter Page - £24
B&F Treasurer – Mrs Margaret Smith, Smeaton Farm Cottage, Dalkeith, Midlothian, EH22 2NL
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
I read in the local paper that the ‘BBC will keep in closer touch’ with their listeners. Their plans are, in the words of a spokesman, “to keep its finger on the nation’s pulse”. I wonder if this includes BBC Radio Scotland?
They state that “there is a need for a better understanding of our audiences”. The report goes on to say “the widest possible range of high quality programmes” with more creative opportunities for the best of British talent. I would like to think this would include Scottish artistes. Is this the opportunity that we have been waiting for? I for one will be writing to them regarding coverage of Scottish Dance Music, Hogmanay, St Andrew’s Day, etc. Why not drop them a short letter and let them know your feelings?
The next issue (April) will be the last for the season, so if you have club meetings, dances or anything you want the readers to know about during the summer months, please let me know.
Ron Ramsay
Take the Floor
Behind the Scenes…
by Ron Ramsay
Saturday night, 6.30 p.m. and we settle down to listen to ‘Take the Floor’ on Radio Scotland presented by Robbie shepherd, but have you ever considered what’s involved in recording and producing such a programme?
An outside broadcast involves organizing suitable premises, arranging a band, advertising the event, set up an array of equipment, test the systems and a rehearsal, all before the actual recording takes place. The team responsible for all this in ‘Take the Floor’ is producer, Ken Mutch, personal assistant and Girl Friday, Fiona Aitken, audio supervisor, Doug Maskew, P.A. system administrator, Ron McCaskill and presenter, Robbie Shepherd.
Ken Mutch is in overall command of the production. During recordings, Ken is in constant touch with Robbie during a ‘live’ broadcast and with the band during a studio recording. If during the recording, he detects a slight mistake or is not 100% happy with the recording, he either stops the band playing or does a retake later on. The bands are dependent on the producer for a good quality production. Ken is a talented fiddle player and guitarist. He started with the B.B.C. in 1969 as a Technical Operator and later became an Audio Supervisor. He worked for some time as a trainee cameraman at the T.V. Centre, London. Prior to working in Aberdeen he had a spell in the Glasgow studios. He produces other programmes for Radio 2.
Fiona Aitken is responsible for various administration tasks and during a recording, times each dance set to the second. She also collates information about the tunes, composers, etc., and this information is subsequently sent to the Performing Rights, M.C.P.S. and various other bodies.
During an outside broadcast, the audience and dancers must be able to hear a well balanced sound within the venue and this is where Ron McCaskill is in complete control. The microphones from the band are directed to his console and split between him and the recording van outside. Ron is solely responsible for the quality of the sound within the venue.
Doug Maskew is the Audio Supervisor and during an outside broadcast is situated in a small control van adjacent to the venue, with all the available space full of equipment. Doug is responsible for balancing the various channels, so if you think the drums are too loud or not loud enough, you know who to point the finger at. Doug’s job is the same whether it is an outside broadcast or studio recording, and whether it be a football match or a full orchestra in a theatre.
Last and by no means least is the presenter, Robbie Shepherd. During an outside broadcast, Robbie is the link between the band and the recording unit. Although the responsibility of checking tune titles, composers, etc., rests with the bandleader, Robbie does a lot of research into the tunes, finding out their origins, stories behind them, etc. He also has to provide continuity between the dances. It is not necessary for him to be present during a studio recording as he can fill in during the broadcast.
So that is a brief outline of how ‘Take the Floor’ is recorded. A typical recording takes about three hours and is the equivalent of recording an L.P. which would probably take three days to make. All recordings are made on Digital Audio Tapes (DAT) as well as the conventional reel to reel. They are recorded in stereo but a good mono sound is just as important for the listeners with their wee’ trannies’. The typical cost of producing a ‘TTF’ programme is in the region of £1,500.
Charlie Cowie - Obituary
by John Carmichael
It is with sadness that we note the death of fiddler Charlie Cowie. What made Charlie Scotland’s most musical fiddler? Two things, a natural gift of swing and harmony, complemented with the ‘Auld Heid’ of experience.
From the young lad who played nervously in the Glasgow Caeldonian Strathspey and Reel Society in the 50’s to the front man in the ‘Ron Silver Trio’ playing ‘The Spey in Spate’ live on the White Heather Club. From theatre and club tours with the ‘Cluny Boys’ to the long running Gaelic series Se Ur Beatha with the ‘Albanach’s’.
This was all good experience for Charlie, but no musical education would be complete without appearances in the hot and steamy dance halls of the north. You name it, Charlie has played there appearing with Bobby MacLeod, Andrew Rankine, Alister McDonald, Will Starr and others too many to mention.
Charlie was always quick to appreciate new ideas, styles and tunes. He was the first to create a Scottish version of the classic Sean McGuire ‘Mason’s apron’ in the 60’s.
In his album ‘Unsquare Dance’, he displayed his talents with a collection of Scots, Irish, Canadian and American tunes and gave them all his own special treatment.
In the 1970’s, Charlie and his wife Joyce, opened a shop in Stranraer after he came back from Australia. He later bought the Portpatrick Hotel.
John Carmichael describes Charlie as a versatile and wonderful fiddle player, whether it be harmonizing with the band or accompanying a singer. A great personality and friend with a great sense of humour.
Bob McDowall, head of production at Lismor Recordings pays tribute to Charlie and describes him as one of the greats. Charlie was a major player in the two albums by Riverside Ceilidh Band and also featured in the ‘Hooley Ganz Band’ in ‘Noo that’s whit I call a ceilidh’. He also featured with rock albums, Scottish singers and the Dalriada Band. The album ‘Unsquare Dance’ displays his versatility and enjoyment of playing.
Charlie is survived by his wife Joyce, son Jim in Dumfries and a daughter Nicola in Stranraer. Our sympathies are extended to them.
Introducing the Committee
Jim Balneaves
I have been the Association Treasurer for the past six years, after being asked to join the Executive Committee by Jimmy Blue one Thursday night in William Low’s Superstore in Victoria Street, Perth.
My fourteen years as Treasurer of the Perth Club has been a time of fluctuating fortunes for the Club, since the early halcyon days, now having settled to a steady attendance for the last two or three years.
One of my interests is the Murray Clan Society, Balneaves, being a sept, which explains why the Simon Howie Band saw me resembling an under-nourished penguin at the recent Perth Highland Ball. My wife, Helen, and I are Council members of the Clan Society.
One of my hobbies is gardening with a particular preference for the varying daffodil and narcissus varieties.
The other hobby that takes up my time and money is a 1981 Honda Accord, the four headlight model. If anyone has a parcel shelf for the hatchback model, I would be pleased to hear from them.
The time that I spend reading holiday brochures, also qualifies this as a hobby, before visits to Central Europe.
I have been employed by a major transformer and fuse gear manufacturer, man and boy, in various positions, draughtsman, deputy chief draughtsman and design engineer. I am at present involved in estimating and internal sales, and if my VDU password of ‘guess’ is anything to go by, I am not applying a Treasurer’s exact discipline to arrive to arrive at the final price of the product.
21st Anniversary in Coquetdale
by ?
A banner – ‘Happy Anniversary Rothbury Accordion & Fiddle Club’ – greeted everyone to the Queen’s Head Hotel, Rothbury, recently, to celebrate the formation of the club 21 years ago on 7th February, 1974.
A warm welcome to members and great musicians was given by compere Neil Telfer and Chair, Daphne Herdman.
An excellent programme of music followed commencing with ‘first spot’ by founder Chairman Tom Edmondson, accordion, his wife Angela, keyboard, and David Ashbridge, drums. Their selections included Rothbury Hills, Bonnie Cragside and the Cheviot Waltz.
Next on stage the duos of Joe Hutton, Northumbrian small pipes, and Ron Purvis, fiddle, followed by Stuart Barron, accordion and David Ashbridge, drums, Kirsty MacDonald and Sarah Armstrong, accordions.
Also taking part were Will Atkinson, 87 years young earlier in the week, good as ever on the mouthorgan, and Graeme Younger, accordion.
After the Anniversary cake was cut by founder Chairman, Tom Edmondson, everyone enjoyed a superb buffet supper supplied by the Queen’s Head Hotel, where, with few exceptions the Club has always met. As a token of the Club’s appreciation of this, the Chairman presented the manageress, Fiona Anderson, with an arrangement of flowers in a basket.
Then the Secretary, Bob Edmondson, presented flowers to the Chair, Daphne Herdman, Treasurer, Pat Younger, and raffle steward Maxine Cummings. These gifts were much appreciated.
There were 25 prizes, many donated, for a super raffle.
The Chair recalled the origins of the club which is a very nice fairy story that began not so much ‘once upon a time’ but ‘one night’ as Tom traveled to play at a dance at Hexham he said to his drummer Ian Murray, “Wouldn’t it be nice to have an Accordion Club in Coquetdale?”
In due course Coquetdale Accordion Club was formed with Tom as Founder chairman, and Ian as Secretary/Treasurer.
The first guest artiste was Bobby Crowe and his Band, the doorkeeper the first night was Bob Nairn, and financial backing was offered by the then Queen’s Head landlord, the late Jimmy Embleton. Wonderful music has been heard in the Club during the past 21 years and it gave Tom great pleasure to propose the toast ‘to the Club’ and ‘to music’.
Best wishes for continued success were received from Bobby Crowe, Ron Purvis, Wiggy Brown and Willie Taylor.
It was the first visit to Northumberland for the guest artistes – the Black Rose Ceilidh Band from Paisley – Alasdair MacCuish, accordion, David Gracie, keyboard, and 1994 Scottish Accordion Champion, Scott Gordon, drums. They played two ‘spots’ and were well received with a choice of strict tempo Scottish, Irish and Continental music, including Kate Martin’s Waltz, Margaret’s Waltz, old Irish favourites When Irish Eyes Are Smiling, Wild Colonial Boy, Irish Jaunting Car and Green Glens of Antrim.
The Chair, Daphne Herdman, concluded a memorable night by thanking everyone for their attendance, music and support, and asked everyone to show their appreciation to compere Neil Telfer.
Tom Veldon and Charles ‘Chick’ Kelly
Obituary
Tom Veldon, well-known accordion teacher from Chapelhall, near Airdrie, passed away on Sunday, 15th January. Tom’s ‘Orchestra’ of accordionists are well-known throughout the many Festivals.
Another well-known name among accordionists, Charles ‘Chick’ Kelly, passed away on 21st January, 1995. Chick had, under his tuition, many of today’s fine players – Wilson Wood (teacher/player), Ray Carse (of Tartan Lads fame), Jim Cleland (at present with the Jim MacLeod Band) plus many more. His son, Graham Kelly, keeping up the tradition, is also teaching, Chick was in his 80’s.
Spotlight on – Tommy Lees
by Charlie Todd
One of the enjoyable aspects of the duties of the Association Secretary is re-establishing contact with players who have moved on from our local scene. So it was that in speaking to Ritchie Ahearne from Thornton Heath in Surrey, initially about more mundane matters such as Association ties, that he happened to mention his second box player, a certain Tommy Lees. Had I heard of him?
Yes, indeed I had. Tommy features as second box player on one of the prizes in my L.P. collection, Jim Johnstone’s ‘Welcome to the Dance’ which I believe was the one before the better known ‘Measure of Scotch’ and every bit as good.
I asked Ritchie to give me an update on Tommy’s career which he readily did.
“You probably already know Tommy’s career history before he left Scotland : Jimmy Shand Jnr, Jim Johnstone, The White Heather Club, etc.
“Around 1964 he ‘went on the ships’ (P & O) playing many world cruises, then London West End, before going back on the cruises, this time working the Union Castle which plied between London and South Africa.
“Following that he played in the Caledonian Suite, Hanover Street for some years and then did a year’s contract with Geraldo. Played the Scottish Association, Burns Society of London, accordion or piano in various venues in Leicester Square, Highlands and Islands, London, a Swiss tour, Scottish Tourist Board, a four-year West End show called ‘Tilt o’ the Kilt’ produced by Rex Grey and many other theatres, clubs, etc.
“I first met Tommy when I was searching for a second accordionist for my band. Fortunately for me (and the people we play to) what I was attempting to do appealed to him and he fits in the band work around his Theatre and Council of Music Work. He uses a Zero Sette electronic for his stage and solo work and plays a Hohner when working with the band.
“I have the privilege of doing a little concert work with him and also have gone to the various theatres to hear and watch him work. Tommy is as comfortable with Ivor Novello as he is with Gow and Skinner and on more than one occasion I have actually seen them dancing in the aisles. This kind of thing does get around and he is to play the City Variety in Leeds around April of this year.
“In my opinion you’ll not find a better entertainer and you’ll certainly wear out more than one pair of shoes looking for a better second accordionist.”
My thanks to Ritchie for taking the time to write but what of his own band in which Tommy plays. Ritchie, originally from Ireland, calls his band ‘The Dalcassian Country Dance Band’, a name derived from the Gaelic ‘Dalcais’, a powerful sept directly descended from Brian Boru, one of the High Kings of Ireland 986 – 1014. Ahearne is a Dalcassian name, as indeed are some others, notably O’Brien.
Ritchie leads the band on a midi Shand Morino, courtesy of our old (and I mean old!) friend, Charlie Watkins, with Tommy, vocalist Siobain Clancy and drummer Freddie Houlton. I have recently been involved in some good natured correspondence with Charlie Watkins trying to convince him that Scottish Dance music didn’t end when Jimmy Shand retired. Maybe Ritchie can succeed where I have failed.
Again, my thanks to Ritchie Ahearne and my best wishes to himself, Tommy and the band for the future.
Your Letters
May I add my small contribution to the controversy surrounding the debut broadcast of Duncan Black and his band.
I am neither a musician nor a dancer, just an avid listener, but I must say I have been appalled by the recent onslaught of criticism directed at Duncan and his band. In fact some of the comments read out on ‘TTF’ were bordering on the malicious side and in my opinion should never have been aired!
I am sure there are many who would agree that Duncan is a young man with outstanding talent and indeed of outstanding character.
Further more, who is this writer of ‘Correct Information’? (December B&F). Personally, I have never heard of Grant Crawford, so might it be a fair assumption that perhaps Duncan Black has forgotten more about music than this guy has ever learned!!??
It seems to me that anyone held in high esteem, whether they be royalty, politician or musician is an easy target for the certain few who seem only too keen to see then knocked down for one reason or another!
So Duncan and your fellow band members – if you happen to read this just bear in mind, although it cannot be denied that you do have a few critics out there, you also have an army of supporters ready to do battle on your behalf!
And to the powers that be, let’s be hearing lots more of the Duncan Black band in the future!
Murray MacKay, Huntingtower, by Perth
Record Review
Auld Noost – Violet Tulloch, Iain MacPhail, Ronnie Jamieson and Friends – Attic Records
Book Review
Scottish Dance Tunes – ‘Strung Together’ – by Jack Stalker and Ian Morrison
Take the Floor – Repeat Broadcasts
4th Mar 95 – John Ellis and his Highland Country Band
11th Mar 95 – John Carmichael SDB at Musselburgh Festival Dance
18th Mar 95 – Gordon Shand SDB
25th Mar 95 – OB from Kilmarnock with Ian Muir SDB, Joe Gordon & Sally Logan and Scott Gordon
CLUB DIARY
Aberdeen (Dee Motel) – 28th Mar 95 – Angie Smith Group
Alnwick (Golden Fleece) – members only 8th Mar 95 – Deirdre Adamson
Arbroath (Viewfield Hotel) - 5th Mar 95 – Club night and AGM
Armadale (Masonic Hall) – 2nd Mar 95 – Donnie McGregor Trio
Ayr (Gartferry Hotel) – 5th Mar 95 – Gary Blair Duo
Balloch (St. Kessog’s Hall) – 19th Mar 95 – Currie Brothers
Banchory (Burnett Arms Hotel) – 27th Mar 95 – Dave Stewart & Rab Smillie
Banff & District (Banff Springs Hotel) – 22nd Mar 95 – The Strathmore Sound
Beith & District (Hotel de Croft, Dalry) – 20th Mar 95 – Bill Black SDB
Belford (Community Club) –
Biggar (Municipal Hall) – 12th Mar 95 – Steven Carcary Trio
Blairgowrie (Moorfield Hotel) -
Brigmill (Guardbridge Sports & Social Club)
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Carlisle (Border Regiment Club, Carlisle Castle) - 2nd Mar 95 – Peter Bruce
Castle Douglas (Urr Valley Hotel) – 21st Mar 95 – Colin McKechnie Band
Coalburn (Miners’ Welfare) - 16th Mar 95 – John Laidlaw Trio
Crieff & District (Arduthie Hotel)
Dalriada (Argyll Arms Hotel, Lochgilphead)
Derwentside (Working Men’s Club, Consett) –
Dingwall (National Hotel) – 1st Mar 95 – Black Rose Ceilidh Band
Dunblane (Westlands Hotel) – 21st Mar 95 – Jim Johnstone SDB
Dundee (Park Hotel) – 29th Mar 95 - Neil MacEachern SDB
Dunfermline (Roadhouse) –
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (Sweepers, Cambuslang) – 30th Mar 95 – Charlie Kirkpatrick Trio
Ellon (Ladbroke Hotel) –
Fintry (Fintry Sports Centre) – 27th Mar 95 – Peter Wood SDB
Forfar (Plough Inn) - 19th Mar 95 – Dave Stewart & Rab Smillie
Forres (Brig Motel) – 8th Mar 95 – Willie Simpson Trio
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Barr Castle Social Club) –
Glendale (Black Bull Hotel – Wooler) – 23rd Mar 95 – James Lindsay Trio
Glenrothes (Victoria Hall, Coaltown of Balgownie) -
Glenfarg (Lomond Hotel) - 1st Mar 95 – David Cunningham Jnr
Gretna (Halcrow Stadium) -
Highland (Drumossie Hotel) – 20th Mar 95 – Hector MacFadyen SDB
Inveraray (Loch Fyne Hotel) - 7th Mar 95 – West Telferton Caledonian SDB
Islay (White Hart Hotel) -
Isle of Skye -
Islesteps (Waterhole, Lochfoot) – 7th Mar 95 – Ian Holmes
Kelso (Ednam House Hotel) – 29th Mar 95 – Deirdre Adamson
Kinlochshiel (Islander Function Room) -
Kintore (Crown Hotel) – 1st Mar 95 – Garioch Blend
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 9th Mar 95 – Bruce Lindsay Trio
Livingston (Deans Community Centre) 21st Mar 95 – Judith Linton Trio
Lockerbie (Bluebell Hotel) - 28th Mar 95 – Ian Holmes Trio
Mauchline (Sorn Village Hall) 21st Mar 95 – Charlie Kirkpatrick Trio
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) –
Muirhead (Belmont Arms, Meigle) - 15th Mar 95 - tbc
Newtongrange (Dean Tavern) – 27th Mar 95 – Brian Griffin & George Darling
North East (Royal British Legion, Keith) –
Oban (Caledonian Hotel) – 2nd Mar 95 – Jennifer Forrest SDB
Orkney (Ayre Hotel, Kirkwall) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Green Tree Hotel) – 30th Mar 95 – Bill Black SDB
Perth (Salutation Hotel) – 21st Mar 95 – John Renton SDB
Premier NI (Camlin Function Rooms) -
Renfrew (Masonic Hall, Broadloan) – 14th Mar 95 – Dochie McCallum & Friends
Rothbury (Queen’s Head) - 2nd Mar 95 – Bill Black SDB
Shetland (venue?) -
Stirling (Terraces Hotel) - 12th Mar 95 – Lothian SDB
Thornhill (?)
Thurso (Pentland Hotel) –
Tranent (East Lothian Labour Club)
Turriff (Royal Oak Hotel) – 2nd Mar 95 – James Corbett Band
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) – 21st Mar 95 – Alistair Hunter
Yarrow (Gordon Arms) - 15th Mar 95 – David Sturgeon & the Waverley SDB
THERE WERE CLUB REPORTS FROM :-
1. Aberdeen
2. Arbroath
3. Balloch
4. Banchory
5. Banff
6. Biggar
7. Castle Douglas
8. Crieff
9. Dingwall
10. Dundee
11. East Kilbride
12. Forfar
13. Fintry
14. Forres
15. Gretna
16. Isle of Skye
17. Inveraray
18. Kintore
19. Lesmahagow
20. Livingston
21. Lockerbie
22. Montrose
23. Newtongrange
24. North East
25. Oban
26. Peebles
27. Shetland
28. Thurso
29. Turriff
30. Wick
31. Yarrow
CLUB DIRECTORY AS AT SEPT 1994 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports or in the Club Diary above were definitely open.)
1. Aberdeen A&F Club (1975 – present)
2. Alnwick A&F Club (Sept 1976 – present)
3. Arbroath A&F Club (1991? – present)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months) Closed
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition) Closed
6. Balloch A&F Club (Sept 1972 – per January 1978 issue – present)
7. Banchory A&F Club (1978 – present)
8. Banff & District A&F Club (Oct 1973 – present)
9. Beith & District A&F Club (Sept 1972 – per first edition – present)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974 – present)
12. Blairgowrie A&F Club (
13. Brigmill A&F Club (Oct 1990) Closed
14. Button Key A&F Club (
15. Campbeltown A&F Club (
16. Carlisle A&F Club (joined Sept 1993 -
17. Castle Douglas A&F Club (c Sept 1980 – present)
18. Coalburn A&F Club (
19. Crieff A&F Club (cSept 1981)
20. Dalriada A&F Club (Feb 1981)
21. Derwentside A&F Club
22. Dingwall & District A&F Club (May 1979 – per first report)
23. Dunblane & District A&F Club (1971 – present)
24. Dundee & District A&F Club (1970? -
25. Dunfermline & District A&F Club (1974 – per first edition)
26. Dunoon & Cowal A&F Club (
27. East Kilbride A&F Club (Sept 1980)
28. Ellon A&F Club (
29. Etterick & Yarrow (Jan 1989 -
30. Fintry A&F Club (Dec 1972 – reformed Jan 1980 – present)
31. Forfar A&F Club (
32. Forres A&F Club (Jan 1978)
33. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
34. Galashiels A&F Club (joined Sept 1982 - present)
35. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
36. Glendale Accordion Club (Jan 1973)
37. Glenfarg A&F Club (formed 1988 joined Assoc Mar 95 -
38. Glenrothes A&F Club (Mar 93?
39. Gretna A&F Club (1991) Known as North Cumbria A&F Club previously (originally called Grena when started in June 1966 but later had to move to venues in the North of England and changed name. No breaks in the continuity of the Club)
40. Highland A&F Club (Inverness) (Nov 1973 – present)
41. Inveraray A&F Club (Oct 1991 - present)
42. Islay A&F Club (23 Apr 93 -
43. Islesteps A&F Club (Jan 1981 – present – n.b. evolved from the original Dumfries Club)
44. Isle of Skye A&F Club (
45. Kelso A&F Club (May 1976 – present)
46. Kintore A&F Club (
47. Langholm A&F Club (Oct 1967 - present)
48. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
49. Livingston A&F Club (Sept 1973 – present)
50. Lockerbie A&F Club (Nov 1973 - present)
51. M.A.F.I.A. (1966 – 1993?)
52. Mauchline A&F Club (first mention 1986? - present)
53. Montrose A&F Club (joined Sept 1982 - present)
54. Muirhead A&F Club (Dec 1994 -
55. Mull A&F Club
56. Newtongrange A&F Club (joined Sept 1977 - present)
57. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
58. North East A&F Club aka Keith A&FC (Sept 1971 - present)
59. Oban A&F Club (Nov 1975 - present)
60. Orkney A&F Club (Mar 1978 - present)
61. Peebles A&F Club (26 Nov 1981 - present)
62. Perth & District A&F Club (Aug 1970 - present)
63. Premier A&F Club NI (April 1980)
64. Renfrew A&F Club (
65. Rothbury Accordion Club (7th Feb 1974) orig called Coquetdale
66. Shetland A&F Club (Sept 1978 - present)
67. Stirling A&F Club (Oct 1991 - )
68. Sutherland A&F Club (
69. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition – closed April 2014)
70. Thurso A&F Club (Oct 1981 - present)
71. Tranent A&F Club
72. Turriff A&F Club (March 1982 - present)
73. Tynedale A&F Club (Nov 1980 - present)
74. Wick A&F Club (Oct 1975 - present)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
75. Acharacle & District A&F Club (cMay 1988)
76. Bonchester Accordion Club (Closed?)
77. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
78. Buchan A&F Club
79. Callander A&F Club (
80. Campbeltown & District A&F Club (c Dec 1980)
81. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
82. Club Accord
83. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2? – became Rothbury?)
84. Coupar Angus A&F Club (cSept 1978 - ?)
85. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
86. Denny & Dunipace A&F Club (Feb 1981)
87. Dornoch A&F Club (first mention in directory 1986)
88. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
89. Dunbar Cement Works A&F Club (Closed?)
90. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
91. Falkirk A&F Club (Sept 1978 - )
92. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
93. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
94. Kirriemuir A&F Club (cSept 1981)
95. Monklands A&F Club (Nov 1978 – closed cApril 1983)
96. Morecambe A&F Club (joined Sept 1982)
97. Newcastleton Accordion Club
98. New Cumnock A&F Club (cMarch 1979)
99. Ormiston Miners’ Welfare Society A&F Club (closed April 1992 – per Sept Editorial)
100. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
101. Straiton Accordion Club (c1968 – closed March 1979)
102. Stranraer & District Accordion Club (1974 – per first edition)
103. Torthorwald A&F Club (near Dumfries)
104. Walmer (Bridge of Allan) A&F Club
105. Wellbank A&F Club
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