Box and Fiddle
Year 15 No 08
April 1992
Price 50p
12 pages
8 month subscription £6.00
Editor – Interim Editor – Doug Adamson, 22 Westfield Drive, Forfar, Angus, DD8 1EQ
B&F Treasurer – Mrs Margaret Smith, Smeaton Farm Cottage, Dalkeith, Midlothian.
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
I Once again we come to the last issue of the season, one which has seen a great revival in the life of the B&F. This has been achieved by a great deal of hard work and co-operation with you, the readers.
I hope you have found the articles and variety in the paper interesting. Next season, I mean to continue in mainly the same vein, but there will be changes. For instance, I was unable to find a young broadcasting band led by a fiddler for the ‘Bandleader on the Spot’, so next season I intend starting with ‘Fiddler to the Fore’, spotlighting fiddlers in bands who are not bandleaders.
At this point I would like to thank all who have contributed in any way by producing interesting articles, club scribes who have sent Club reports, those who have contributed small monthly items, the letter writers and the advertisers without whose revenue this paper would not exist. I would also like to thank our Treasurer, Margaret Smith, who does who does a lot of hard work and handles the financial side of the paper most efficiently, and Jeanette who is responsible for putting the paper together.
Margaret asks me to remind Clubs that monies should be paid as soon as possible to allow her to get the books sent to auditing.
May I remind you that the AGM will be held in the Station Hotel , Perth on Sunday, 28th June at 11 a.m. This is your opportunity to get your views on any matter relating to the Association and a large turnout is requested.
Most clubs close down till the autumn but a few remain open for business during the summer. These include Blairgowrie, Derwentside, Forfar, Forres, Kintore, Lesmahagow, Orkney, Stirling and Windygates, where a welcome awaits you as a player or a listener.
Doug Adamson
Musselburgh 1992
by Norrie Williams
The Bruntron Halls, 7 a.m. on Saturday, 7th March and I was smooring, nose blocked, throat choked, death warmed up, but 2½ hours later I was okay. I had a world breakthrough, I had discovered a cure for that miserable affliction, the common cold. To echo the ‘Proclaimers’ it was to be ‘Beechams no more, Hedex no more’ etc, etc. The answer, a natural cure – G natural to be precise. ‘Eilean Conan Castle’ and ‘The Ross-shire Volunteers’ played by a couple of competitors in the senior pipe music class, completely banished the miseries, I was made whole – a new man for the rest of the day. No names, no pack drill, but thanks girls.
In keeping with the present general trend we had been anticipating a considerable drop in entries, but although the overall attendance at the Festival may have been affected by the recession, the number of competitors was virtually the same as last year.
As always, the trios, bands and fiddle groups played to a full hall with a high standard of performance all round. The bands were so good and so evenly matched (fag paper would have been too thick) that it must have been an adjudicator’s nightmare to place them.
The theatre enjoyed larger than normal audiences throughout the day, a particular highlight being the ‘Own Composition’ class, this year’s efforts being acclaimed as some of the best.
And talking of highlights, it’s back to the Main Hall, for what could best be described as ‘something else’, an exciting and unforgettable performance by a somewhat reluctant 77 year old competitor in the button-key class. Last on in the small field of four, there was a murmur of disbelief from the audience as this particular player walked on stage carrying a diminutive 2 row, 21 key / 8 bass instrument, but he soon dispelled any doubts. With the wee box perched on his knee, he turned in a virtuoso performance finishing with a cracking rendition of ‘John MacNeill’s Reel’ – the crowd roared and when he was pronounced winner, they went daft. I wis near ‘greetin’ with emotion. The adjudicator’s comments ‘……as smooth as a baby’s mmm, the whole way through’ and Chairman Jimmy Blue observed, “Only one wee thumb strap between him and disaster!” The player? – Senior Perth Champion 1954 (then playing a Shand Morino) – Jim Crawford of Ladybank, ex-Scottish broadcasting bandleader and brother of John Crawford of Freuchie. Needless to say, Jim (accompanied by Joan Blue on piano) brought the house down yet again at the evening concert, finishing with a set of hornpipes, one of the tunes being that ever popular evergreen, “I canna mind the name o’t”.
Despite the customary mayhem in the wings wrought by yours truly, the concert ran smoothly and to time, not surprisingly as it was compered by that master of his art, Alex Little of Dumfries. It was great to see him looking so well and when this was mentioned, he quipped – “I’m champion, if I was any better the string would snap!”
The concert over and once again we witnessed that incredible transpormation as chief stewart Joe Greer, galvanised his crew into action and the hall was cleared and reset for the Dance. For anyone who has not already seen it, this is an operation worth watching.
This year it was a great pleasure to welcome Bobby Crowe and his band, and the professionalism showed up from the word go – e.g. the painstaking attention to detail that went into the setting up, even to the extent of having the stage extended and baffle screens suitably positioned. Bobby is a perfectionist with over 40 years experience and the dancers’ response said it all.
It is difficult to adequately express thanks to all those in what ever capacity who contribute to the success of an event as this, but here goes; To our team of adjudicators, augmented by Bert Shorthouse, who stepped in literally at the last minute to help judge the trios, to their secretaries, the announcers, marshals, scrutineers, stewards, receptionists, door-minders, ticket sellers and accompanists. These indispensable mortals hailed from the following widely scattered area and Clubs: Amulree, Beith, Biggar, Conon Bridge, Dumfries, Dundee, Dunfermline, East Kilbride, Fintry, Glasgow, Lesmahagow, Lochgelly, Longniddry, Mauchline, Milngavie, Newtongrange, Perth, Renfrew, Slough, Torthorwald and Windygates.
We are grateful too for the advance publicity (and in some cases post-Festival coverage) given over the air by Radio Clyde, Radio Forth, Radio Highland, Radio Moray, BBC Radio Scotland, Radio Tay, Radio South-West Sound, Radio West Sound.
We cannot contemplate ‘Musselburgh’ without Ken Mutch, Robbie, Fiona and the team. They mingle unobtrusively, generate interest, enthusiasm and encouragement. Everyone feels at home with them, they provide a great ‘shop window’ for the Association and they carry out their jobs without the slightest inconvenience to anyone – true professionals.
This year’s raffle raised the record sum of over £400, thanks to the generosity of the dancers and of those clubs and individuals who donate such excellent prizes. The Clubs were Beith, Blairgowrie, Fintry, M.A.F.I.A., Mauchline, Newtongrange, Perth and Stirling, and the individual contributions were from the Blairgowrie, Dalry and Dundee areas. Marks and Spencer (Edinburgh branch) for their generous support in the form of gift vouchers.
We also acknowledge the donation of two medals by John McQueen of Dumfries for the youngest competitors (boy and girl), the excellent catering and bar service by Mr and Mrs Lamb of Edinburgh and all the willing help and co-operation of the Brunton Halls’ staff.
Thanks also to the exhibitors who brought the foyer to life and to Rolston Accordion of Motherwell for the loan of two electric pianos.
And of course, a very big thank you to those who form the hub of the whole affair, viz. the competitors and those who come to listen and support them. Without you it would be – Brunton Halls no more.
Finally my personal thanks to NAAFC Chairman Jimmy Blue and his Executive Committee for all their help on the day and support over the year and to my own Festival Committee for their hard work and patience. They are Joan Blue, Tom Clark, Neil Copland (Treasurer), Eddie MacDonald, Bob and Anne Scott and the organising Secretary, my wife Sheila, who will be eternally grateful to Neil for the load he has lifted off her shoulders.
Footnote – On Festival Saturday, all those of us who had been closely associated with the running of the event over the years were acutely aware of the gap that could not be filled, the duties – maybe, the personality – no. I refer, of course, to the late Willie Wilson of Beith, who’s tireless help and enthusiasm, unassuming style and humour, were an example to us all. He is sorely missed.
1992 Festival Results
Junior Accordion
Under 12 Traditional Accordion Solo – Pentland Cup
1) Gordon Fraser (Munlochy)
2) Gill Blackburn (Hexham)
3) David Nisbet (Earlston)
12 and Under 16 Traditional Solo – Jim Johnstone Cup
1) Barry Howieson (High Valleyfield)
2) Karl Sandeman (Killearn)
3) Mhairi Coutts (Kirkcaldy)
Junior Accordion Solo Pipe Music – Bill Black Cup
1) Karl Sandeman (Killearn)
2) Craig Skinner (Blackridge)
3) Mhairi Coutts (Kirkcaldy)
Junior Traditional Duet – Angus Howie Cups
1) Gillian Risi (Monifeith) & Karen Harper (Salmondsmuir)
2) Kevin Swinton & Ross Lowthian (St Boswells)
3)
Senior Accordion
Senior Traditional Accordion Solo – Clinkscale Cup
1) Lindsay Weir (Cubokie)
2) William Bradley (Balloch)
3) John Burns (Cumbernauld)
Senior Accordion Pipe Music Solo – Bill Powrie Memorial Cup
1) Iain Cathcart (West Kilbride)
2) Bruce Peebles (Forfar)
3) Lynne Gould (Huntly)
Open Accordion Championship – Todhills Trophy
Senior Overall Accordion Champion - The Bobby MacLeod Trophy
William Bradley (Balloch)
Open Buttonkey Accordion Solo – Windygates Trophy
1) Jim Crawford (Ladybank)
2) Bill McHardie (Friockheim)
3) Neil Lowrie (Ballynahinch)
Trios – Jimmy Blue Trophy
1) Marie Fielding (Edinburgh)
2) Lindsay Weir (Culbokie)
Bands – Overall Winner - Iain MacPhail Cup
Lindsay Weir (Cukbokie)
Band – Rhythm Section - Arthur Easson Memorial Trophy
Lindsay Weir (Cukbokie)
Own Composition – Willie Wilson Cup
1) Robert Ross (Edinburgh)
2) Ian Crichton (Marybank, Isle of Lewis)
3) Iain Cathcart (West Kilbride)
Under 12 Classical Solo – Kelso Cup
1) Jill Blackburn (Hexham)
2) Lorna MacAskill (Ormiston)
3) David Nisbet (Earlston)
Under 14 Classical Solo – Aberdeen Cup
1) Kirsty MacDonald (Hexham)
2) Philip Copland (Dundee)
3)
Under 16 Classical Solo – Dundee shield
1) Ross Lowthian (St Boswells)
2) Ian Shepherd (Dalkeith)
3) Kevin Swinton (St Boswells)
Open Classical Solo – Clinkscale Shield
1) Craig Drysdale (Kirkcaldy)
2) Elizabeth Flanagan (Galashiels)
3) Ross Lowthian (St Boswells)
Under 13 Classical Duet – Beith & District A&F Club Cups (Willie Wilson Memorial Trophies)
1)
2)
Under 16 Classical Duet - Alex MacArthur Cups
1) Kevin Swinton & Ross Lowthian (St Boswells)
2) Heather Reid (Eyemouth) & Stuart Hogg (Dunbar)
3) Vicki & Jill Craig (Haddington)
Open Classical Duet – Dunfermline Cup
1) Robert Muir & Robert Hutchison (Dunfermline)
2) Andrew Smith & Grant Leslie (Dunbar)
3) Ian Shepherd & Stewart Wilson (Ormiston)
Classical Polka
Under 10 Classical Polka Solo – The Todhills Trophy
1)
2)
Under 14 Classical Polka Solo – Newtongrange Shield
1) Jill Blackburn (Hexham)
2) Jill Craig (Haddington)
3) David Nisbet (Earlston)
Open Classical Polka Solo – Tign-Na-Gorm Cup
1) Craig Drysdale (Kirkcaldy)
2) Shirley Campbell (Collin)
3) Ross Lowthian (St Boswells)
Fiddle Sections
Under 12 Fiddle Solo – NAAFC Musselburgh Festival Trophy
1)
2)
3)
Junior Fiddle Solo – MSR – Strathspey and Reel Association Cup
1) Gillian Risi (Monifeith)
2) Karl Sandeman (Killearn)
3) Karen Harper (Salmondsmuir)
Junior Fiddle Solo – Slow Air – Dougie Welsh Cup
1) Gillian Risi (Monifeith)
2) Michaela Stuart (Dundee)
3) Karl Sandeman (Killearn)
Senior Fiddle Solo – Slow Strathspey, MSR – St. Boswell Cup
1) Kathryn Nicoll (Edinburgh)
2) Neil Dawson (Huntly)
3) Fiona Ballantyne (Perth)
Senior Fiddle Solo – Slow Air – Ron Gonella Cup
1) Aidan O’Rourke (Oban)
2) Fiona Ballantyne (Perth)
3) Neil Dawson (Huntly)
Overall Fiddle Champion - The Angus Fitchet Trophy
= Fiona Ballantine (Perth) & Neil Dawson (Huntly)
Open Fiddle Groups – Lesmahagow Quaich
1) Marie Fielding (Edinburgh)
2) Kathryn Nicoll (Edinburgh)
3)
Youngest Girl Competitor – John McQueen Medal
Jill Blackburn (Hexham)
Youngest Boy Competitor – John McQueen Medal
David Nisbet (Earlston)
Introducing the Clubs
No 8 Kelso
by John Crombie
The idea of forming Kelso A&F Club was conceived by Sandy White, Kenny Lees and John Crombie, and with initial investigation proving successful, friends were invited along to a meeting held on 26th May, 1976.
That evening a Committee was elected as follows :-
Office Bearers
President – Sandy White
Vice President – Jim Aberdein
Chairman – Kenny Lees and
Secretary – John Crombie.
Committee Members – George Dickson, Will Gillie and Alex Richardson. In July, John Cairns was also elected as a Member for the purpose of being Compere at the Club Nights, which were to be held on the last Wednesday in the month from September to May, culminating with the Annual General Meeting to be held at the beginning of June.
During that summer a constitution and Club Rules were formed by the Committee, then printed, which was issued to members when the advertisement for Club Membership appeared in the local press. Such was the response, that over 100 members joined within three days, and with the knowledge that Fire Regulations only allowed that number present at Club Nights, a waiting list for membership had to be created.
Club nights in The Queens Head Hotel were very successful, the guest artistes appearing that first session commenced with Rob Gordon who set us off to a great start, a raffle drawn, and tea and sandwiches were served at the interval.
Heedful of the fact that a Club’s fortunes are governed by its funds was the reason for having members who paid a £1.50 adults membership fee (now £3, Senior Citizens £2), with 60p entrance fee to Club Nights (now £1.20). This allowed a polict being adopted for Club owned sound equipment and an electric piano to be purchased, and what has been proved to be annual events, a Dinner/Dance and concert were organised. When deemed necessary, Club funds have been supplemented by a Prize Draw Raffle.
Kelso is fortunate in having the Tait Hall, a purpose built Concert and Dance Hall which has featured artistes like Harry Lauder, Robert Wilson and Will Starr during their heyday, and is an ideal venue for the Club’s Dinner/Dance and concert, the first session’s music in 1976/77 being provided by Rob Gordon’s SDB and John Leslie’s Orchestra respectively.
The creation of a waiting list which reached 75 names in November, 1979, was a constant reminder of the lack of space, so it was with some trepidation that the Club moved to the Cross Keys Hotel with its luxurious function room.
The Club constitution was then amended to cope with the increase in attendance, and the Committee members were increased to 5, with a 5 member Ladies Committee to run the raffles, and to provide the food for entertainers when it’s required at functions, for which we are all extremely grateful.
To show some appreciation to supporting artistes in a small way, it was decided in January, 1978, to introduce an Artistes Draw, and whoever plays at a Club Night, their name is drawn, and the name picked out received a gift token for £3 (now £5).
When the Club had over 400 members in October, 1980, as an incentive for visitors to join the Club, a Draw was introduced whereby the membership number drawn got a £5 gift token providing they show their membership card. If the winner is absent that evening when their name is called out, then the £5 is carried forward to the next night. It once reached £25.
In the 1980s, the regular order for the Box and Fiddle newspaper was 40 issues, sold for 10p each, now the order is 24 issues and sold for 20p each. It was decided when the Club first registered with the NAAFC in 1976, to give support to the Association, and encourage readership of the newspaper, the price would be compensated by the Club.
In December, 1982, circumstances dictated that the Club had to move to the Ednam House Hotel, and thanks are due to Mr and Mrs Alistair Brooks for their kind co-operation over these years. The Club is constrained to a 7 p.m. starting time, with stovies served about 8.30 p.m. to finish by 10.30 p.m. ; this arrangement appears to be quite acceptable, especially to people who travel a long distance.
Ceilidh evenings were organised in the summers of 1985, 1986 and 1987 and proved to be very successful, however they petered out due to lack of support.
Thanks are due to all who are associated with the Club, apologies for those missed out, unfortunately space does not allow everyone’s name to be mentioned who have contributed, but, to name a few, in no particular order: Sandy White, a fervent Jimmy Shand fan who owns most of Jimmy’s records, before resigning from the Committee in 1983, and Will Gillie, Committee member then Vice President for a total of 7 years, who regularly played the drums and accompanied guest artistes when required.
Dougie Welsh, who had been responsible for highlighting the Scottish music scene throughout the Borders, before his death in March, 1983. Dougie’s banter with George Butler during their accordion spot went down a treat.
Jim Aberdein, whose wry sense of humour, wit and sincerity was very much missed when he died in November, 1987.
Members of the Bill sharp Accordion Orchestra, Brian and Stuart Grant and Festival winners Lorna and Graham Jeffrey, and Tracy James, served the Club very well with their accordion selections, now with College and other commitments.
Lynn Crombie featured at Club nights when her nursing duties permitted, and at the ceilidhs in particular with her band, comprising of singer Lynn Elliot, pianist Moira Butler and drummer Ian Goodall until they disbanded to go their various ways. The Club is very much indebted to Moira and Ian for their consistent backing to players when called on.
Marian Anderson’s accomplishments read like a ‘Who’s Who’, having won over 40 cups and medals at Festivals upo and down the country, including 5 times winner in succession at Alnwick, Scottish Ladies champion at Perth, Open Senior Scottish Champion at Musselburgh Festival, Band Section Winner, Own Composition Class with the tune, ‘Catherine Mackay’, and has recently composed ‘Jim and Christine Brown’s Silver Wedding’ which has been published in Iain Peterson’s new book. Her mum Grace, and dad Dod Wilson, provided support and encouragement during her career.
Another obliging constant artiste over the years has been Bob Liddle sometimes accompanied by Charlie MacIntee and providing an interesting variety. Bob composed the march ‘Kelso Accordion and Fiddle Club’.
Willie Atkinson, what is there to say about this canny, friendly man other than admiration to the highest degree, over 80 years old, and was recently even over in Spain entertaining with his mouth organ, as well as all over this country, maintaining a strict tempo beat throughout all his playing on stage – marvelous!
Sandy Ramage and Bobby Rae usually feature a great waltz tune in their selection which is a tonic for the ears, and Wiggy Brown with a different coupler sound, and a song, all adding to the spontaneity.
Alan and Margaret Cockburn, Tommy Herdman, Stuart Barron, Drew Dalgleish, all from further afield, adding to the entertainment.
Then there is what is accepted as the resident band, Bill Elliot and John Cairns, accordionists, and Alec Williamson on drums, real down to earth stuff, who can be relied on to fill in if the supporting artistes are thin on the ground.
Kenny Lees has been Chairman from the start, and Compere since 1980, is an excellent green bowler, and is sometimes absent for that reason. He doesn’t seem to get his priorities right!
Dedicated Committee members for years: Janet Middlemiss, George Dickson, Laurence Wallace and Jim Wilson, and Jimmy Thomson who can provide a tune on the accordion, or mix the sound from the stage with a selection on the bagpipes, or when required provide accompaniment for Highland dancers, and Jimmy Brown whose offspring Gordon and Heather have regularly featured at the Club, and for the local Senior Citizens Clubs, can be relied on to play some of their dad’s fine tunes that he has composed.
In recent years, our Club Membership has been 220 average, this session stands at 144. It is hoped that this is not a sign of things to come!
Photo of Jim Johnstone
Caption – Association Chairman, Jimmy Blue, has asked Jim Johnstone to join the Executive Committee and we are pleased to say that he has agreed to do so.
His association with and enormous experience of the Scottish music scene will, I am sure, be of great assistance to the Committee.
Emile Vacher (1883-1969)
by John Mackie
I acquired my first accordion some 60 years ago, and in that time I have had three mentors, namely Emile Vacher, Will Starr and Toralf Tollefsen, each individualistic, each differing from the other in style, content and technique, yet each sharing a common denominator, being ‘legends in their own lifetime’.
The sole survivor of the trio is Tollefsen, whom I have known for over 40 years. He is now retired professionally and lives surrounded by his family which includes two great-grand-children.
We communicate on a fairly regular basis and exchange as much information as we can.
However, this article is not about Tolly, but Emile Vacher, ‘Prince of the Musette’, a well deserved sooubriquet, as although much of his work was published under the name of Jean Peyronin, his pianist, this was done for reasons of expediency, as I believe that Sacem, the French equivalent of our Performing Rights society did not at that time recognize the accordion as being a musical instrument. I am certain that ‘Reine de Musette’ (Queen of Musette) the most famous of all musettes, is a Vacher composition, as are many others accredited to Peyronin.
I heard my first Vacher recording in 1927 and even at that early age was impressed by his unorthodox technique.
Emile Vacher was born in Tours in 1883, he was greatly encouraged by Luis Vacher, his father, who bought Emile a small diatonic accordion when he was 10 years old. This in itself was remarkable, as many people thought, including myself, that Vacher played a chromatic instrument and the only person whom I know of who was convinced that Vacher played a diatonic box was the late George MacLean, father of Malcolm MacLean of Renfrew.
Father and son began professionally in a café cum dance hall in the very tough working class district of Paris called Montreuil. The place was called the ‘Bal Delpech’ after its proprietress and was a regular haunt of the local Apaches, the ones famous for their dance, not the Plains Indians Tribe but the Paris Gangsters. Soon he was able to afford a three row Stradelkla which he exploited to the full.
Vacher soon graduated from the doubtful surroundings of Montreuil, where he played for Madame Delpech for 10 years, to the more salubrious Abbaye, Rue de Puteaux, where Luis retired and was replaced by harpist Jean Demarco, a unique combination, accordion and harp.
After about a year, Vacher formed his famous recording trio, himself on accordion, Jean Peyronin on piano and the gypsy guitarist and banjoist Guisti Maller, and their fame spread throughout Europe and even extended as far as Tunisia.
In 1931, an extremely up-market dance palace in the famous Monmartre district of Paris engaged the Emile Vacher Trio as its resident band. During his sojourn in the Latin quarter, Vacher continued to compose, as the fame of the trio continued to spread even into the cinema.
Vacher’s recordings, which were on the Odeon Label are said to exceed 400 in number. I have a tape of his 78s from a friend’s collection, but I understand that there is a CD of Vacher recordings comprising of some 22 items – a must for those who know Vacher, and of course, own a CD player.
I have yet to hear of anyone attempting to emulate Vacher’s technique, he was without doubt, one of the most innovative players of our time.
Your Letters
I must say how much I enjoyed clips from the old ‘White Heather Club.’
Why, oh why, do the B.B.C. only give us good Scottish music once or twice a year? Many thousands of people up and down the country enjoy our own traditional music? Tourists love it, locals love it, but it seems the BBC do not.
A certain German TV station on satellite TV has weekly concerts featuring German folk music, and that is seen throughout Europe. Is BBC Scotland not therefore proud of our traditional music?
Grampian TV tried a show called ‘Sing Something Scottish’, but, apart from the Alexander Brothers, the majority of the shows were a disgrace featuring mainly country and Western acts, and most of these were Irish. I ask you.
Come on BBC, try the old ‘White Heather Club’ format. There’s some great Scottish bands and singers on the go just itching to do TV. Get off your high horse and give the Scottish public what they want, or don’t you care?
Dave Ireland – Obituary
by Sandy Tulloch
My old friend died on 17th March in his eighties after a short period of ill health. I remember him with great affection.
We met well over fifty years ago in Maryfield, Dundee, when he played with Jimmy Shand in St Patrick’s Halls on Monday nights. We remained firm friends all these years.
Memories flood back of Burns Suppers in Lodge Forfar and Kincardine and other venues, hospital dances and tunes for the old folk. I remember his driving skill on the fiddle, his sterling character and his unfailing good humour.
It is difficult to realise that when we played a set of hornpipes together a few weeks ago it was to be the last time. We will miss him sorely.
Record Review
All to the Good – The Glencraig SDB
Book Review
The 9th Collection of Tunes compiled by Iain Peterson for Scottish Dance Music
Take the Floor
4th Apr 92 – Ian Holmes SDB
11th Apr 92 – Craigowl SDB
18th Apr 92 – John Ellis & the Highland Country Band
25th Apr 92 – Alan Gardiner SDB
CLUB DIARY
Aberdeen (Dee Motel) – 28th Apr 92 – Ellon A&F Club
Alnwick (Golden Fleece) – members only
Arbroath (Viewfield Hotel) - 5th Apr 92 – Graeme Mitchell SDB
Armadale (Masonic Hall) – 2nd Apr 92 – Nicol McLaren SDB
Ayr (Gartferry Hotel) – 12th Apr 92 – Douglas Caird SDB
Balloch (St. Kessog’s Hall) – 12th Apr 92 – Laurie School of Music
Banchory (Burnett Arms Hotel) –
Banff & District (Knowes Hotel, Macduff) –
Beith & District (Hotel de Croft, Dalry) –
Belford (Community Club) – 30th Apr 92 – Concert Night with local artistes
Biggar (Municipal Hall) – 12th Apr 92 – Ian Skinner Trio
Blairgowrie (Moorfield Hotel) - 14th Apr 92 – Craigowl SDB
Bridge of Allan (Walmer Hotel) -
Brigmill (Guardbridge Sports & Social Club)
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Urr Valley Hotel) – 21st Apr 92 – Walter Beattie SDB
Coalburn (Miners’ Welfare) - 16th Apr 92 – Alex McPhee SDB
Crieff & District (Drummond Arms Hotel)
Dalriada (Royal Hotel, Lochgilphead) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (National Hotel) – 1st Apr 92 – Lindsay Weir SDB
18th Apr 92 – Dance to Michael Garvin SDB
Dunblane (Westlands Hotel) – 21st Apr 92 – Willie McGuire
Dundee (Invercarse Hotel) –
Dunfermline (Northern Roadhouse) – 14th Apr 92 – Wayne Robertson Trio
25th Apr 92 – Dance to Rob Gordon SDB
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (Sweepers, Cambuslang) – 30th Apr 92 – Charlie Kirkpatrick Trio
Ellon (Ladbroke Hotel) –
Ettrick & Yarrow (The Gordon Arms) -
Fintry (Fintry Sports Centre) –
Forfar (Plough Inn) - 26th Apr 92 – David Vernon
Forres (Brig Motel) – 8th Apr 92 – Kintore A&F Club
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Barr Castle Social Club) –
Glendale (Black Bull Hotel – Wooler) –
Gretna (Halcrow Stadium) - 15th Apr 92 – Paddy Neary
Highland (Drumossie Hotel) – 20th Apr 92 – Simon Howie SDB
Inveraray (Loch Fyne Hotel) - 7th Apr 92 – Bill Black SDB
Isle of Skye -
Islesteps (Mabie House Hotel) – 7th Apr 92 – Craig McCallum SDB
Kelso (Ednam House Hotel) – 29th Apr 92 – Elmbank SDB
Kinlochshiel (The Islander, Kyle) -
Kintore (Crown Hotel) – 1st Apr 92 – Craig McCallum SDB
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 9th Apr 92 – Gordon Shand SDB
Livingston (Golden Circle Hotel, Bathgate) 21st Apr 92 – Malcolm McLean Trio
Lockerbie (Bluebell Hotel) - 28th Apr 92 – Lindsay Weir Trio
Mauchline (The Jean Armour Restaurant)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) – 1st Apr 92 – Deirdre Adamson
Newtongrange (Dean Tavern) – 12th Apr 92 - Competitions
North Cumbria (Golden Fleece, Ruleholme) (prev called Gretna Club) –
North East (Seafield Hotel, Keith) –
Oban (Highlands Restaurant) – 2nd Apr 92 – Gordon Shand Quartet
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) – 16th Apr 92 – Bruce Lindsay Trio
Peebles (Green Tree Hotel) – 23rd Apr 92 – Donaldson Brothers
Perth (Salutation Hotel) –
Premier NI (Camlin Function Rooms) -
Renfrew (Masonic Hall, Broadloan) – 14th Apr 92 – Michael Philip SDB
Rothbury (Queen’s Head) - 2nd Apr 92 – Joe Hornsly & Donald Ridley
Shetland (venue?) -
Stirling (Terraces Hotel) - 12th Apr 92 – James Lindsay Quartet
Thornhill (?)
Thurso (Pentland Hotel) –
Turriff (Royal Oak Hotel) –
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) –
Wooler ( ) -
Yarrow (Gordon Arms) - Catriona MacDonald & Ian Lowthian
THERE WERE CLUB REPORTS FROM :-
1. Arbroath
2. Banchory
3. Belford
4. Biggar
5. Button Key
6. Castle Douglas
7. Coalburn
8. Dunblane
9. Dundee
10. Dunfermline
11. Dunoon & Cowal
12. East Kilbride
13. Fintry
14. Forfar
15. Forres
16. Gretna
17. Highland
18. Inveraray
19. Islesteps
20. Kinlochsheil
21. Kintore
22. Lesmahagow
23. Livingston
24. Mauchline
25. Newtongrange
26. North East
27. Oban
28. Peebles
29. Renfrew
30. Rothbury
31. Shetland
32. Stirling
33. Sutherland
34. Thurso
35. Tynedale
CLUB DIRECTORY AS AT SEPT 1991 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Arbroath A&F Club (1991?)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
6. Balloch A&F Club (Sept 1972 – per January 1978 issue)
7. Banchory A&F Club (1978)
8. Banff & District A&F Club (Oct 1973)
9. Beith & District A&F Club (Sept 1972 – per first edition)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974)
12. Blairgowrie A&F Club (
13. Brigmill A&F Club (Oct 1990
14. Button Key A&F Club (
15. Castle Douglas A&F Club (c Sept 1980)
16. Coalburn A&F Club
17. Crieff A&F Club (cSept 1981)
18. Dalriada A&F Club (Feb 1981)
19. Derwentside A&F Club
20. Dingwall & District A&F Club (May 1979 – per first report)
21. Dunblane & District A&F Club (1971)
22. Dundee & District A&F Club
23. Dunfermline & District A&F Club (1974 – per first edition)
24. Dunoon & Cowal A&F Club (
25. East Kilbride A&F Club (Sept 1980)
26. Ellon A&F Club (
27. Etterick & Yarrow (Jan 1989 -
28. Fintry A&F Club
29. Forfar A&F Club
30. Forres A&F Club (Jan 1978)
31. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
32. Galashiels A&F Club (joined Sept 1982)
33. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
34. Glendale Accordion Club (Jan 1973)
35. Gretna A&F Club (1991) Known as North Cumbria A&F Club previously (originally called Gretna when started in June 1966 but later had to move to a venues in the North of England and changed name. No breaks in the continuity of the Club)
36. Highland A&F Club (Inverness)
37. Inveraray A&F Club (Oct 1991)
38. Islesteps A&F Club (Jan 1981)
39. Isle of Skye A&F Club (
40. Kelso A&F Club (May 1976)
41. Kintore A&F Club
42. Langholm A&F Club (Oct 1967)
43. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
44. Livingston A&F Club (Sept 1973 – per first edition)
45. Lockerbie A&F Club (Nov 1973)
46. M.A.F.I.A. (early)
47. Mauchline A&F Club (first mention 1986?)
48. Montrose A&F Club (joined Sept 1982)
49. Mull A&F Club
50. Newtongrange A&F Club (joined Sept 1979)
51. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
52. North East A&F Club aka Keith A&FC (Sept 1971)
53. Oban A&F Club (Nov 1975)
54. Orkney A&F Club (Mar 1978)
55. Ormiston Miners’ Welfare Society A&F Club
56. Peebles A&F Club (26 Nov 1981)
57. Perth & District A&F Club (Aug 1970)
58. Premier A&F Club NI (cNov 1980)
59. Rothbury Accordion Club (1987??)
60. Shetland A&F Club (Sept 1978)
61. Stirling A&F Club (Oct 1991 - )
62. Sutherland A&F Club (
63. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
64. Thurso A&F Club (cSept 1981)
65. Turriff A&F Club (March 1982)
66. Tynedale A&F Club (Nov 1980)
67. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
68. Acharacle & District A&F Club (cMay 1988)
69. Bonchester Accordion Club (Closed?)
70. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
71. Buchan A&F Club
72. Callander A&F Club (
73. Campbeltown & District A&F Club (c Dec 1980)
74. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
75. Club Accord
76. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
77. Coupar Angus A&F Club (cSept 1978 - ?)
78. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
79. Denny & Dunipace A&F Club (Feb 1981)
80. Dornoch A&F Club (first mention in directory 1986)
81. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
82. Dunbar Cement Works A&F Club (Closed?)
83. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
84. Falkirk A&F Club (Sept 1978 - )
85. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
86. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
87. Kinlochsheil A&F Club (
88. Kirriemuir A&F Club (cSept 1981)
89. Monklands A&F Club (Nov 1978 – closed cApril 1983)
90. Morecambe A&F Club (joined Sept 1982)
91. Newcastleton Accordion Club
92. New Cumnock A&F Club (cMarch 1979)
93. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
94. Straiton Accordion Club (c1968 – closed March 1979)
95. Stranraer & District Accordion Club (1974 – per first edition)
96. Torthorwald A&F Club (near Dumfries)
97. Walmer (Bridge of Allan) A&F Club
98. Wellbank A&F Club
Advertising rates
Full Page - £92
Half Page - £46
Quarter Page - £23
B&F Treasurer – Mrs Margaret Smith, Smeaton Farm Cottage, Dalkeith, Midlothian.
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
I Once again we come to the last issue of the season, one which has seen a great revival in the life of the B&F. This has been achieved by a great deal of hard work and co-operation with you, the readers.
I hope you have found the articles and variety in the paper interesting. Next season, I mean to continue in mainly the same vein, but there will be changes. For instance, I was unable to find a young broadcasting band led by a fiddler for the ‘Bandleader on the Spot’, so next season I intend starting with ‘Fiddler to the Fore’, spotlighting fiddlers in bands who are not bandleaders.
At this point I would like to thank all who have contributed in any way by producing interesting articles, club scribes who have sent Club reports, those who have contributed small monthly items, the letter writers and the advertisers without whose revenue this paper would not exist. I would also like to thank our Treasurer, Margaret Smith, who does who does a lot of hard work and handles the financial side of the paper most efficiently, and Jeanette who is responsible for putting the paper together.
Margaret asks me to remind Clubs that monies should be paid as soon as possible to allow her to get the books sent to auditing.
May I remind you that the AGM will be held in the Station Hotel , Perth on Sunday, 28th June at 11 a.m. This is your opportunity to get your views on any matter relating to the Association and a large turnout is requested.
Most clubs close down till the autumn but a few remain open for business during the summer. These include Blairgowrie, Derwentside, Forfar, Forres, Kintore, Lesmahagow, Orkney, Stirling and Windygates, where a welcome awaits you as a player or a listener.
Doug Adamson
Musselburgh 1992
by Norrie Williams
The Bruntron Halls, 7 a.m. on Saturday, 7th March and I was smooring, nose blocked, throat choked, death warmed up, but 2½ hours later I was okay. I had a world breakthrough, I had discovered a cure for that miserable affliction, the common cold. To echo the ‘Proclaimers’ it was to be ‘Beechams no more, Hedex no more’ etc, etc. The answer, a natural cure – G natural to be precise. ‘Eilean Conan Castle’ and ‘The Ross-shire Volunteers’ played by a couple of competitors in the senior pipe music class, completely banished the miseries, I was made whole – a new man for the rest of the day. No names, no pack drill, but thanks girls.
In keeping with the present general trend we had been anticipating a considerable drop in entries, but although the overall attendance at the Festival may have been affected by the recession, the number of competitors was virtually the same as last year.
As always, the trios, bands and fiddle groups played to a full hall with a high standard of performance all round. The bands were so good and so evenly matched (fag paper would have been too thick) that it must have been an adjudicator’s nightmare to place them.
The theatre enjoyed larger than normal audiences throughout the day, a particular highlight being the ‘Own Composition’ class, this year’s efforts being acclaimed as some of the best.
And talking of highlights, it’s back to the Main Hall, for what could best be described as ‘something else’, an exciting and unforgettable performance by a somewhat reluctant 77 year old competitor in the button-key class. Last on in the small field of four, there was a murmur of disbelief from the audience as this particular player walked on stage carrying a diminutive 2 row, 21 key / 8 bass instrument, but he soon dispelled any doubts. With the wee box perched on his knee, he turned in a virtuoso performance finishing with a cracking rendition of ‘John MacNeill’s Reel’ – the crowd roared and when he was pronounced winner, they went daft. I wis near ‘greetin’ with emotion. The adjudicator’s comments ‘……as smooth as a baby’s mmm, the whole way through’ and Chairman Jimmy Blue observed, “Only one wee thumb strap between him and disaster!” The player? – Senior Perth Champion 1954 (then playing a Shand Morino) – Jim Crawford of Ladybank, ex-Scottish broadcasting bandleader and brother of John Crawford of Freuchie. Needless to say, Jim (accompanied by Joan Blue on piano) brought the house down yet again at the evening concert, finishing with a set of hornpipes, one of the tunes being that ever popular evergreen, “I canna mind the name o’t”.
Despite the customary mayhem in the wings wrought by yours truly, the concert ran smoothly and to time, not surprisingly as it was compered by that master of his art, Alex Little of Dumfries. It was great to see him looking so well and when this was mentioned, he quipped – “I’m champion, if I was any better the string would snap!”
The concert over and once again we witnessed that incredible transpormation as chief stewart Joe Greer, galvanised his crew into action and the hall was cleared and reset for the Dance. For anyone who has not already seen it, this is an operation worth watching.
This year it was a great pleasure to welcome Bobby Crowe and his band, and the professionalism showed up from the word go – e.g. the painstaking attention to detail that went into the setting up, even to the extent of having the stage extended and baffle screens suitably positioned. Bobby is a perfectionist with over 40 years experience and the dancers’ response said it all.
It is difficult to adequately express thanks to all those in what ever capacity who contribute to the success of an event as this, but here goes; To our team of adjudicators, augmented by Bert Shorthouse, who stepped in literally at the last minute to help judge the trios, to their secretaries, the announcers, marshals, scrutineers, stewards, receptionists, door-minders, ticket sellers and accompanists. These indispensable mortals hailed from the following widely scattered area and Clubs: Amulree, Beith, Biggar, Conon Bridge, Dumfries, Dundee, Dunfermline, East Kilbride, Fintry, Glasgow, Lesmahagow, Lochgelly, Longniddry, Mauchline, Milngavie, Newtongrange, Perth, Renfrew, Slough, Torthorwald and Windygates.
We are grateful too for the advance publicity (and in some cases post-Festival coverage) given over the air by Radio Clyde, Radio Forth, Radio Highland, Radio Moray, BBC Radio Scotland, Radio Tay, Radio South-West Sound, Radio West Sound.
We cannot contemplate ‘Musselburgh’ without Ken Mutch, Robbie, Fiona and the team. They mingle unobtrusively, generate interest, enthusiasm and encouragement. Everyone feels at home with them, they provide a great ‘shop window’ for the Association and they carry out their jobs without the slightest inconvenience to anyone – true professionals.
This year’s raffle raised the record sum of over £400, thanks to the generosity of the dancers and of those clubs and individuals who donate such excellent prizes. The Clubs were Beith, Blairgowrie, Fintry, M.A.F.I.A., Mauchline, Newtongrange, Perth and Stirling, and the individual contributions were from the Blairgowrie, Dalry and Dundee areas. Marks and Spencer (Edinburgh branch) for their generous support in the form of gift vouchers.
We also acknowledge the donation of two medals by John McQueen of Dumfries for the youngest competitors (boy and girl), the excellent catering and bar service by Mr and Mrs Lamb of Edinburgh and all the willing help and co-operation of the Brunton Halls’ staff.
Thanks also to the exhibitors who brought the foyer to life and to Rolston Accordion of Motherwell for the loan of two electric pianos.
And of course, a very big thank you to those who form the hub of the whole affair, viz. the competitors and those who come to listen and support them. Without you it would be – Brunton Halls no more.
Finally my personal thanks to NAAFC Chairman Jimmy Blue and his Executive Committee for all their help on the day and support over the year and to my own Festival Committee for their hard work and patience. They are Joan Blue, Tom Clark, Neil Copland (Treasurer), Eddie MacDonald, Bob and Anne Scott and the organising Secretary, my wife Sheila, who will be eternally grateful to Neil for the load he has lifted off her shoulders.
Footnote – On Festival Saturday, all those of us who had been closely associated with the running of the event over the years were acutely aware of the gap that could not be filled, the duties – maybe, the personality – no. I refer, of course, to the late Willie Wilson of Beith, who’s tireless help and enthusiasm, unassuming style and humour, were an example to us all. He is sorely missed.
1992 Festival Results
Junior Accordion
Under 12 Traditional Accordion Solo – Pentland Cup
1) Gordon Fraser (Munlochy)
2) Gill Blackburn (Hexham)
3) David Nisbet (Earlston)
12 and Under 16 Traditional Solo – Jim Johnstone Cup
1) Barry Howieson (High Valleyfield)
2) Karl Sandeman (Killearn)
3) Mhairi Coutts (Kirkcaldy)
Junior Accordion Solo Pipe Music – Bill Black Cup
1) Karl Sandeman (Killearn)
2) Craig Skinner (Blackridge)
3) Mhairi Coutts (Kirkcaldy)
Junior Traditional Duet – Angus Howie Cups
1) Gillian Risi (Monifeith) & Karen Harper (Salmondsmuir)
2) Kevin Swinton & Ross Lowthian (St Boswells)
3)
Senior Accordion
Senior Traditional Accordion Solo – Clinkscale Cup
1) Lindsay Weir (Cubokie)
2) William Bradley (Balloch)
3) John Burns (Cumbernauld)
Senior Accordion Pipe Music Solo – Bill Powrie Memorial Cup
1) Iain Cathcart (West Kilbride)
2) Bruce Peebles (Forfar)
3) Lynne Gould (Huntly)
Open Accordion Championship – Todhills Trophy
Senior Overall Accordion Champion - The Bobby MacLeod Trophy
William Bradley (Balloch)
Open Buttonkey Accordion Solo – Windygates Trophy
1) Jim Crawford (Ladybank)
2) Bill McHardie (Friockheim)
3) Neil Lowrie (Ballynahinch)
Trios – Jimmy Blue Trophy
1) Marie Fielding (Edinburgh)
2) Lindsay Weir (Culbokie)
Bands – Overall Winner - Iain MacPhail Cup
Lindsay Weir (Cukbokie)
Band – Rhythm Section - Arthur Easson Memorial Trophy
Lindsay Weir (Cukbokie)
Own Composition – Willie Wilson Cup
1) Robert Ross (Edinburgh)
2) Ian Crichton (Marybank, Isle of Lewis)
3) Iain Cathcart (West Kilbride)
Under 12 Classical Solo – Kelso Cup
1) Jill Blackburn (Hexham)
2) Lorna MacAskill (Ormiston)
3) David Nisbet (Earlston)
Under 14 Classical Solo – Aberdeen Cup
1) Kirsty MacDonald (Hexham)
2) Philip Copland (Dundee)
3)
Under 16 Classical Solo – Dundee shield
1) Ross Lowthian (St Boswells)
2) Ian Shepherd (Dalkeith)
3) Kevin Swinton (St Boswells)
Open Classical Solo – Clinkscale Shield
1) Craig Drysdale (Kirkcaldy)
2) Elizabeth Flanagan (Galashiels)
3) Ross Lowthian (St Boswells)
Under 13 Classical Duet – Beith & District A&F Club Cups (Willie Wilson Memorial Trophies)
1)
2)
Under 16 Classical Duet - Alex MacArthur Cups
1) Kevin Swinton & Ross Lowthian (St Boswells)
2) Heather Reid (Eyemouth) & Stuart Hogg (Dunbar)
3) Vicki & Jill Craig (Haddington)
Open Classical Duet – Dunfermline Cup
1) Robert Muir & Robert Hutchison (Dunfermline)
2) Andrew Smith & Grant Leslie (Dunbar)
3) Ian Shepherd & Stewart Wilson (Ormiston)
Classical Polka
Under 10 Classical Polka Solo – The Todhills Trophy
1)
2)
Under 14 Classical Polka Solo – Newtongrange Shield
1) Jill Blackburn (Hexham)
2) Jill Craig (Haddington)
3) David Nisbet (Earlston)
Open Classical Polka Solo – Tign-Na-Gorm Cup
1) Craig Drysdale (Kirkcaldy)
2) Shirley Campbell (Collin)
3) Ross Lowthian (St Boswells)
Fiddle Sections
Under 12 Fiddle Solo – NAAFC Musselburgh Festival Trophy
1)
2)
3)
Junior Fiddle Solo – MSR – Strathspey and Reel Association Cup
1) Gillian Risi (Monifeith)
2) Karl Sandeman (Killearn)
3) Karen Harper (Salmondsmuir)
Junior Fiddle Solo – Slow Air – Dougie Welsh Cup
1) Gillian Risi (Monifeith)
2) Michaela Stuart (Dundee)
3) Karl Sandeman (Killearn)
Senior Fiddle Solo – Slow Strathspey, MSR – St. Boswell Cup
1) Kathryn Nicoll (Edinburgh)
2) Neil Dawson (Huntly)
3) Fiona Ballantyne (Perth)
Senior Fiddle Solo – Slow Air – Ron Gonella Cup
1) Aidan O’Rourke (Oban)
2) Fiona Ballantyne (Perth)
3) Neil Dawson (Huntly)
Overall Fiddle Champion - The Angus Fitchet Trophy
= Fiona Ballantine (Perth) & Neil Dawson (Huntly)
Open Fiddle Groups – Lesmahagow Quaich
1) Marie Fielding (Edinburgh)
2) Kathryn Nicoll (Edinburgh)
3)
Youngest Girl Competitor – John McQueen Medal
Jill Blackburn (Hexham)
Youngest Boy Competitor – John McQueen Medal
David Nisbet (Earlston)
Introducing the Clubs
No 8 Kelso
by John Crombie
The idea of forming Kelso A&F Club was conceived by Sandy White, Kenny Lees and John Crombie, and with initial investigation proving successful, friends were invited along to a meeting held on 26th May, 1976.
That evening a Committee was elected as follows :-
Office Bearers
President – Sandy White
Vice President – Jim Aberdein
Chairman – Kenny Lees and
Secretary – John Crombie.
Committee Members – George Dickson, Will Gillie and Alex Richardson. In July, John Cairns was also elected as a Member for the purpose of being Compere at the Club Nights, which were to be held on the last Wednesday in the month from September to May, culminating with the Annual General Meeting to be held at the beginning of June.
During that summer a constitution and Club Rules were formed by the Committee, then printed, which was issued to members when the advertisement for Club Membership appeared in the local press. Such was the response, that over 100 members joined within three days, and with the knowledge that Fire Regulations only allowed that number present at Club Nights, a waiting list for membership had to be created.
Club nights in The Queens Head Hotel were very successful, the guest artistes appearing that first session commenced with Rob Gordon who set us off to a great start, a raffle drawn, and tea and sandwiches were served at the interval.
Heedful of the fact that a Club’s fortunes are governed by its funds was the reason for having members who paid a £1.50 adults membership fee (now £3, Senior Citizens £2), with 60p entrance fee to Club Nights (now £1.20). This allowed a polict being adopted for Club owned sound equipment and an electric piano to be purchased, and what has been proved to be annual events, a Dinner/Dance and concert were organised. When deemed necessary, Club funds have been supplemented by a Prize Draw Raffle.
Kelso is fortunate in having the Tait Hall, a purpose built Concert and Dance Hall which has featured artistes like Harry Lauder, Robert Wilson and Will Starr during their heyday, and is an ideal venue for the Club’s Dinner/Dance and concert, the first session’s music in 1976/77 being provided by Rob Gordon’s SDB and John Leslie’s Orchestra respectively.
The creation of a waiting list which reached 75 names in November, 1979, was a constant reminder of the lack of space, so it was with some trepidation that the Club moved to the Cross Keys Hotel with its luxurious function room.
The Club constitution was then amended to cope with the increase in attendance, and the Committee members were increased to 5, with a 5 member Ladies Committee to run the raffles, and to provide the food for entertainers when it’s required at functions, for which we are all extremely grateful.
To show some appreciation to supporting artistes in a small way, it was decided in January, 1978, to introduce an Artistes Draw, and whoever plays at a Club Night, their name is drawn, and the name picked out received a gift token for £3 (now £5).
When the Club had over 400 members in October, 1980, as an incentive for visitors to join the Club, a Draw was introduced whereby the membership number drawn got a £5 gift token providing they show their membership card. If the winner is absent that evening when their name is called out, then the £5 is carried forward to the next night. It once reached £25.
In the 1980s, the regular order for the Box and Fiddle newspaper was 40 issues, sold for 10p each, now the order is 24 issues and sold for 20p each. It was decided when the Club first registered with the NAAFC in 1976, to give support to the Association, and encourage readership of the newspaper, the price would be compensated by the Club.
In December, 1982, circumstances dictated that the Club had to move to the Ednam House Hotel, and thanks are due to Mr and Mrs Alistair Brooks for their kind co-operation over these years. The Club is constrained to a 7 p.m. starting time, with stovies served about 8.30 p.m. to finish by 10.30 p.m. ; this arrangement appears to be quite acceptable, especially to people who travel a long distance.
Ceilidh evenings were organised in the summers of 1985, 1986 and 1987 and proved to be very successful, however they petered out due to lack of support.
Thanks are due to all who are associated with the Club, apologies for those missed out, unfortunately space does not allow everyone’s name to be mentioned who have contributed, but, to name a few, in no particular order: Sandy White, a fervent Jimmy Shand fan who owns most of Jimmy’s records, before resigning from the Committee in 1983, and Will Gillie, Committee member then Vice President for a total of 7 years, who regularly played the drums and accompanied guest artistes when required.
Dougie Welsh, who had been responsible for highlighting the Scottish music scene throughout the Borders, before his death in March, 1983. Dougie’s banter with George Butler during their accordion spot went down a treat.
Jim Aberdein, whose wry sense of humour, wit and sincerity was very much missed when he died in November, 1987.
Members of the Bill sharp Accordion Orchestra, Brian and Stuart Grant and Festival winners Lorna and Graham Jeffrey, and Tracy James, served the Club very well with their accordion selections, now with College and other commitments.
Lynn Crombie featured at Club nights when her nursing duties permitted, and at the ceilidhs in particular with her band, comprising of singer Lynn Elliot, pianist Moira Butler and drummer Ian Goodall until they disbanded to go their various ways. The Club is very much indebted to Moira and Ian for their consistent backing to players when called on.
Marian Anderson’s accomplishments read like a ‘Who’s Who’, having won over 40 cups and medals at Festivals upo and down the country, including 5 times winner in succession at Alnwick, Scottish Ladies champion at Perth, Open Senior Scottish Champion at Musselburgh Festival, Band Section Winner, Own Composition Class with the tune, ‘Catherine Mackay’, and has recently composed ‘Jim and Christine Brown’s Silver Wedding’ which has been published in Iain Peterson’s new book. Her mum Grace, and dad Dod Wilson, provided support and encouragement during her career.
Another obliging constant artiste over the years has been Bob Liddle sometimes accompanied by Charlie MacIntee and providing an interesting variety. Bob composed the march ‘Kelso Accordion and Fiddle Club’.
Willie Atkinson, what is there to say about this canny, friendly man other than admiration to the highest degree, over 80 years old, and was recently even over in Spain entertaining with his mouth organ, as well as all over this country, maintaining a strict tempo beat throughout all his playing on stage – marvelous!
Sandy Ramage and Bobby Rae usually feature a great waltz tune in their selection which is a tonic for the ears, and Wiggy Brown with a different coupler sound, and a song, all adding to the spontaneity.
Alan and Margaret Cockburn, Tommy Herdman, Stuart Barron, Drew Dalgleish, all from further afield, adding to the entertainment.
Then there is what is accepted as the resident band, Bill Elliot and John Cairns, accordionists, and Alec Williamson on drums, real down to earth stuff, who can be relied on to fill in if the supporting artistes are thin on the ground.
Kenny Lees has been Chairman from the start, and Compere since 1980, is an excellent green bowler, and is sometimes absent for that reason. He doesn’t seem to get his priorities right!
Dedicated Committee members for years: Janet Middlemiss, George Dickson, Laurence Wallace and Jim Wilson, and Jimmy Thomson who can provide a tune on the accordion, or mix the sound from the stage with a selection on the bagpipes, or when required provide accompaniment for Highland dancers, and Jimmy Brown whose offspring Gordon and Heather have regularly featured at the Club, and for the local Senior Citizens Clubs, can be relied on to play some of their dad’s fine tunes that he has composed.
In recent years, our Club Membership has been 220 average, this session stands at 144. It is hoped that this is not a sign of things to come!
Photo of Jim Johnstone
Caption – Association Chairman, Jimmy Blue, has asked Jim Johnstone to join the Executive Committee and we are pleased to say that he has agreed to do so.
His association with and enormous experience of the Scottish music scene will, I am sure, be of great assistance to the Committee.
Emile Vacher (1883-1969)
by John Mackie
I acquired my first accordion some 60 years ago, and in that time I have had three mentors, namely Emile Vacher, Will Starr and Toralf Tollefsen, each individualistic, each differing from the other in style, content and technique, yet each sharing a common denominator, being ‘legends in their own lifetime’.
The sole survivor of the trio is Tollefsen, whom I have known for over 40 years. He is now retired professionally and lives surrounded by his family which includes two great-grand-children.
We communicate on a fairly regular basis and exchange as much information as we can.
However, this article is not about Tolly, but Emile Vacher, ‘Prince of the Musette’, a well deserved sooubriquet, as although much of his work was published under the name of Jean Peyronin, his pianist, this was done for reasons of expediency, as I believe that Sacem, the French equivalent of our Performing Rights society did not at that time recognize the accordion as being a musical instrument. I am certain that ‘Reine de Musette’ (Queen of Musette) the most famous of all musettes, is a Vacher composition, as are many others accredited to Peyronin.
I heard my first Vacher recording in 1927 and even at that early age was impressed by his unorthodox technique.
Emile Vacher was born in Tours in 1883, he was greatly encouraged by Luis Vacher, his father, who bought Emile a small diatonic accordion when he was 10 years old. This in itself was remarkable, as many people thought, including myself, that Vacher played a chromatic instrument and the only person whom I know of who was convinced that Vacher played a diatonic box was the late George MacLean, father of Malcolm MacLean of Renfrew.
Father and son began professionally in a café cum dance hall in the very tough working class district of Paris called Montreuil. The place was called the ‘Bal Delpech’ after its proprietress and was a regular haunt of the local Apaches, the ones famous for their dance, not the Plains Indians Tribe but the Paris Gangsters. Soon he was able to afford a three row Stradelkla which he exploited to the full.
Vacher soon graduated from the doubtful surroundings of Montreuil, where he played for Madame Delpech for 10 years, to the more salubrious Abbaye, Rue de Puteaux, where Luis retired and was replaced by harpist Jean Demarco, a unique combination, accordion and harp.
After about a year, Vacher formed his famous recording trio, himself on accordion, Jean Peyronin on piano and the gypsy guitarist and banjoist Guisti Maller, and their fame spread throughout Europe and even extended as far as Tunisia.
In 1931, an extremely up-market dance palace in the famous Monmartre district of Paris engaged the Emile Vacher Trio as its resident band. During his sojourn in the Latin quarter, Vacher continued to compose, as the fame of the trio continued to spread even into the cinema.
Vacher’s recordings, which were on the Odeon Label are said to exceed 400 in number. I have a tape of his 78s from a friend’s collection, but I understand that there is a CD of Vacher recordings comprising of some 22 items – a must for those who know Vacher, and of course, own a CD player.
I have yet to hear of anyone attempting to emulate Vacher’s technique, he was without doubt, one of the most innovative players of our time.
Your Letters
I must say how much I enjoyed clips from the old ‘White Heather Club.’
Why, oh why, do the B.B.C. only give us good Scottish music once or twice a year? Many thousands of people up and down the country enjoy our own traditional music? Tourists love it, locals love it, but it seems the BBC do not.
A certain German TV station on satellite TV has weekly concerts featuring German folk music, and that is seen throughout Europe. Is BBC Scotland not therefore proud of our traditional music?
Grampian TV tried a show called ‘Sing Something Scottish’, but, apart from the Alexander Brothers, the majority of the shows were a disgrace featuring mainly country and Western acts, and most of these were Irish. I ask you.
Come on BBC, try the old ‘White Heather Club’ format. There’s some great Scottish bands and singers on the go just itching to do TV. Get off your high horse and give the Scottish public what they want, or don’t you care?
Dave Ireland – Obituary
by Sandy Tulloch
My old friend died on 17th March in his eighties after a short period of ill health. I remember him with great affection.
We met well over fifty years ago in Maryfield, Dundee, when he played with Jimmy Shand in St Patrick’s Halls on Monday nights. We remained firm friends all these years.
Memories flood back of Burns Suppers in Lodge Forfar and Kincardine and other venues, hospital dances and tunes for the old folk. I remember his driving skill on the fiddle, his sterling character and his unfailing good humour.
It is difficult to realise that when we played a set of hornpipes together a few weeks ago it was to be the last time. We will miss him sorely.
Record Review
All to the Good – The Glencraig SDB
Book Review
The 9th Collection of Tunes compiled by Iain Peterson for Scottish Dance Music
Take the Floor
4th Apr 92 – Ian Holmes SDB
11th Apr 92 – Craigowl SDB
18th Apr 92 – John Ellis & the Highland Country Band
25th Apr 92 – Alan Gardiner SDB
CLUB DIARY
Aberdeen (Dee Motel) – 28th Apr 92 – Ellon A&F Club
Alnwick (Golden Fleece) – members only
Arbroath (Viewfield Hotel) - 5th Apr 92 – Graeme Mitchell SDB
Armadale (Masonic Hall) – 2nd Apr 92 – Nicol McLaren SDB
Ayr (Gartferry Hotel) – 12th Apr 92 – Douglas Caird SDB
Balloch (St. Kessog’s Hall) – 12th Apr 92 – Laurie School of Music
Banchory (Burnett Arms Hotel) –
Banff & District (Knowes Hotel, Macduff) –
Beith & District (Hotel de Croft, Dalry) –
Belford (Community Club) – 30th Apr 92 – Concert Night with local artistes
Biggar (Municipal Hall) – 12th Apr 92 – Ian Skinner Trio
Blairgowrie (Moorfield Hotel) - 14th Apr 92 – Craigowl SDB
Bridge of Allan (Walmer Hotel) -
Brigmill (Guardbridge Sports & Social Club)
Buchan (Buchaness Hotel) –
Button Key (Windygates Institute) –
Callander (Glengarry Hotel) –
Campbeltown (Royal Hotel) –
Castle Douglas (Urr Valley Hotel) – 21st Apr 92 – Walter Beattie SDB
Coalburn (Miners’ Welfare) - 16th Apr 92 – Alex McPhee SDB
Crieff & District (Drummond Arms Hotel)
Dalriada (Royal Hotel, Lochgilphead) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (National Hotel) – 1st Apr 92 – Lindsay Weir SDB
18th Apr 92 – Dance to Michael Garvin SDB
Dunblane (Westlands Hotel) – 21st Apr 92 – Willie McGuire
Dundee (Invercarse Hotel) –
Dunfermline (Northern Roadhouse) – 14th Apr 92 – Wayne Robertson Trio
25th Apr 92 – Dance to Rob Gordon SDB
Dunoon & Cowal (McColl’s Hotel)
East Kilbride (Sweepers, Cambuslang) – 30th Apr 92 – Charlie Kirkpatrick Trio
Ellon (Ladbroke Hotel) –
Ettrick & Yarrow (The Gordon Arms) -
Fintry (Fintry Sports Centre) –
Forfar (Plough Inn) - 26th Apr 92 – David Vernon
Forres (Brig Motel) – 8th Apr 92 – Kintore A&F Club
Fort William (Alexandra Hotel) –
Galashiels (Maxwell Hotel) –
Galston (Barr Castle Social Club) –
Glendale (Black Bull Hotel – Wooler) –
Gretna (Halcrow Stadium) - 15th Apr 92 – Paddy Neary
Highland (Drumossie Hotel) – 20th Apr 92 – Simon Howie SDB
Inveraray (Loch Fyne Hotel) - 7th Apr 92 – Bill Black SDB
Isle of Skye -
Islesteps (Mabie House Hotel) – 7th Apr 92 – Craig McCallum SDB
Kelso (Ednam House Hotel) – 29th Apr 92 – Elmbank SDB
Kinlochshiel (The Islander, Kyle) -
Kintore (Crown Hotel) – 1st Apr 92 – Craig McCallum SDB
Langholm (Crown Hotel) –
Lesmahagow (Masonic Hall) – 9th Apr 92 – Gordon Shand SDB
Livingston (Golden Circle Hotel, Bathgate) 21st Apr 92 – Malcolm McLean Trio
Lockerbie (Bluebell Hotel) - 28th Apr 92 – Lindsay Weir Trio
Mauchline (The Jean Armour Restaurant)
M.A.F.I.A. (Masonic Hall, Milngavie) –
Montrose (Park Hotel) – 1st Apr 92 – Deirdre Adamson
Newtongrange (Dean Tavern) – 12th Apr 92 - Competitions
North Cumbria (Golden Fleece, Ruleholme) (prev called Gretna Club) –
North East (Seafield Hotel, Keith) –
Oban (Highlands Restaurant) – 2nd Apr 92 – Gordon Shand Quartet
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) – 16th Apr 92 – Bruce Lindsay Trio
Peebles (Green Tree Hotel) – 23rd Apr 92 – Donaldson Brothers
Perth (Salutation Hotel) –
Premier NI (Camlin Function Rooms) -
Renfrew (Masonic Hall, Broadloan) – 14th Apr 92 – Michael Philip SDB
Rothbury (Queen’s Head) - 2nd Apr 92 – Joe Hornsly & Donald Ridley
Shetland (venue?) -
Stirling (Terraces Hotel) - 12th Apr 92 – James Lindsay Quartet
Thornhill (?)
Thurso (Pentland Hotel) –
Turriff (Royal Oak Hotel) –
Tynedale (Hexham Ex Service Club) –
Wick (McKay’s Hotel) –
Wooler ( ) -
Yarrow (Gordon Arms) - Catriona MacDonald & Ian Lowthian
THERE WERE CLUB REPORTS FROM :-
1. Arbroath
2. Banchory
3. Belford
4. Biggar
5. Button Key
6. Castle Douglas
7. Coalburn
8. Dunblane
9. Dundee
10. Dunfermline
11. Dunoon & Cowal
12. East Kilbride
13. Fintry
14. Forfar
15. Forres
16. Gretna
17. Highland
18. Inveraray
19. Islesteps
20. Kinlochsheil
21. Kintore
22. Lesmahagow
23. Livingston
24. Mauchline
25. Newtongrange
26. North East
27. Oban
28. Peebles
29. Renfrew
30. Rothbury
31. Shetland
32. Stirling
33. Sutherland
34. Thurso
35. Tynedale
CLUB DIRECTORY AS AT SEPT 1991 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Arbroath A&F Club (1991?)
4. Armadale A&F Club (Oct 1978? or 80) originally called Bathgate Club (for 2 months)
5. Ayr A&F Club (Nov 1983 – per Nov 83 edition)
6. Balloch A&F Club (Sept 1972 – per January 1978 issue)
7. Banchory A&F Club (1978)
8. Banff & District A&F Club (Oct 1973)
9. Beith & District A&F Club (Sept 1972 – per first edition)
10. Belford A&F Club (joined Sept 1982)
11. Biggar A&F Club (Oct 1974)
12. Blairgowrie A&F Club (
13. Brigmill A&F Club (Oct 1990
14. Button Key A&F Club (
15. Castle Douglas A&F Club (c Sept 1980)
16. Coalburn A&F Club
17. Crieff A&F Club (cSept 1981)
18. Dalriada A&F Club (Feb 1981)
19. Derwentside A&F Club
20. Dingwall & District A&F Club (May 1979 – per first report)
21. Dunblane & District A&F Club (1971)
22. Dundee & District A&F Club
23. Dunfermline & District A&F Club (1974 – per first edition)
24. Dunoon & Cowal A&F Club (
25. East Kilbride A&F Club (Sept 1980)
26. Ellon A&F Club (
27. Etterick & Yarrow (Jan 1989 -
28. Fintry A&F Club
29. Forfar A&F Club
30. Forres A&F Club (Jan 1978)
31. Fort William A&F Club (21st Oct 1980 – per Dec 1980 B&F)
32. Galashiels A&F Club (joined Sept 1982)
33. Galston A&F Club (Oct 1969 – per first edition – closed March 2006)
34. Glendale Accordion Club (Jan 1973)
35. Gretna A&F Club (1991) Known as North Cumbria A&F Club previously (originally called Gretna when started in June 1966 but later had to move to a venues in the North of England and changed name. No breaks in the continuity of the Club)
36. Highland A&F Club (Inverness)
37. Inveraray A&F Club (Oct 1991)
38. Islesteps A&F Club (Jan 1981)
39. Isle of Skye A&F Club (
40. Kelso A&F Club (May 1976)
41. Kintore A&F Club
42. Langholm A&F Club (Oct 1967)
43. Lesmahagow A&F Club (Nov 1979 – closed May 2005)
44. Livingston A&F Club (Sept 1973 – per first edition)
45. Lockerbie A&F Club (Nov 1973)
46. M.A.F.I.A. (early)
47. Mauchline A&F Club (first mention 1986?)
48. Montrose A&F Club (joined Sept 1982)
49. Mull A&F Club
50. Newtongrange A&F Club (joined Sept 1979)
51. Newton St Boswells Accordion Club (17th Oct 1972 see Apr 1984 obituary for Angus Park)
52. North East A&F Club aka Keith A&FC (Sept 1971)
53. Oban A&F Club (Nov 1975)
54. Orkney A&F Club (Mar 1978)
55. Ormiston Miners’ Welfare Society A&F Club
56. Peebles A&F Club (26 Nov 1981)
57. Perth & District A&F Club (Aug 1970)
58. Premier A&F Club NI (cNov 1980)
59. Rothbury Accordion Club (1987??)
60. Shetland A&F Club (Sept 1978)
61. Stirling A&F Club (Oct 1991 - )
62. Sutherland A&F Club (
63. Thornhill A&F Club (joined Oct 1983 – see Nov 83 edition)
64. Thurso A&F Club (cSept 1981)
65. Turriff A&F Club (March 1982)
66. Tynedale A&F Club (Nov 1980)
67. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
68. Acharacle & District A&F Club (cMay 1988)
69. Bonchester Accordion Club (Closed?)
70. Bridge of Allan (Walmer) A&F Club (Walmer Hotel, Bridge of Allan) (c March 1982)
71. Buchan A&F Club
72. Callander A&F Club (
73. Campbeltown & District A&F Club (c Dec 1980)
74. Cleland (cNov 1981 – March 1985) originally called Drumpellier A&F Club (for 2 months)
75. Club Accord
76. Coquetdale A&F Club (Feb 1974 or c1976/77 – 1981/2?)
77. Coupar Angus A&F Club (cSept 1978 - ?)
78. Cumnock A&F Club (October 1976 - forced to close cDec 1982 - see Jan 83 Editorial)
79. Denny & Dunipace A&F Club (Feb 1981)
80. Dornoch A&F Club (first mention in directory 1986)
81. Dumfries Accordion Club (Oughtons) (April 1965 at the Hole in the Wa’)
82. Dunbar Cement Works A&F Club (Closed?)
83. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
84. Falkirk A&F Club (Sept 1978 - )
85. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
86. Greenhead Accordion Club (on the A69 between Brampton and Haltwistle)
87. Kinlochsheil A&F Club (
88. Kirriemuir A&F Club (cSept 1981)
89. Monklands A&F Club (Nov 1978 – closed cApril 1983)
90. Morecambe A&F Club (joined Sept 1982)
91. Newcastleton Accordion Club
92. New Cumnock A&F Club (cMarch 1979)
93. Renfrew A&F Club (original club 1974/5 lapsed after a few years then again in 1984)
94. Straiton Accordion Club (c1968 – closed March 1979)
95. Stranraer & District Accordion Club (1974 – per first edition)
96. Torthorwald A&F Club (near Dumfries)
97. Walmer (Bridge of Allan) A&F Club
98. Wellbank A&F Club
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