Box and Fiddle
Year 10 No 01
September 1986
Price 30p
12 pages
8 month subscription £3.75
Joint Editors – Tom Clark, 55 Sutherland Crescent, Dundee, DD2 2HP or Douglas Adamson, 22 Westfield Drive, Forfar, DD8 1EQ
B&F Treasurer – Mrs Cathy Andrew, 22 Lochinver Crescent, Foxbar, Paisley Tele 2824
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Now that we’ve all had our summer break, it’s time once again to get back to business with renewed enthusiasm. Hopefully, the year ahead will prove to be a successful and enjoyable time for all.
As is now well known, Mr Ian Smith resigned as Editor at this year’s AGM in the Station Hotel, Perth, after nine years in the hot seat. The Association owes a real debt to Ian for all his efforts, and the Executive showed their appreciation when a presentation was made by Chairman Jimmy Blue on behalf of the Association. It is good to know that Ian will be retaining his connection as Secretary of the Stranraer Club.
Now of course, there is the real problem of following on where a high standard has been set. As the new editor, I hope that all those people who co-operated so well in the past will continue to do so in the future.
Joining me will be Doug Adamson of Forfar who has had many years’ experience in the business and, of course, has a deep interest in the Club scene and the Association. We both look forward eagerly to the task ahead.
Tom Clark
A.G.M. Weekend Perth 1986
“Like Trying to Shave wi’ a Walkin’ Stick”
The afternoon of Saturday, 28th June – the sun was splitting the trees from a cloudless sky, the temperature was approaching 80, and the immaculate lawns and flower-beds of Perth’s stately Station Hotel were a picture. The colourful domed sunshades poised over the wee white tables dotted around, added something of a Continental atmosphere with contented souls either relaxing on the turf or sitting in the shade.
Those happy sun-worshippers may have appeared to be oblivious to all else save the glorious weather, but their ears were trained on the wide open doors and windows of a downstairs lounge wherein a further couple of dozen folk could be seen sitting in rapt attention.
Someone was giving a talk and out into the summer air wafts such phrases as “like trying to work a power-drive binder with a pair o’ horse”, or “like a D2 with one track missing”, or “a good Massey-Harris is hard to beat”.
What was going on? A casual passer-by could have been excused for thinking that this was an agricultural symposium of some kind, but he or she would have been mules wide of the mark. In fact, this was a ‘workshop’ not of the boilersuit variety, but as used in modern parlance to denote a kind of practical instruction session usually in some discipline connected with music or the arts. This particular workshop was being tried experimentally for the first time as an opener to the N.A.A.F.C. A.G.M Weekend and judging by audience reaction and feedback it won’t be the last.
The aforementioned agricultural slant should come as no surprise when one learns that ‘teacher’ on this occasion was none other than that son of the soil and D2 (a model of the crawler tractor made by the Caterpillar Co) devotee Ian Powrie, the subject being the FIDDLE. Surprise, surprise!
‘Massey-Harris’ was an affectionate reference to Ian’s Matthew-Hardie instrument and the other two quotes were descriptive and couthie expressions to illustrate points relating to amplification and bowing techniques respectively.
In the same vein, when highlighting the importance of bow tension, Ian likened playing with a slack bow to “trying to shave wi’ a walkin’ stick”.
Although only one other ‘four stringer’ had plucked up the courage to actually participate in the workshop, the player in question happened to be Stella Wilkie (nee Clark), from Freuchie, who was the perfect compliment ot Ian, and with Joan Blue on piano this redoubtable threesome provided the basic ingredients for a most absorbing hour and a half.
The scene was set to perfection as the trio kicked off with that March which has already become, and will undoubtedly remain a classic, Angus Fitchet’s ‘Mr Michie’, then through ‘John Stephen of Chance Inn’ to the Reel ‘Carnie’s Canter’. Coupled with the setting of lawns, sunshine and colourful sunshades, this really was the gear, the very essence.
The Slow Air, ‘TheRev. Archie Beaton’ , followed, Stella in the lead, with fine supporting fiddle and piano harmonies. To finish this first session the trio gave us a Jig set, finishing with a catchy little air by Haydn of all people – we were informed by Bobby Crowe that the tune is in one of Kerr’s collection.
Ian then laid down the fiddle for a wee while and gave us a potted history of his formative years on the instrument, how in the first instance he was influenced by ‘Dancie’ Reid of Newtyle and then at the age of 4 or 5 he went to Adam Rennie for 6 months or so as one of a communal class of a dozen or so budding players. Formal tuition was not the most significant factor here, rather the style of rendering the music.
From Coupar Angus the Powrie musical education moved to Blairgowrie and continued at the residence of one Mr Jim Ogilvie. Here the pupils did real graft in the ‘hard labour room’ complete with its marble fireplace. But this strictly enforced practice paid dividends, because by the ripe old age of 15 Jim Howie (later of the Hawthorne Band) had his teacher’s certificate and Ian was through grades 1 to 5. At about this time Jim Ogilvie died and his brother Harry C. Ogilvie – a great exponent of bowing technique – took up the reins.
At this point in my scribbled notes I cannot figure out the significance of one particular entry, “D2 spanner marks”! It doesn’t seem to have much relevance in this context, but no doubt the explanation is simple and plausible.
We now moved into the nitty gritty, the mechanics and technique of getting the best from this instrument ; the importance of stance, bowing action, bow tension, bridge height and so on. The audience was hooked. This man had done his homework, and of course his couthy delivery was easy on the ear and held the attention.
The subtle differences in approach required for serious and competition playing as opposed to entertaining were outlined, one prerequisite for the latter being good visual impact.
A most intriguing few minutes followed where Ian, using the march ‘Leaving Glenurquhart’, demonstrated most strikingly the ways of rendering a tune for solo and hard work. Very often folk will do a so called ‘comparison’ and one is hard pushed to tell the difference, but this was night and day, both great but so individualistic. The band technique involved a ‘gluing’ or ‘welding’ style as exemplified in the playing of the late Syd Chalmers.
One could go on and on, there was just so much of interest, intriguing snippets and useful hints by the bogie load – such as when playing a Slow Air to leave elbow room for the accompanist to embellish a wee bit, or when using amplification the importance of the right choice of microphone and the positioning of same. With regard to the latter, Ian pointed out that when playing with Bobby Crowe, because of the vast distance to be covered if following the lengthy musical scores, “you need a mike on the arse of your breeks”’
Space just does not permit more than a passing mention of the various duet sessions with Stella or the short spell when Bobby Crowe augmented the ensemble.
Throughout the session Joan, as always, displayed that contented serenity and competence which is her hallmark.
A second ‘workshop’ followed, this time for accordion under the leadership of John Huband, but because of the time factor, this took a slightly modified and truncated form, finishing up as a question and answer forum, with John and Ian in the hot seats.
Again, much favourable comment from the audience – one can only say ‘let’s have more of this’.
Now a break for an hour or so when folk did their own thing, enjoyed the weather, had a wee tune here and there, and so on. Dinner at seven then all off to the ‘jiggin’ to the music of the Colin Finlayson Band. Twice mentioned on ‘Shepherd’s choice’ of late, this particular group ranks in the top Scottish Dance Band bracket with its clean, tight, balanced sound and excellent idiom. For my money their handling of 6/8 marches is second to none, but I hasten to add they have got what it takes throughout the whole spectrum of rhythms and tempos. Their waltzes are also something special.
Sunday
Sunday morning not only dawned as brilliantly as Saturday had finished, but also before quite a number of enthusiasts (who shall be nameless) got to bed! This augured well for the A.G.M., which was a happy event attended by delegates from Clubs as far apart as Whitley Bay and Wick. And it would appear that the entire population of Newtongrange was present.
The most significant happening at the meeting was the presentation by Association Chairman Jimmy Blue to ‘box and fiddle’ Editor Ian Smith, who was retiring after 9 years in the driving seat. Ian’s contribution to the Accordion and Fiddle movement in that time has been immeasurable and for most of that period he carried the can single handed and kept his cool at all times despite considerable hassle on occasions. No one can really assess the dedication of the man, his low-key, unassuming manner belying his talents – he surpassed many with his ability in the written word and with his interest in and knowledge of music.
We wish him health and happiness for the future, the better to enjoy his increased leisure time, and hope he will be seen around the clubs and festivals from time to time.
Ian’s successor as Editor is to be Tom Clark of Dundee, a Scottish dance band leader in his own right and erstwhile lead accordion with the Cameron Kerr Band.
The paper layout will be the responsibility of Doug Adamson of Forfar (Deeay Music. He is also ‘Dad’ to the fine young accordionist Deirdre Adamson.
The meeting would up comfortably at around 12.30 p.m. giving a good hour and a half for more relaxation or whatever before lunch.
This in turn was followed, as last year, by a Celebrity Accordion and fiddle Club meeting, which once again more than lived up to expectations.
These particular functions really are quite unique in that they bring together under one roof a galaxy of top names in the business, an array of talent which would make any promoter drool at the thought, but thinking or dreaming is as far as he or she would get. Just think of it – who could possibly have the good fortune, let alone the wherewithal, to sign up the group which filled the final spot at the ceilidh. Jimmy Shand himself leading an augmented band fielding no less than 6 fiddles, 8 accordions, 2 double basses, piano and drums!
Consider the line-up :-
On fiddle – Bobby Christie, Marie Fielding, Angus Fitchet, Dave Ireland (one of Jimmy’s earliest band players, now 80 and as fresh as paint), Ian Powrie and Stella Wilkie.
On accordion – Bobby coghill, Bobby Crowe, Jim Johnstone, Bruce Lindsay, Bobby MacLeod, Jimmy Shand, Hamish Smith “et al”. Al who?
Double basses – Billy Craib and Stan Saunders.
Piano –Joan Blue
and finally on drums, the driving force and organizer of the entire weekend, Jack Cooper.
All these musicians had done spots in their own right during the afternoon with a variety of supporting groups, one of the drummers being none other than Jimmy Shand’s younger son David. With the exception of second accordion, the full Jim Johnstone band was on parade, and that virtuoso whistle player from Aberdeen, Alex Green, accompanied by Maureen Rutherford, gave us fine pipe stuff with great phrasing and gracing.
Unfortunately Iain MacPhail, who was at the lunch, had to leave early for a previous engagement before he had time to have a tune.
But back to the ‘Superband’. Once, once again (as Count Basie used to say) the father music of the Scottish dance music scene stamped his authority on this big group. The sound was unmistakably Shand. There wasn’t a note out of line – you would have thought the whole thing had been rehearsed. How was it done? Simple. Jimmy has always been consistent in his tune sets for specific dances. These have become standards over the years, so by using them on this occasion everything clicked into place, no problem.
Musicians and audience alike just lapped this up, a real happening, with a capital ‘H’. Folk were dancing between the tables, others swinging to the music, all savouring the occasion. But a halt had to be called with ‘Auld Lang Syne’. What an afternoon, and its success was in no small measure due to the expert compering of Jimmy Blue who, in the most unobtrusive way, had everything organized to a ‘Tee’ with each player ready in the wings as the previous turn finished. Jimmy’s linking was concise, witty and absolutely right for the occasion.
And finally, on behalf of all present, a big thank you to the hotel staff who saw to our every need with such good grace, and an extra big ‘ta’ to Jack Cooper who did all the worrying and organized the whole affair. He can feel very satisfied with his efforts.
Footnote
It was quite amusing to hear folk commenting while young Bruce Lindsay was performing “shut your eyes and you would think it was Jimmy Shand” and when J.S. was on “Sounds just like Bruce Lindsay”!
It was also a pleasant surprise and great boost to us all that Angus Fitchet and Bobby MacLeod managed along after spells of somewhat indifferent health. It put the icing on the cake.
Competition Day at Newtongrange
by Margaret Smith (Secretary)
All roads led to the Dean Tavern on 13th April for our annual competitions. East, Mid and West Lothian, fife, the borders, Dundee, Aberdeen, Wick, Inverness, Dingwall were all represented, with contestants coming from a’ the airts.
The accordion classes were adjudicated by Gordon Pattullo, Coupar Angus and Brian Griffin, Lockerbie. Fiddles were adjudicated by bobby Harvey, Milngavie. An added attraction this year was a trade stand with D.S.M. Mussic from Inverness. Records, cassettes and sheet music were on sale.
Following the competitions, the trophies and medals were presented to the winners and runners up, and then we swung into the concert, featuring winners, runners up and youngest competitors.
Gordon Pattullo and Brian Griffin kindly gave us a few sets to get the feet tapping.
Unfortunately Bobby Harvey had to leave after his adjudication duties as he had an engagement with his band in the evening.
Results were as follows
Accordion
Up to 11 Years (Jim Johnstone Trophy)
1) Mhairi Coutts (Kirkcaldy)
2) Stewart Grant (Kelso)
12 to 16 Years (Dean Tavern Trophy)
1) James Coutts (Kirkcaldy)
2) Alan Gardiner (Lamington)
Seniors (Newtongrange A&FC Trophy)
1) James Grant (Eyemouth)
2) Graham Jeffrey (Earlston)
Pipe Music Section
Up to 16 Years (Edinburgh Evening News Trophy)
1) James Coutts (Kirkcaldy)
2) Alan Gardiner (Lamington)
Seniors (Midlothian District Council Trophy)
1) Michael Philip (Cardenden)
2) Kevin Gunn (Wick)
Fiddles
Under 12 Years (Gilbert Lang Trophy)
1) Alison Cormack (Aberdeen)
12 to 16 Years (John Lincoln Trophy)
1) Diane Keith (Aberdeen)
2) Allison Dewar (Kingskettle)
Seniors (Newtongrange A&FC Trophy)
1) Jean Ann Callander (Aberdeen)
2) Marie Fielding (Lasswade)
Slow Air Section
12 to 15 Years (Newtongrange A&FC Trophy
1) Allison Dewar (Kingskettle)
2) Donna Tindal (Broughty Ferry)
Seniors (Margaret & George Smith Trophy
1) Bob Edwards (Dundee)
2) Jean-Ann Callender (Aberdeen)
Youngest Accordionist – Mhairi Coutts (9)
Youngest Fiddler – Alison Cormack (11)
Adjudicators
Accordion – Gordon Pattullo and Brian Griffin
Fiddle – Bobby Harvey
Very many thanks to everyone who helped make it such a great day i.e. competitors, parents, spectators, adjudicators, comperes, stewards and anyone who helped in any way.
Letters to the Editor
Sir – I am sure some of your readers will be interested to hear that Toralf Tollefsen will be present at the Autumn Festival at Great Yarmouth, 6th – 9th November 1986.
I spoke to him on the phone last Saturday and he is looking forward to the event and has promised to play. As he lived for some time in London after the war he did many broadcasts on radio and television for BBC.
Anyone interested in attending the Festival should contact Malcolm Gee, 146 Birmingham Road, Kidderminster, DY10 2SL.
I am sure anyone who is interested in the accordion and can possibly manage to attend, won’t want to miss this rare appearance of a living legend and, in my view, the greatest player of all time, one who set the standard over half a century ago for the high quality of today’s top performers.
John Mackie
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Nag’s Head) – members only –
Armadale (Masonic Arms Hotel) –
Ayr (Aftongrange Hotel) –
Balloch (Denny Social Club) – 21st Sept 86 Alan Doig
Banchory (Burnett Arms Hotel) –
Banff (Royal Oak Hotel) –
Beith (Anderson Hotel) – 15th Sept 86 John Strachan
Belford (Community Club) –
Biggar (Clydesdale Hotel) –
Bridge of Allan (Walmer Hotel) -
Buchan (Buchaness Hotel) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Thistle Inn) –
Cleland (Dalrymple House) –
Coupar Angus (Royal Hotel) –
Crieff & District (Drummond Arms) –
Dalriada (Royal Hotel, Lochgilphead) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dunblane (Westlands Hotel) – 16th Sept 86 Jim Cleland Quartet
Dundee (Queen’s Hotel, Nethergate) – 4th Sept 86 Rigadoon
Dunfermline (Northern Roadhouse) –
East Kilbride (King’s Park Hotel, Rutherglen) –
Edinburgh (Abbey Suite, Abbey Lane) –
Ellon (Ladbroke Hotel) –
Falkirk (Park Hotel) –
Fintry (Clachan Hotel) – 22nd Sept 86 Deirdre Adamson
Forres (Brig Motel) – 10th Sept 86 Jim Dawson SDB
Fort William (Cruchan Hotel) – 13th Oct 86 Alex MacArthur SDB
Galashiels (Maxwell Hotel) –
Galston (Theo’s Restaurant, Galston) –
Glendale (Black Bull Hotel – Wooler) – members only -
Gorebridge (Rangers FC Social Club) –
Highland (Drumossie Hotel) – 15th Seot 86 Craigowl SDB
Islesteps (Cargenholm Hotel) –
Kelso (Ednam House Hotel) –
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 10th Sept 86 Graeme Munro SDB
Livingston (Grand Prix Hotel, Blackburn) –
Lockerbie (Bluebell Hotel) –
M.A.F.I.A. (Black Bull, Milngavie) –
Montrose (Park Hotel) –
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) – 29th Sept 86 Visit of Perth club
Newton St Boswells (Railway Hotel) –
North Cumbria (Howard Arms) (prev called Gretna Club) –
North East (Royal Hotel, Keith) –
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Ex-Servicemen’s Club) –
Perth (Salutation Hotel) –
Premier NI (Wilson’s of Crumlin) -
Renfrew (Masonic Hall) –
Rothbury (Queen’s Head Hotel)
Shetland (venue?) -
Stranraer (Railway Club) –
Thornhill (?)
Thurso (McKay’s Hotel) –
Turriff (Royal Oak Hotel) – 4th Sept 86 Foundary Bar Band 2nd Oct 86 George Bell SDB
Tynedale (The Royal Hotel, Hexham) –
Walmer (Bridge of Allan) –
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Balloch
2. Beith & District
3. Crieff & District
4. Dingwall & District
5. Dunblane & District
6. Dundee
7. East Kilbride
8. Forres
9. Glendale
10. Highland
11. Kintore
12. Lesmahagow
13. Livingston
14. M.A.F.I.A.
15. Newtongrange
16. North East
17. Perth & District
18. Renfrew
19. Shetland
20. Tynedale
CLUB DIRECTORY AS AT SEPT 1986 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
4. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
5. Balloch A&F Club (Sept 1972 – per January 1978 issue)
6. Banchory A&F Club (1978)
7. Banff & District A&F Club (Oct 1973)
8. Beith & District A&F Club (Sept 1972 – per first edition)
9. Belford A&F Club (joined Sept 1982)
10. Biggar A&F Club (Oct 1974)
11. Buchan A&F Club
12. Callander A&F Club (
13. Campbeltown & District A&F Club (c Dec 1980)
14. Castle Douglas A&F Club (c Sept 1980)
15. Crieff A&F Club (cSept 1981)
16. Dalriada A&F Club (Feb 1981)
17. Derwentside A&F Club
18. Dingwall & District A&F Club (May 1979 – per first report)
19. Dornoch A&F Club (first mention in directory 1986)
20. Dunblane & District A&F Club (1971)
21. Dundee & District A&F Club
22. Dunfermline & District A&F Club (1974 – per first edition)
23. East Kilbride A&F Club (Sept 1980)
24. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
25. Ellon A&F Club (
26. Falkirk A&F Club (Sept 1978 - )
27. Fintry A&F Club
28. Forres A&F Club (Jan 1978)
29. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
30. Galashiels A&F Club (joined Sept 1982)
31. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
32. Glendale Accordion Club (Jan 1973)
33. Highland A&F Club (Inverness)
34. Islesteps A&F Club (Jan 1981)
35. Isle of Skye A&F Club (
36. Kelso A&F Club (May 1976)
37. Kintore A&F Club
38 Langholm A&F Club (Oct 1967)
39 Lesmahagow A&F Club (Nov 1979 – closed May 2005)
40. Livingston A&F Club (Sept 1973 – per first edition)
41 Lockerbie A&F Club (Nov 1973)
42 M.A.F.I.A. (early)
43 Mauchline A&F Club (first mention 1986?)
44. Montrose A&F Club (joined Sept 1982)
45. Newtongrange A&F Club (joined Sept 1979)
46. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
47. North Cumbria A&F Club (originally Gretna started June 1966 – had to move to a venue in the North of England and changed name – eventually changed back when they returned to the Halcrow Stadium. No breaks in the continuity of the Club)
48. North East A&F Club aka Keith A&FC (Sept 1971)
49. Oban A&F Club (Nov 1975)
50. Orkney A&F Club (Mar 1978)
51. Ormiston Miners’ Welfare Society A&F Club
52. Peebles A&F Club (26 Nov 1981)
53. Perth & District A&F Club (Aug 1970)
54. Premier A&F Club NI (cNov 1980)
55. Rothbury Accordion Club (1987??)
56. Shetland A&F Club (Sept 1978)
57. Stranraer & District Accordion Club (1974 – per first edition)
58. Sutherland A&F Club (
59. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
60. Thurso A&F Club (cSept 1981)
61. Turriff A&F Club (March 1982)
62. Tynedale A&F Club (Nov 1980)
63. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
64. Bonchester Accordion Club (Closed?)
65. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
66. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
67. Club Accord
68. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
69. Coupar Angus A&F Club (cSept 1978 - ?)
70. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
71. Denny & Dunipace A&F Club (Feb 1981)
72. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
73. Dunbar Cement Works A&F Club (Closed?)
74. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
75. Gretna A&F Club (June 1966)
76. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
77. Kinlochsheil A&F Club (
78. Kirriemuir A&F Club (cSept 1981)
79. Monklands A&F Club (Nov 1978 – closed cApril 1983)
80. Morecambe A&F Club (joined Sept 1982)
81. Newcastleton Accordion Club
82. New Cumnock A&F Club (cMarch 1979)
83. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
84. Straiton Accordion Club (c1968 – closed March 1979)
85. Torthorwald A&F Club (near Dumfries)
86. Wellbank A&F Club
Advertising rates
Full Page - £92
Half Page - £46
Quarter Page - £23
B&F Treasurer – Mrs Cathy Andrew, 22 Lochinver Crescent, Foxbar, Paisley Tele 2824
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Now that we’ve all had our summer break, it’s time once again to get back to business with renewed enthusiasm. Hopefully, the year ahead will prove to be a successful and enjoyable time for all.
As is now well known, Mr Ian Smith resigned as Editor at this year’s AGM in the Station Hotel, Perth, after nine years in the hot seat. The Association owes a real debt to Ian for all his efforts, and the Executive showed their appreciation when a presentation was made by Chairman Jimmy Blue on behalf of the Association. It is good to know that Ian will be retaining his connection as Secretary of the Stranraer Club.
Now of course, there is the real problem of following on where a high standard has been set. As the new editor, I hope that all those people who co-operated so well in the past will continue to do so in the future.
Joining me will be Doug Adamson of Forfar who has had many years’ experience in the business and, of course, has a deep interest in the Club scene and the Association. We both look forward eagerly to the task ahead.
Tom Clark
A.G.M. Weekend Perth 1986
“Like Trying to Shave wi’ a Walkin’ Stick”
The afternoon of Saturday, 28th June – the sun was splitting the trees from a cloudless sky, the temperature was approaching 80, and the immaculate lawns and flower-beds of Perth’s stately Station Hotel were a picture. The colourful domed sunshades poised over the wee white tables dotted around, added something of a Continental atmosphere with contented souls either relaxing on the turf or sitting in the shade.
Those happy sun-worshippers may have appeared to be oblivious to all else save the glorious weather, but their ears were trained on the wide open doors and windows of a downstairs lounge wherein a further couple of dozen folk could be seen sitting in rapt attention.
Someone was giving a talk and out into the summer air wafts such phrases as “like trying to work a power-drive binder with a pair o’ horse”, or “like a D2 with one track missing”, or “a good Massey-Harris is hard to beat”.
What was going on? A casual passer-by could have been excused for thinking that this was an agricultural symposium of some kind, but he or she would have been mules wide of the mark. In fact, this was a ‘workshop’ not of the boilersuit variety, but as used in modern parlance to denote a kind of practical instruction session usually in some discipline connected with music or the arts. This particular workshop was being tried experimentally for the first time as an opener to the N.A.A.F.C. A.G.M Weekend and judging by audience reaction and feedback it won’t be the last.
The aforementioned agricultural slant should come as no surprise when one learns that ‘teacher’ on this occasion was none other than that son of the soil and D2 (a model of the crawler tractor made by the Caterpillar Co) devotee Ian Powrie, the subject being the FIDDLE. Surprise, surprise!
‘Massey-Harris’ was an affectionate reference to Ian’s Matthew-Hardie instrument and the other two quotes were descriptive and couthie expressions to illustrate points relating to amplification and bowing techniques respectively.
In the same vein, when highlighting the importance of bow tension, Ian likened playing with a slack bow to “trying to shave wi’ a walkin’ stick”.
Although only one other ‘four stringer’ had plucked up the courage to actually participate in the workshop, the player in question happened to be Stella Wilkie (nee Clark), from Freuchie, who was the perfect compliment ot Ian, and with Joan Blue on piano this redoubtable threesome provided the basic ingredients for a most absorbing hour and a half.
The scene was set to perfection as the trio kicked off with that March which has already become, and will undoubtedly remain a classic, Angus Fitchet’s ‘Mr Michie’, then through ‘John Stephen of Chance Inn’ to the Reel ‘Carnie’s Canter’. Coupled with the setting of lawns, sunshine and colourful sunshades, this really was the gear, the very essence.
The Slow Air, ‘TheRev. Archie Beaton’ , followed, Stella in the lead, with fine supporting fiddle and piano harmonies. To finish this first session the trio gave us a Jig set, finishing with a catchy little air by Haydn of all people – we were informed by Bobby Crowe that the tune is in one of Kerr’s collection.
Ian then laid down the fiddle for a wee while and gave us a potted history of his formative years on the instrument, how in the first instance he was influenced by ‘Dancie’ Reid of Newtyle and then at the age of 4 or 5 he went to Adam Rennie for 6 months or so as one of a communal class of a dozen or so budding players. Formal tuition was not the most significant factor here, rather the style of rendering the music.
From Coupar Angus the Powrie musical education moved to Blairgowrie and continued at the residence of one Mr Jim Ogilvie. Here the pupils did real graft in the ‘hard labour room’ complete with its marble fireplace. But this strictly enforced practice paid dividends, because by the ripe old age of 15 Jim Howie (later of the Hawthorne Band) had his teacher’s certificate and Ian was through grades 1 to 5. At about this time Jim Ogilvie died and his brother Harry C. Ogilvie – a great exponent of bowing technique – took up the reins.
At this point in my scribbled notes I cannot figure out the significance of one particular entry, “D2 spanner marks”! It doesn’t seem to have much relevance in this context, but no doubt the explanation is simple and plausible.
We now moved into the nitty gritty, the mechanics and technique of getting the best from this instrument ; the importance of stance, bowing action, bow tension, bridge height and so on. The audience was hooked. This man had done his homework, and of course his couthy delivery was easy on the ear and held the attention.
The subtle differences in approach required for serious and competition playing as opposed to entertaining were outlined, one prerequisite for the latter being good visual impact.
A most intriguing few minutes followed where Ian, using the march ‘Leaving Glenurquhart’, demonstrated most strikingly the ways of rendering a tune for solo and hard work. Very often folk will do a so called ‘comparison’ and one is hard pushed to tell the difference, but this was night and day, both great but so individualistic. The band technique involved a ‘gluing’ or ‘welding’ style as exemplified in the playing of the late Syd Chalmers.
One could go on and on, there was just so much of interest, intriguing snippets and useful hints by the bogie load – such as when playing a Slow Air to leave elbow room for the accompanist to embellish a wee bit, or when using amplification the importance of the right choice of microphone and the positioning of same. With regard to the latter, Ian pointed out that when playing with Bobby Crowe, because of the vast distance to be covered if following the lengthy musical scores, “you need a mike on the arse of your breeks”’
Space just does not permit more than a passing mention of the various duet sessions with Stella or the short spell when Bobby Crowe augmented the ensemble.
Throughout the session Joan, as always, displayed that contented serenity and competence which is her hallmark.
A second ‘workshop’ followed, this time for accordion under the leadership of John Huband, but because of the time factor, this took a slightly modified and truncated form, finishing up as a question and answer forum, with John and Ian in the hot seats.
Again, much favourable comment from the audience – one can only say ‘let’s have more of this’.
Now a break for an hour or so when folk did their own thing, enjoyed the weather, had a wee tune here and there, and so on. Dinner at seven then all off to the ‘jiggin’ to the music of the Colin Finlayson Band. Twice mentioned on ‘Shepherd’s choice’ of late, this particular group ranks in the top Scottish Dance Band bracket with its clean, tight, balanced sound and excellent idiom. For my money their handling of 6/8 marches is second to none, but I hasten to add they have got what it takes throughout the whole spectrum of rhythms and tempos. Their waltzes are also something special.
Sunday
Sunday morning not only dawned as brilliantly as Saturday had finished, but also before quite a number of enthusiasts (who shall be nameless) got to bed! This augured well for the A.G.M., which was a happy event attended by delegates from Clubs as far apart as Whitley Bay and Wick. And it would appear that the entire population of Newtongrange was present.
The most significant happening at the meeting was the presentation by Association Chairman Jimmy Blue to ‘box and fiddle’ Editor Ian Smith, who was retiring after 9 years in the driving seat. Ian’s contribution to the Accordion and Fiddle movement in that time has been immeasurable and for most of that period he carried the can single handed and kept his cool at all times despite considerable hassle on occasions. No one can really assess the dedication of the man, his low-key, unassuming manner belying his talents – he surpassed many with his ability in the written word and with his interest in and knowledge of music.
We wish him health and happiness for the future, the better to enjoy his increased leisure time, and hope he will be seen around the clubs and festivals from time to time.
Ian’s successor as Editor is to be Tom Clark of Dundee, a Scottish dance band leader in his own right and erstwhile lead accordion with the Cameron Kerr Band.
The paper layout will be the responsibility of Doug Adamson of Forfar (Deeay Music. He is also ‘Dad’ to the fine young accordionist Deirdre Adamson.
The meeting would up comfortably at around 12.30 p.m. giving a good hour and a half for more relaxation or whatever before lunch.
This in turn was followed, as last year, by a Celebrity Accordion and fiddle Club meeting, which once again more than lived up to expectations.
These particular functions really are quite unique in that they bring together under one roof a galaxy of top names in the business, an array of talent which would make any promoter drool at the thought, but thinking or dreaming is as far as he or she would get. Just think of it – who could possibly have the good fortune, let alone the wherewithal, to sign up the group which filled the final spot at the ceilidh. Jimmy Shand himself leading an augmented band fielding no less than 6 fiddles, 8 accordions, 2 double basses, piano and drums!
Consider the line-up :-
On fiddle – Bobby Christie, Marie Fielding, Angus Fitchet, Dave Ireland (one of Jimmy’s earliest band players, now 80 and as fresh as paint), Ian Powrie and Stella Wilkie.
On accordion – Bobby coghill, Bobby Crowe, Jim Johnstone, Bruce Lindsay, Bobby MacLeod, Jimmy Shand, Hamish Smith “et al”. Al who?
Double basses – Billy Craib and Stan Saunders.
Piano –Joan Blue
and finally on drums, the driving force and organizer of the entire weekend, Jack Cooper.
All these musicians had done spots in their own right during the afternoon with a variety of supporting groups, one of the drummers being none other than Jimmy Shand’s younger son David. With the exception of second accordion, the full Jim Johnstone band was on parade, and that virtuoso whistle player from Aberdeen, Alex Green, accompanied by Maureen Rutherford, gave us fine pipe stuff with great phrasing and gracing.
Unfortunately Iain MacPhail, who was at the lunch, had to leave early for a previous engagement before he had time to have a tune.
But back to the ‘Superband’. Once, once again (as Count Basie used to say) the father music of the Scottish dance music scene stamped his authority on this big group. The sound was unmistakably Shand. There wasn’t a note out of line – you would have thought the whole thing had been rehearsed. How was it done? Simple. Jimmy has always been consistent in his tune sets for specific dances. These have become standards over the years, so by using them on this occasion everything clicked into place, no problem.
Musicians and audience alike just lapped this up, a real happening, with a capital ‘H’. Folk were dancing between the tables, others swinging to the music, all savouring the occasion. But a halt had to be called with ‘Auld Lang Syne’. What an afternoon, and its success was in no small measure due to the expert compering of Jimmy Blue who, in the most unobtrusive way, had everything organized to a ‘Tee’ with each player ready in the wings as the previous turn finished. Jimmy’s linking was concise, witty and absolutely right for the occasion.
And finally, on behalf of all present, a big thank you to the hotel staff who saw to our every need with such good grace, and an extra big ‘ta’ to Jack Cooper who did all the worrying and organized the whole affair. He can feel very satisfied with his efforts.
Footnote
It was quite amusing to hear folk commenting while young Bruce Lindsay was performing “shut your eyes and you would think it was Jimmy Shand” and when J.S. was on “Sounds just like Bruce Lindsay”!
It was also a pleasant surprise and great boost to us all that Angus Fitchet and Bobby MacLeod managed along after spells of somewhat indifferent health. It put the icing on the cake.
Competition Day at Newtongrange
by Margaret Smith (Secretary)
All roads led to the Dean Tavern on 13th April for our annual competitions. East, Mid and West Lothian, fife, the borders, Dundee, Aberdeen, Wick, Inverness, Dingwall were all represented, with contestants coming from a’ the airts.
The accordion classes were adjudicated by Gordon Pattullo, Coupar Angus and Brian Griffin, Lockerbie. Fiddles were adjudicated by bobby Harvey, Milngavie. An added attraction this year was a trade stand with D.S.M. Mussic from Inverness. Records, cassettes and sheet music were on sale.
Following the competitions, the trophies and medals were presented to the winners and runners up, and then we swung into the concert, featuring winners, runners up and youngest competitors.
Gordon Pattullo and Brian Griffin kindly gave us a few sets to get the feet tapping.
Unfortunately Bobby Harvey had to leave after his adjudication duties as he had an engagement with his band in the evening.
Results were as follows
Accordion
Up to 11 Years (Jim Johnstone Trophy)
1) Mhairi Coutts (Kirkcaldy)
2) Stewart Grant (Kelso)
12 to 16 Years (Dean Tavern Trophy)
1) James Coutts (Kirkcaldy)
2) Alan Gardiner (Lamington)
Seniors (Newtongrange A&FC Trophy)
1) James Grant (Eyemouth)
2) Graham Jeffrey (Earlston)
Pipe Music Section
Up to 16 Years (Edinburgh Evening News Trophy)
1) James Coutts (Kirkcaldy)
2) Alan Gardiner (Lamington)
Seniors (Midlothian District Council Trophy)
1) Michael Philip (Cardenden)
2) Kevin Gunn (Wick)
Fiddles
Under 12 Years (Gilbert Lang Trophy)
1) Alison Cormack (Aberdeen)
12 to 16 Years (John Lincoln Trophy)
1) Diane Keith (Aberdeen)
2) Allison Dewar (Kingskettle)
Seniors (Newtongrange A&FC Trophy)
1) Jean Ann Callander (Aberdeen)
2) Marie Fielding (Lasswade)
Slow Air Section
12 to 15 Years (Newtongrange A&FC Trophy
1) Allison Dewar (Kingskettle)
2) Donna Tindal (Broughty Ferry)
Seniors (Margaret & George Smith Trophy
1) Bob Edwards (Dundee)
2) Jean-Ann Callender (Aberdeen)
Youngest Accordionist – Mhairi Coutts (9)
Youngest Fiddler – Alison Cormack (11)
Adjudicators
Accordion – Gordon Pattullo and Brian Griffin
Fiddle – Bobby Harvey
Very many thanks to everyone who helped make it such a great day i.e. competitors, parents, spectators, adjudicators, comperes, stewards and anyone who helped in any way.
Letters to the Editor
Sir – I am sure some of your readers will be interested to hear that Toralf Tollefsen will be present at the Autumn Festival at Great Yarmouth, 6th – 9th November 1986.
I spoke to him on the phone last Saturday and he is looking forward to the event and has promised to play. As he lived for some time in London after the war he did many broadcasts on radio and television for BBC.
Anyone interested in attending the Festival should contact Malcolm Gee, 146 Birmingham Road, Kidderminster, DY10 2SL.
I am sure anyone who is interested in the accordion and can possibly manage to attend, won’t want to miss this rare appearance of a living legend and, in my view, the greatest player of all time, one who set the standard over half a century ago for the high quality of today’s top performers.
John Mackie
CLUB DIARY
Aberdeen (Dee Motel) –
Alnwick (Nag’s Head) – members only –
Armadale (Masonic Arms Hotel) –
Ayr (Aftongrange Hotel) –
Balloch (Denny Social Club) – 21st Sept 86 Alan Doig
Banchory (Burnett Arms Hotel) –
Banff (Royal Oak Hotel) –
Beith (Anderson Hotel) – 15th Sept 86 John Strachan
Belford (Community Club) –
Biggar (Clydesdale Hotel) –
Bridge of Allan (Walmer Hotel) -
Buchan (Buchaness Hotel) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Thistle Inn) –
Cleland (Dalrymple House) –
Coupar Angus (Royal Hotel) –
Crieff & District (Drummond Arms) –
Dalriada (Royal Hotel, Lochgilphead) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dunblane (Westlands Hotel) – 16th Sept 86 Jim Cleland Quartet
Dundee (Queen’s Hotel, Nethergate) – 4th Sept 86 Rigadoon
Dunfermline (Northern Roadhouse) –
East Kilbride (King’s Park Hotel, Rutherglen) –
Edinburgh (Abbey Suite, Abbey Lane) –
Ellon (Ladbroke Hotel) –
Falkirk (Park Hotel) –
Fintry (Clachan Hotel) – 22nd Sept 86 Deirdre Adamson
Forres (Brig Motel) – 10th Sept 86 Jim Dawson SDB
Fort William (Cruchan Hotel) – 13th Oct 86 Alex MacArthur SDB
Galashiels (Maxwell Hotel) –
Galston (Theo’s Restaurant, Galston) –
Glendale (Black Bull Hotel – Wooler) – members only -
Gorebridge (Rangers FC Social Club) –
Highland (Drumossie Hotel) – 15th Seot 86 Craigowl SDB
Islesteps (Cargenholm Hotel) –
Kelso (Ednam House Hotel) –
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 10th Sept 86 Graeme Munro SDB
Livingston (Grand Prix Hotel, Blackburn) –
Lockerbie (Bluebell Hotel) –
M.A.F.I.A. (Black Bull, Milngavie) –
Montrose (Park Hotel) –
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) – 29th Sept 86 Visit of Perth club
Newton St Boswells (Railway Hotel) –
North Cumbria (Howard Arms) (prev called Gretna Club) –
North East (Royal Hotel, Keith) –
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Ex-Servicemen’s Club) –
Perth (Salutation Hotel) –
Premier NI (Wilson’s of Crumlin) -
Renfrew (Masonic Hall) –
Rothbury (Queen’s Head Hotel)
Shetland (venue?) -
Stranraer (Railway Club) –
Thornhill (?)
Thurso (McKay’s Hotel) –
Turriff (Royal Oak Hotel) – 4th Sept 86 Foundary Bar Band 2nd Oct 86 George Bell SDB
Tynedale (The Royal Hotel, Hexham) –
Walmer (Bridge of Allan) –
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Balloch
2. Beith & District
3. Crieff & District
4. Dingwall & District
5. Dunblane & District
6. Dundee
7. East Kilbride
8. Forres
9. Glendale
10. Highland
11. Kintore
12. Lesmahagow
13. Livingston
14. M.A.F.I.A.
15. Newtongrange
16. North East
17. Perth & District
18. Renfrew
19. Shetland
20. Tynedale
CLUB DIRECTORY AS AT SEPT 1986 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
4. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
5. Balloch A&F Club (Sept 1972 – per January 1978 issue)
6. Banchory A&F Club (1978)
7. Banff & District A&F Club (Oct 1973)
8. Beith & District A&F Club (Sept 1972 – per first edition)
9. Belford A&F Club (joined Sept 1982)
10. Biggar A&F Club (Oct 1974)
11. Buchan A&F Club
12. Callander A&F Club (
13. Campbeltown & District A&F Club (c Dec 1980)
14. Castle Douglas A&F Club (c Sept 1980)
15. Crieff A&F Club (cSept 1981)
16. Dalriada A&F Club (Feb 1981)
17. Derwentside A&F Club
18. Dingwall & District A&F Club (May 1979 – per first report)
19. Dornoch A&F Club (first mention in directory 1986)
20. Dunblane & District A&F Club (1971)
21. Dundee & District A&F Club
22. Dunfermline & District A&F Club (1974 – per first edition)
23. East Kilbride A&F Club (Sept 1980)
24. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
25. Ellon A&F Club (
26. Falkirk A&F Club (Sept 1978 - )
27. Fintry A&F Club
28. Forres A&F Club (Jan 1978)
29. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
30. Galashiels A&F Club (joined Sept 1982)
31. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
32. Glendale Accordion Club (Jan 1973)
33. Highland A&F Club (Inverness)
34. Islesteps A&F Club (Jan 1981)
35. Isle of Skye A&F Club (
36. Kelso A&F Club (May 1976)
37. Kintore A&F Club
38 Langholm A&F Club (Oct 1967)
39 Lesmahagow A&F Club (Nov 1979 – closed May 2005)
40. Livingston A&F Club (Sept 1973 – per first edition)
41 Lockerbie A&F Club (Nov 1973)
42 M.A.F.I.A. (early)
43 Mauchline A&F Club (first mention 1986?)
44. Montrose A&F Club (joined Sept 1982)
45. Newtongrange A&F Club (joined Sept 1979)
46. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
47. North Cumbria A&F Club (originally Gretna started June 1966 – had to move to a venue in the North of England and changed name – eventually changed back when they returned to the Halcrow Stadium. No breaks in the continuity of the Club)
48. North East A&F Club aka Keith A&FC (Sept 1971)
49. Oban A&F Club (Nov 1975)
50. Orkney A&F Club (Mar 1978)
51. Ormiston Miners’ Welfare Society A&F Club
52. Peebles A&F Club (26 Nov 1981)
53. Perth & District A&F Club (Aug 1970)
54. Premier A&F Club NI (cNov 1980)
55. Rothbury Accordion Club (1987??)
56. Shetland A&F Club (Sept 1978)
57. Stranraer & District Accordion Club (1974 – per first edition)
58. Sutherland A&F Club (
59. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
60. Thurso A&F Club (cSept 1981)
61. Turriff A&F Club (March 1982)
62. Tynedale A&F Club (Nov 1980)
63. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
64. Bonchester Accordion Club (Closed?)
65. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
66. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
67. Club Accord
68. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
69. Coupar Angus A&F Club (cSept 1978 - ?)
70. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
71. Denny & Dunipace A&F Club (Feb 1981)
72. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
73. Dunbar Cement Works A&F Club (Closed?)
74. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
75. Gretna A&F Club (June 1966)
76. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
77. Kinlochsheil A&F Club (
78. Kirriemuir A&F Club (cSept 1981)
79. Monklands A&F Club (Nov 1978 – closed cApril 1983)
80. Morecambe A&F Club (joined Sept 1982)
81. Newcastleton Accordion Club
82. New Cumnock A&F Club (cMarch 1979)
83. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
84. Straiton Accordion Club (c1968 – closed March 1979)
85. Torthorwald A&F Club (near Dumfries)
86. Wellbank A&F Club
Advertising rates
Full Page - £92
Half Page - £46
Quarter Page - £23