Box and Fiddle
Year 06 No 01
September 1982
Price 25p
12 pages
8 month subscription £2.88
Editor – Ian Smith, 50 Mount Vernon Road, Stranraer Tele 4098
B&F Treasurer – Mrs Mary Plunkett, 2 Dounan Road, Dunragit, Wigtownshire
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Thanks to the fine summer that we’ve had everyone seems to be eager to get going again. The break in between each season is good as it helps to get rid of that jaded feeling that sometimes creeps in.
During the close season some clubs kept going and there were all sorts of events being held. Dances, ceilidhs, concerts, festivals, you name it and it happened somewhere.
Jack Cooper tells me that the Dunblane Hydro has been booked again next year for the Rally Weekend and AGM. It’s the last weekend in June.
Will you please welcome some new Clubs to the Association :-
Belford (Northumberland)
Galashiels,
Montrose
Morecambe (Lancashire)
Walmer (Bridge of Allan, Stirling)
May we extend them our good wishes for success.
You will have noticed that we have a new body on the staff – Andy Ross from Forres. He has kindly placed his head on the block to tell us his views on the ‘Reel Radio’ column. I only hope Andy can find the time. Apart from helping out at the Forres Club he does a local radio programme.
There is nothing left for me to add except to say that we will be doing our best to keep you up to date with what’s going on and reporting what’s been on. Here’s tae ye, wha’s like ye. Have a good season.
Rally Weekend Full House
by Ian Smith
The highlight of the Association’s activities of 1982 was held at Dunblane Hydro in the shape of the Weekend Rally, including the AGM and the Presentation Luncheon. There, gathered from a’ the airts, the faithful, the curious, the famous, the fans, and the ordinary music-loving punters.
The staff of the Hydro were their usual efficient and helpful selves and soon everyone was settled in their rooms and with a good dinner under their belts and the celebrations got under way. Later on the Saturday night, Robbie’ shepherd’s crew recorded not one but two future radio shows. This left the rest of the night running late. No matter, it was still a long time till breakfast.
Jim MacLeod and his Band provided the music for the dancing with the help of John Huband and the Tayside Sound. The survivors crawled out of bed for a late, late breakfast, just in time to greet more friends who were just arriving for the AGM.
At the meeting there was a very good turnout, there being representatives from 28 Clubs from as far apart as Orkney and Consett, Co Durham. The meeting itself went quickly and smoothly. After the chairman, Jimmy Blue, welcomed everyone, each part of the organization made their reports.
There were a few resolutions made :
1) Club subscriptions have now risen to £15, inflation being the reason, and it should be noted that it must be paid to Association Treasurer David Ross by 31st December.
2) Sale of ties and badges should be, if possible, by bulk order through Clubs.
3) Andy Ross of Forres Club was appointed to write the ‘Reel Radio’ column.
4) The death of Ronnie Cooper of the Shetlands was mentioned and condolences were expressed.
The next stage of the weekend then took over. Over 200 guests were seated at the table when the top table of 20 were ‘piped’ in by a band of 10 accordions, two fiddles and bass, including the Guest of Honour, Bobby MacLeod, and his better half Jean. There also were Jimmy and Anne Shand, Andy and Sheila Stewart and Angus and Bette Fitchet.
Grace was said by Master of Ceremonies, Jimmy Blue, the food was quickly delivered and just as quickly dispatched and soon it was time for the speeches, but the first item was the presentation to Bobby. As at previous dinners, it was a portrait that was presented to Bobby MacLeod. Jimmy Blue remarked that in all the lean years of traditional music only a few names stuck out and Bobby was one of them and he, on behalf of the Association, had great pleasure in making this presentation.
There was a standing ovation as Bobby accepted the portrait.
Bobby has made his mark with his music but his speech in return was a real gem. During it he made two telling statements. The first “communication to the people is the must fundamental that we can achieve” and secondly “the future is in the hands of the young, it’s up to them to get the people dancing again.” Marvellous stuff, Bobby MacLeod of the Mishnish, Tobermory.
The speeches in return by Angus Fitchet, Jimmy Shand and Andy Stewart were brimful of humour, repartee, byegone days, and quite believable. The four of them held the stage for over an unforgettable hour culminating with the poem, especially composed by Andy.
Ode to Bobby MacLeod
by Andy Stewart
Over there in the west,
In the place he loves best,
Far away from the fleshpots of glory,
Lives a man – with a smile,
For the title’s erstwhile –
I call Provost of Tobermory!
(Well, why not? – for ye ken
That the foremost of men
And women, I’m not chauvinistic,
To this title are due, and dear Bobby that’s you,
If the Mull yins will be realistic)
You can call if you wish
To the Hotel Mishnish
And enjoy hospitality’s fineness
You may eat every treat
Of both seafood and meat,
Or conversely drink yoursel’ min’less
Now I’ll tell you quite fair
I have never been there,
But I know those who have
And believe me –
That those who’ve been to it
Never did rue it
And in praise of it constantly deve me!
Well now here’s an example
To give you a sample
My brother-in-law they call Dixie –
(Och now surely ye mind him,
For when you could find him
He’s dance on your show, like a pixie!)
Nineteen years are now spent
Since his wife and he went
For their nuptials the Mishnish was set –
Now he went there with glee
But you take if from me
That he hasn’t recovered yet!
I don’t mean to imply
Any reference sly
Or a slight on love’s memoried treasures
All I’m meaning to state
Is the influence great
On one’s fate by outsizeable measures!
(But that story is in parenthesis –
Or if grammar is not quite your racket,
That wee tale is enclosed
Whether poem-ed or prosed
At the end my dear friend with a bracket!)
In more general terms
Or in measure of ‘therms’
Or of ‘heat’ if you like
It’s no matter!
The Mishnish generates
A heat that equates
Far above that required to bile watter!
Now I’m sure this is so
For some fellows I know
Who went there and for funning were scheming
They told me straight out
And their word I don’t doubt
That they all came away steaming!
I’ve heard others disclaim
That Edinburgh’s claim
That her Festival’s best is the story –
‘Not at all’ they insist
‘If you say that you’ve missed
The wan held at Tobermory!”
So oor Bobby can boast
That he’s quite the mine host
In his island north-west of the Clyde,
And the poet might sing
That he reigns like a king
With his Jean as his Queen
At his side
Well, that’s part of the tale
But my duty I’d fail
If an insular picture I drew
For he’s known far and wide
Furth his own countryside
And as such now is honoured by you!
In a musical way
There is none can gainsay
That his talents are fruitful and grand
Whether solo you quote him
Or otherwise note him
As leader of many a band!
Now since life’s tiny start
Music beat in his heart
And I could quote you chapter and letter
But everyone knew
That as young Robert grew
He would simply get better and better
When he was a baby
But, truthfully, maybe
This story’s a tall yin, ‘tis said
He didn’t prattle to play with a rattle
But blew on a chanter instead
Well that’s maybe a story
But in Tobermory
They’re given to exaggeration –
Not that that’s a surprise
For you must realise
That they’re fond of a wee sensation!
But there’s nae doubt aboot it
And you can’t dispute it
Since he’s made the warl’ tae tak tent,
And if he’ll pardon the phrase
I now use in my lays
As a lad he was music’lly bent!
First the pipes he did learn
For he’d finger and blow a sweet tune
And the notes that he made
When the chanter he played
Were all classified – “Chust sublime”
(Not like me! When I tried
I was sorely despised
By an old aunt – a dragon I’d class her
When the bagpipes I’d play
Oh, Andy, she’d say –
You’re really a chanter-wrassler!)
Well the pipes he did master
In time that was faster
Than most men wad ever aspire
But you’re in for more shocks
For he turned to the box
An’ proficiency soon did acquire
Ay, that much an’ more
For this young laddie swore
Hw would blend all he’d learned together
And the sound that he made
When his new music played
Was as sweet as the scent of the heather
Ah yes, true to his word
A new style we heard
Like the lilt of the lark in the morn
And such gracenotes did steal
In Strathspey, jig and reel
That the sound of the West Coast was born
He’s laid by a great store
Of records galore
Since the days when he started to play
And his name now is heard
As a household word
No matter wherever you stray
On both stage and wee screen
Our Bobby’s been seen
And I weel mind our years together
For Bobby and me were there on TV
In a Club that they called the White Heather
Now he’s fond of the waves
And spends hours on his boat
On the western waters of hame
But the waves of the air
Knew his musical flair
As the radio brought him more fame
Now, like Shand, yes like Fitchet
We’ve honoured before
This man has original talent galore
What are years but time gained
Or a number attained
And a part used from talent’s great store
Well,the years come and go
And the cast in life’s show
Take the centre of stage and depart
Yes – there’s some have their flings
And go off to the wings
For the public is fickle to art
But there’s some can sustain
The place that they gain
Through great diligence, talent and time
And the longer they stay
At the top, people say
As they said long ago – “Chust sublime”
Bobby’s one of these men
And I fear that my pen
And the poor sundry words of this bard
Can never relate you
A talent so great
Or sum up in their rhyme your regard
But I’m pleased to attest
That I have done my best
And I’ll tell you that I’m surely proud
To be with you this day
When we honour and say
You’re right welcome here
‘Maestro MacLeod’ !!
The dinner was over, the speeches ended, but the show wasn’t. After the autographs and photographs we were then entertained by a unique trio. We were privileged to listen to the three master in unison – Bobby on piano accordion, Angus on fiddle and Jimmy on button-box. ‘O Flower of Scotland’.
Bye the bye, there was another player in this famous group. A young lad of a drummer. I’ll bet he will cherish this memory.
Eventually it was ended, but mention must be made of the part that Jack Cooper of Dundee Club played. He it was who organized the whole weekend. Congratulations Jack, on a smoothly run event. Also thanks to an up-and-coming young band, the Dundee A&F Club Junior Band. Their average age was 13, their ability 23. Led by John Strachan, they were accordionists Kevin Clark and Bruce Quirie, piano Gillian Simpson, fiddle Margaret Quirie and drummer David Scott. Jack Cooper wishes to thank all those who brought their instruments and upstairs he would like to think that he will see you all again next year.
The Editor, on behalf of the Association, wishes to thank all those who helped Jack Cooper in running the show. We appreciate your efforts on our behalf.
The Reel Radio
by Andy Ross
Firstly, a word of warning to anyone who attends the AGM of the NAAFC, NEVER let your concentration lapse – I did for around 30 seconds on Sunday, 27th June, and before I knew what was happening I found myself proposed and seconded to take over the writing of this column.
Despite many counter proposals no other ‘volunteer’ could be found, therefore chairman Jimmy Blue donned the black cap and announced the ultimate judgment, so here goes!
Looking Ahead
As Derek Hamilton did in his column in the April edition I too will look ahead at this time to keep readers updated on programmes due out shortly, leaving crits until the next edition.
Canadian Tour
I will start with BBC Radio Scotland and am really looking forward to September 18th when the whole ‘TTF’ programme will be filled by the Cape Breton Symphony Fiddle along with Bobby Brown and the Scottish Accent. I was present when this programme was taped on 21st August in the Town Hall, Elgin and our visitors from Canada certainly made an unforgettable impact on those present. I hope Freeland Barbour managed to capture the feeling and atmosphere of the occasion. For the next couple of Saturdays the programme will again be out and about – on 25th September at Keith for the first broadcast by the popular Foundry Bar Band from Arbroath.
The second part of this programme will be taken up by other items, mainly instrumental, also recorded at the Keith Folk Festival. The second recording done at the aforementioned AGM at Dunblane is scheduled for 2nd October and will feature the resident band at Dunblane Hydro, the Jim MacLeod Band, and for this programme Jim has his usual line-up plus Ron Gonella on Fiddle. I’ve a sneaking feeling that this broadcast may suffer from excess ‘audience noise’ as the majority of those present at the dance seemed to show little interest in the music and kept up an incessant babble – I hasten to add that the culprits were not those attending the AGM but other guests in the Hotel where the Ballroom was packed to capacity.
First Broadcast
Eddie Edmond from Torphins makes his broadcasting debut on 9th October with a quartet in which he plays lead accordion with Irene Hepburn, second box, Brian Cruickshank, fiddle, and Sandra Rettie, keyboard. A week later, on the 16th, the featured band will be John Ellis and his Highland Country Band with, I believe, a slightly different line-up following the departure of Pam and Allie Wilkie. On Friday evenings my old mate Robbie Shepherd continues to present at 9.30pm – the ‘Reel Blend’ programme which is always interesting and very often informative.
Folk’s Around Robin
On the ‘other side’ i.e. Radio forth , Robin Brock is a busy lad and my spy in the Edinburgh area tells me he has had some great programmes in recent weeks, including a cracker from the Cape Breton visitors.
In the two weeks immediately prior to the publication date of the ‘B&F’ Robin will be featuring the Cameron Kerr Band and John Ellis. On the 20th September Robin hopes to have Graeme Mitchell and his Band from Huntly, although this had not been confirmed as we go to print.
Callum McLean makes the long trio from Tobermory to Edinburgh for 27th September while Jack Delaney will be featured on 4th October with a special item on the current Ladies Accordion Champion, teenager Jacqueline Dick from Freuchie. Robin’s ‘Pure Scotsh’ programme goes out on Radio Forth on a Friday evening between 8 and 10pm – thus placing listeners in the Edinburgh area in a bit of a spot, having to decide whether to stay tunes to Robin or switch over to the ‘Reel Blend.’ This doesn’t pose any problem in my area as Moray First Radio closes down at 6.30pm each evening!
Accordion ‘82
November 6th, 1982, is the date set for Radio Forth’s ‘Accordion 82’ show in the Playhouse, Edinburgh, and budding composers are reminded that entries should be submitted as soon as possible to Robin Brock at Radio forth.
The late Ronnie Cooper
I cannot finish this column without mentioning the untimely death in late June of Ronnie Cooper from Shetland. Ronnie, who composed many excellent tunes, was one of the stalwarts of The Hamefarers and will be greatly missed. I must compliment Freeland Barbour and Robbie Shepherd for the most fitting tribute broadcast a few weeks after Ronnie’s death – I’m sure a lot of work went into the production of this particular programme. I understand Robin also put out a musical tribute on Radio Forth but unfortunately I did not catch it.
The Foundry Bar Band
Bothy songs and Scottish country music have been a part of the Foundry Bar at Arbroath ever since the time when the only customers were the foundry workers from over the road (the foundry has long since gone), the fisher fowk from the town, and fairm chiels in from the Angus countryside for the weekly fairs and markets.
The fame of ‘the foondry’ as a musical gathering place has spread far and wide, and on a couple of night a week the back room is filled to capacity with musicians and enthusiasts from near and far.
In 1975 some of the Foundry Bar musicians got together, entered and won the Ceilidh Band competition at the Kinross Festival – and so was born ‘The Foundry Bar Band’.
Since then, many of the regular musicians at the Foundry Bar have taken a turn in the band – playing at concerts, ceilidhs and dances throughout the area and at Festivals up and down the country. Most of all they enjoy taking part in the annual Traditional Music Festival in Keith, where each year they are welcomed back as old friends for a long-weekend of great music.
Few bands, professional or otherwise, can so well convey the essential lilt of Scottish music with such enjoyment and enthusiasm.
The band members are
Jimmy Reid (Dundee - guitar, moothie, singer)
Terry Beattie (Arbroath – button box)
Bobby Reid (Kirkcaldy – guitar, moothie)
Chae Geddes (Arbroath – fiddle)
Jim Gray (Arbroath – fiddle)
Geordie Anderson (West Mains of Gardyne, by Forfar – fiddle) and
Bobby Dewars (Newton of Arblot, by Arbroath – piano box)
Record Review
by Derek Hamilton
The Best of the Dance Bands and Dances of Scotland – Lismor – LILP5116
The Scottish Box and Fiddle – The Best of Accordion and Fiddle Music – Lismor – LILP5115
Canada on Tour with Bobby Brown, the Scottish Accent and the Cape Breton Symphony – Ross Records – LNGR 046
Moothie Magic – Bobby Torrance – Ayrespin AYRC 108
Wonderful Reception for Cape Breton
By Ian Smith
Bobby Brown of the Cape Breton Symphony and the Scottish Accent wishes to thank everyone in Scotland for the wonderful reception they received on their recent tour and were delighted at the warmth and friendliness of the hundreds of people they met.
Having said this, I, as Editor, was one of those who had the opportunity of witnessing these fantastic musicians, when they appeared at the Gaiety Theatre, Ayr.
The show opened with the David Ross SDB, plus Charlie Cowie on fiddle and that fine Scots singer Linton McMillan. This was just to get the audience in the mood, which was quiet unnecessary, for as soon as the band started the magic spilled over.
This was no ‘rumble them up’ music. This had agility, lift, life itself. There was a new dimension in the traditional music and one that was thoroughly appreciated.
Robbie Shepherd, who was compere, warned us at the beginning what to expect, but even so we were still taken unawares. The main difference that was immediate was that there was no band chord to start with, just a tinkle on the piano and off they went. It was just the same at the end. There was no end chord, just a sudden stop – most effective.
During the whole night there was no music to be seen, it was all in the head. This left the players to express themselves freely, which they certainly did and it came across.
Along with the band was a young lady, Cathy Fraser, and even if she was not playing piano or singing, she was enjoying the music, swaying and keeping time. She must have heard the music a hundred times over, yet there she was enjoying it as if for the first time.
Having mentioned Cathy, it is time to mention the band. First the leader, 17-stone bobby Brown on piano and accordion ; Cathy Fraser, piano and singer ; Steve Ozorak on accordion ; Paul Langley on bass guitar and Fred Collins on drums.
That is the Scottish Accent section, who usually play for Scottish Country Dancing.
The Cape Breton Symphony consisted of four quite remarkable fiddlers – John Donald Cameron, Buddy McMaster, Sandy McIntyre and last, but certainly not least, Wilfred Gillies. Not only are they extraordinary musicians, they are composers too.
The first half was terrific, but that was just a warm-up. In the second half they stepped up a gear and at the same time they brought comedy with it. Sandy wanted to sing all night, but was not allowed to, until, eventually, Bobby let him dance the clog dance, Canadian-style. He showed the intricacies of the steps.
Then out stepped, tall, lean Wilfred Gillies and with his fiddle literally doubled the speed of the dance. Never have I seen such speed and dexterity in one man. This act brought the house to its feet. There had to be an encore. So there was and it ended with everyone dancing the clog dance. Even Robbie Shepherd had a go. Well done Robbie. Well done bobby Brown. Well done every one of you. You let us hear how to enjoy our music all over again. We have learned a lot from you and I hope we can catch up with you. Bon voyage and haste ye back.
P.S. – A tip from Wilfred Gillies. fiddler, read a new piece o0f music over and over again before you start to play it. Play it over slowly, getting faster and faster. Maybe after 100 times you will spot something you have missed. Having sorted it all out, practice without the music until it is perfect. You then join it to another piece of music that you already know. When you come to hate the piece you know you have got it beat.
Welcome Addition from Iain
by ?
The name of Iain MacPhail is synonymous with great Scottish Dance Music. Recently, the first Volume of some of his best-known compositions were released, and this will undoubtedly prove a welcome and invaluable addition to the collections of his many devotees.
For anyone who has grown to know his work over the years, the 42 tunes Iain has selected will be instantly recognisable, a collection of ear-catching numbers indelibly stamped with the unmistakable MacPhail trademark.
The Volume has been produced in response to the current demand for his work, and features such well-loved titles as ‘Mrs Mary Printy’ (dedicated to his grandmother), ‘Ray Milbourne’ and ‘Miss Elizabeth Purcell’s Favourite’.
Repayment
For the Argyllshire-born musician, who has firmly established himself among the top ranks of Scottish Dance Band leaders, the Volume is the culmination of 15 years work.
“It is an important milestone for me” he admits. “I write tunes for people. I have met and made so many good friends in my career, that it is one way of repaying kindness given to me.”
The towering six-footer will admit it – he is a great sentimentalist at heart.
Born in Campbeltown, Argyllshire, the young MacPhail was raised on the traditional music of his homeland. When he first began playing tentatively on the melodeon at the age of six, he probably never imagined that one day someone, somewhere would actually want to spend money on his music. But that is what happened.
Iain’s story has been one of hard work and dedication. That iron determination, born of an independent spirit caused by the death of his father when Iain was just seven, has always ensured that MacPhail will be cutting through the red tape, and doing things his way – although, it must be said, not at the expense of others.
After spells with the Jim Nicholson Band and the Strathedin SDB, Iain formed his own outfit in 1969. Five years later, he became Musical director of the Larry Marshall Scottish Cabaret in Edinburgh’s King James Hotel, and his popularity has just continued to grow with tourist and native alike.
And the latter have often grown restless, the traditionalists among them, criticising MacPhail for being what they are not – an experimentalist with imagination.
A passionate lover of traditional music, Iain has listened to the attacks, but contends “Scottish music is a wide open field and there is plenty of room for experiment. Certainly, I use jazz influences, but Duke Ellington once said there are only two types of music with swing – jazz and Scottish Dance music. Let’s face it, the music I am making now could well be regarded as traditional in 50 years’ time anyway.”
Fondly remembered
Tradition, almost ironically, plays a great part in his life. Almost all the tunes in his new book are named after people, either dead or alive, among them his father Dugald, a great melodeon player himself, and still fondly remembered in and around his native Kilberry.
Iain still has his father’s original melodeon – a 60-year-old Hohner DELuxe – proudly kept in tip-top condition and played occasionally. It has grown to be something of a family heirloom.
‘The Rowan Tree’ was the first tune Iain ever played on it, but it was the ‘Bluebell Polka’ popular at the time, which an audience first heard from Iain MacPhail. That was when he was ten at a school concert in Kilberry, a village with a “school, Post Office and a shop.”
From there, Iain moved to secondary school at Tarbert and then, at the age of 15, to Edinburgh. He played ‘diatonic’ at the time but changed to piano when he couldn’t find a teacher for the chromatic instrument – although he later discovered that Chrissie Leatham would have done the trick.
Whilst at school in Edinburgh, Iain met a man whom he says “motivated me to be different in my music.” That man was music teacher Ronald Stevenson, now an internationally famous pianist and composer.
“He played the ‘Laird of Cockpen’ and used ‘Greensleeves’ as a counter-melody” recalls Iain. “He showed me that music was not parochial, that it is a thing to be enjoyed and experienced by all. Stevenson gave me a lot to think about and encouraged me to bring my accordion along to the classes, which was unusual, as it was generally regarded as a very ‘downmarket’ instrument in those days.”
But it was not only Stevenson who influenced the eager to listen and learn MacPhail. The mustachioed maestro of the accordion lists scores of names who have helped him along the way. Among them, Andrew Rankine – “beautiful compositions and marvellous harmonies” , Jim Johnstone – “tremendous professionalism”, Ian Holmes – “magical playing”, Bobby MacLeod – “an emotive player”, Lindsay Ross and Ian Powrie.
Own Style
“They all had something different” Iain concedes. “I took something from them all until I had developed my own style”.
And that style is familiar to us all. A modern, swinging beat which sets the heart straining and the toes tapping.
As a broadcaster, he is highly popular, as a cabaret artiste a cast-iron, gold-plated success, particularly with the tourists, who wallow in a master craftsman’s art six nights a week throughout the summer.
It is a demanding schedule for Iain and his Trio, but they have been doing it for eight years now, so the show runs like clockwork. Prior to the show proper, Iain takes to the stage for a grueling 45-minute solo spot of ‘soup-music’ – and this at the end of a normal working day.
His job in Edinburgh, near Meadowbank Stadium, where he works as a Personnel Officer for the Scottish Prison Service. Iain likes the work, he likes people, but it is his music which makes him tick.
“I love music” he admits. “I enjoy arranging and composing. I must have written about 100 tunes, but I need to be in the mood to write. This is often dependent on the way the music is interpreted by other members of the band. The adrenalin has got to be flowing. All the best tunes are basically simple and written in two minutes – the harmonies take somewhat longer!”
His wife – and secretary – Viola, has, of course, grown used to sharing a marriage with music. Iain’s two children, Catriona, aged 4, and young Iain, aged 8, are also taking an interest, but Dad says he would never push them into a musical career. “Times are changing, and so different from my childhood. In some ways it is a harder field in which to be involved, and the dance scene has been altered by, for instance, the change in the Licensing Laws, which has meant short Saturday dances in the rural areas, or none at all, unfortunately.”
So how does he view the future of the music he loves?
“Well, excuse the pun, it’s in good hands. The standard of playing technically is very high, and it will get better if the youngsters can ally emotion to that. I’ll always go for the fellow who plays with the heart rather than the wrist.”
Anyone who listens to MacPhail, will soon realise he has practiced what he preaches!
Letters to the Editor
Sir – The fourth annual ‘Accordions Galore’ Show, in memory of Will Starr is once again being staged in Motherwell Civic Centre.
The date is Saturday, 9th October, 1982, and a full company of acts are lined up to appear. Top of the bill this year is the Lord of the Accordion, Paddy Neary. Paddy, one of the finest accordionists on the scene at the moment, is a must for all accordion enthusiast to see.
Our Accordion Orchestra this year is the excellent Jean Brown A.O. Jean is a prominent accordion teacher from Wishaw. Also appearing will be the Heather Lads from Cumnock, Ayrshire.
The main feature in the show is the final of the Will Starr Memorial Shield contest for 1982. Finalists will compete for this fine international accordion trophy.
The contest is still open, anyone interested in entering should phone Bellshill 747469. They must be accordion players of amateur status, no age limit, male or female.
Proceeds from this year’s show will be divided between the disabled and Cancer Research.
Peter Paterson
25 View Field Road
Bellshill
From – Alex MacArthur (Disciplinary Officer to the N.A.A.F.C.)
To – the Chairman of the Tynedale Accordion Club
Dear Sir – Since my recent appointment as ‘disciplinary Officer’ to this Association, I have received a serious complaint from the R.S.P.C.A. regarding an incident which occurred at your Club on Tuesday, 2nd March 1982.
It was reported that while ‘on stage’ one of you local artistes drew a gun from his pocket and ‘shot a goose.’
I have investigated this matter and have spoken to the artiste involved and I am now fully satisfied that he ‘shot the goose in self defence’.
I must therefore instruct you to inform this artiste that he is officially ‘in disgrace’ for one month and must provide one raffle prize.
You will also see to it that in future, no poultry or other livestock (with the exception of performing animals) shall be allowed in the concert room.
(I’ve no idea what this joke was about – can anyone enlighten us?)
Sir – had anyone told me I’d be dancing an eightsome with Robbie Shepherd at 3.30am in the ‘late ‘oors’ of Sunday morning I’d never have believed them! But that’s what happened! Let’s face it, at the Dunblane Weekend Rally ANYTHING can happen.
We arrived at noon on Saturday and how refreshing it was to see so many kent faces – but without the harassed look normally worn at Accordion and fiddle Clubs. What a delight to have lunch with Norman and Sheila Williams and to learn that Norman used to cycle for miles to hear the big bands, and if it was the ‘games’ dance he’d enter for the cycle event in the afternoon before going to the dance!
Then to sit in the lounge over coffee, listening to Angus Fitchet’s endless fund of stories and jokes. Dinner with Willie and Elma Wilson and a discussion about farms, clubs, photographers ; a few drams with David Ross ; a grand crack with Andy and Sheila Stewart and, of course, our guests of honour, Bobby and Jean MacLeod.
The blethering was, of course, interspersed with wee trips to the ballroom to dance first to Jim MacLeod and his Band, then later to have a Canadian Barn Dance or Gay Gordons to the Tayside Sound.
After the broadcasts were over, it was ceilidh time (although wee groups had been playing all evening in various parts of the hotel) and when we dragged ourselves to bed at 4.30am Jim Ritchie and Bobby MacLeod were just getting settled down for yet another tune!
After a sumptuous breakfast, all congregated for the AGM of the Association, and what a pleasant meeting it was. Those in debt paid up cheerfully, new Clubs were welcomed, with special warmth for the couple from Orkney ; new issues were introduced, old issues were again churned over, before we left to get dressed for the celebration dinner.
All thought last year’s Rally couldn’t possibly be bettered, but the Committee had to be congratulated on even better organization and preparation – Jack Cooper, in particular, worked hard for weeks before, taking bookings and cash, planning seating arrangements, sorting out bedrooms so that no-one shared with someone they didn’t fancy (!!!) and organizing so many things that most people wouldn’t even think about!
The music and speeches were wonderful, as was the service and food at The Hydro – and the sauna and swimming pool were never empty. Old and young alike enjoyed these facilities, even throughout the night.
But what strikes me as the best part of this annual weekend is having time to speak to, and get to know so many people whom one meets quite often but normally only briefly at formal meetings, or at clubs where they are organizing events, or at Festivals where again all are busy.
If you haven’t been to an Association Weekend Rally DO COME NEXT YEAR.
Joan Blue
Forgandenny
Large Crowds At the Dean Tavern
by Margaret Smith
On Sunday, 18th April 1982, the brilliant sunshine brought crowds of people to the Dean Tavern for the Newtongrange Club’s annual competitions.
Proceedings got under way sharp as there was such a big entry and the standard of playing meant everyone had a feast of music and the adjudicators a hard time trying to find the slightest error which could separate one player from another.
Jim Johnstone and bobby MacLeod adjudicated the accordion sections and Angus Cameron the fiddle.
The comperes of accordion were Gibby Lang and David Sturgeon, whilst the fiddle section was in the capable hands of Bill Peden and Alistair Blackie. Everything went like clockwork thanks the willing band of stewards. Thanks also to the ladies who sold tickets for the concert and raffles and assisted the adjudicators with keeping the points scored.
The results were :-
Junior Accordion – 11 years and under
1) Dale Galley (Forfar)
2) Lynette Wood (Whitburn)
The youngest competitior in the section was Scott Sneddon from Whitburn.
Intermediate Accordion
1) Colin Dewar (Kingskettle)
2) James Grant (Eyemouth)
Senior Accordion
1) Raymond Laidlaw (Pencaitland)
2) Karen Higgins (Armadale)
Junior Pipe Music
1) Colin Dewar (Kingskettle)
2) Diane Armstrong (Armadale)
Senior Pipe Music
1) Norman Williams (East Kilbride)
2) Carol Faulds (Dunbar)
Junior Fiddle
1) Mark MacDougall (Muir of Ord)
2) Julie Mackenzie (Bonnyrigg)
The youngest competitor was 8-year-old Patricia Jessiman from Aberdeen.
Intermediate Fiddle
1) Maureen Turnbull (Dundee)
2) Alison Smith (Bearsden)
Senior Fiddle
1) Jean-Ann Callendar (Aberdeen)
2) Gordon Hutchison (Bonnyrigg)
Junior Slow Air
1) Alison Smith
2) Maureen turnbull
Senior Slow Air
1) Richard Rutter (Edinburgh)
2) Jean-Ann Callendar
A superb concert got going at 7.30pm. for the first 30 minutes the 3three adjudicators took the stage and what a treat for everybody. They played, jigs, reels, waltzes and the old sing-a-long stuff that Bobby loves doing and that got everybody going.
Angus gave us a superb fiddle solo which went down a treat.
Then came the winners and runners-up and youngest competitors. This item was broken up by the beautiful tenor voice of Bob Crosbie from Penicuik.
Our thanks go to the staff in the Dean Tavern for the unlimited use of the premises and for the food they served all day. It was a long day but a very successful one.
We begin the Club meetings, as usual, on the last Monday of the month, the first being Monday, 27th September, when we have the Jimmy Blue Quartet.
The Bard o’ Auchtermuchty
How can I sing the praises o’ a son of Scotland fair,
Whose music stirs the heart o’ Man, tae joys, bright and rare,
For doon by Auchtermuchty’s side, I shall gae once again,
And sing the praises o’ the Bard, whose glory hunts each glen.
For Scotia could-nae be the same, though proud and high its land,
So let us sing the praises o’ its idol! Jimmy Shand
For many Bards have traversed o’er, its lofty hills and glens,
And many notes did ring to praise, the beauty of its rills.
For sung by Burns of yes’treen, wi’ songs o’ luve and lore,
But gae to me the Bard o’ Fife, wha’s tunes I oft implore.
So let us raise our glasses high, and let us proudly stand.
On hill and ever winding brae, o the name o’ Jimmy Shand.
J. McElroy, Foghena, Castlerea, Co. Roscommon, Eire
CLUB DIARY
Aberdeen (Queen’s Hotel) –
Alnwick (Nag’s Head) – members only
Armadale (Rob Roy Inn) – 23 Sept 82 The Currie Brothers 27 Oct 82 John Ellis & theHCB
Balloch (Griffin Hotel, Alexandria) –
Banchory (Burnett Arms Hotel) –
Banff (Royal Oak Hotel) – 23 Sept 82 The Grampian Sound 25 Nov 82 John Ellis & the HCB
Beith (Anderson Hotel) –
Biggar (Clydesdale Hotel) –
Buchan (Buchaness Hotel) –
Campbeltown (Argyll Arms) – 2 Oct 82 Alex MacArthur SDB
Castle Douglas (Ernespie Hotel) –
Cleland (Dalrymple House) –
Coupar Angus (Royal Hotel) –
Crieff (Arduthie Hotel) – 7 Oct 82 Grace McCleaver SDB
Cumnock (Tup Inn) –
Dalriada (Royal Hotel, Lochgilphead) –
Denny & Dunipace (Dunipace Junior Social Club) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dumfries (Oughton’s Restaurant) -
Dunblane (Hydro) – 12 Oct 82 Rob Gordon SDB
Dundee (Queen’s Hotel, Nethergate) –
Dunfermline (Unitas Hall) –
East Kilbride (Stuart Hotel) – 23 Sept 82 Donaldson Brothers
Edinburgh (The Berry Suite, Abbey Hill) –
Falkirk (Park Hotel) –
Fintry (Clachan Hotel) – 20 Sept 82 Richard Ross 13 Oct 82 Graham Geddes SDB
Forres (Brig Motel) –
Fort William (Highland Hotel) – 19 Oct 82 Fraser McGlynn
Galashiels (Maxwell Hotel) – 12 Oct 82 Wlater Perrie
Galston (Barr Castle Social Club, Galston) –
Glendale (Black Bull Hotel – Wooler) – members only
Gorebridge (Rangers FC Social Club) –
Highland/ Inverness (Drumossie Hotel) – 20 Sept 82 John Huband & the Tayside Sound 8 Nov 82 Dermot O’Brien Trio
Kelso (Cross Key’s Hotel) –
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Craignethan Hotel) – 7 Oct 82 The Lothian Scottish Dance Band
Livingston (Cameron Ironworks Social Club) –
Lockerbie (Bluebell Hotel) – 28 Sept 82 Walter Perrie
M.A.F.I.A. (Black Bull, Milngavie) –
Monklands (Eastercroft Hotel, Caldercruix, Airdrie) – 4 Oct 82 Gordon Thomson
Morecambe (Yorkshire Hotel, Lancaster) -
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) – 27 Sept 82 Jimmy Blue Quartet
Newton St Boswells (Railway Hotel) –
North Cumbria (Huntsman Inn – Penton) –
North East (Seafield Arms, Keith) –
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Ex-Servicemen’s Club) – 30 Sept 82 The Black Family
Perth (Salutation Hotel) – 21 Sept 82 John Huband & the Tayside Sound 199 Oct 82 Graham Geddes SDB
Premier NI (Wilson’s of Crumlin) -
Renfrew (Glynhill Hotel) -
Rothbury (Queen’s Head Hotel)
Shetland (venue?) -
Stranraer (Buck’s Head Hotel) –
Thurso (Pentland Hotel) –
Turriff (Royal Oak Hotel) -
Tynedale (The Royal Hotel, Hexham) -
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Armadale
2. Balloch
3. Banchory
4. Beith & District
5. Castle Douglas
6. Crieff & District
7. Derwentside
8. Dunblane & District
9. Dundee & District
10. Dunfermline & District
11. East Kilbride
12. Forres
13. Fort William
14. Glendale (Wooler)
15. Gorebridge
16. Highland
17. Kintore
18. Lesmahagow
19. M.A.F.I.A.
20. Monklands
21. Peebles
22. Perth & District
23. Shetland
24. Thurso
25. Tynedale
CLUB DIRECTORY AS AT SEPT 1982 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1980) originally called Bathgate Club (for 2 months)
4. Balloch A&F Club (Sept 1971)
5. Banchory A&F Club (1978)
6. Banff & District A&F Club (Oct 1973)
7. Beith & District A&F Club (Sept 1971)
8. Belford A&F Club (joined Sept 1982)
9. Biggar A&F Club (Oct 1974)
10. Buchan A&F Club
11. Campbeltown & District A&F Club (c Dec 1980)
12. Castle Douglas A&F Club (c Sept 1980)
13. Cleland (cNov 1981) originally called Drumpellier A&F Club (for 2 months)
14. Crieff A&F Club (cSept 1981)
15. Cumnock A&F Club
16. Dalriada A&F Club (cMar 1981)
17. Derwentside A&F Club
18. Dingwall & District (Aug 1979)
19. Dumfries Accordion Club (Oughton’s) (April 1965)
20. Dunblane & District A&F Club (1971)
21. Dundee & District A&F Club
22. Dunfermline & District A&F Club
23. East Kilbride A&F Club (Sept 1980)
24. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
25. Falkirk A&F Club
26. Fintry A&F Club
27. Forres A&F Club (Jan 1978)
28. Fort William A&F Club (Oct 1980)
29. Galashiels A&F Club (joined Sept 1982)
30. Galston A&F Club (1969)
31. Glendale Accordion Club (Jan 1973)
32. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
33. Greenhead Accordion Club (Hexham)
34. Highland A&F Club (Inverness)
35. Islesteps A&F Club (Jan 1981)
36. Kelso A&F Club (May 1976)
37. Kintore A&F Club
38. Kirriemuir A&F Club (cSept 1981)
39. Langholm A&F Club (Oct 1967)
40. Lesmahagow A&F Club (Oct 1980)
41. Livingston A&F Club (Sept 1973)
42. Lockerbie A&F Club (Nov 1973)
43. M.A.F.I.A. (early)
44. Monkland A&F Club
45. Montrose A&F Club (joined Sept 1982)
46. Morecambe A&F Club (joined Sept 1982)
47. Newtongrange A&F Club (Oct 1977)
48. North Cumbria A&F Club (early)
49. North East A&F Club aka Keith A&FC (Sept 1971)
50. Oban A&F Club (Nov 1975)
51. Orkney A&F Club (Mar 1978)
52. Ormiston Miners’ Welfare Society A&F Club
53. Peebles A&F Club (26 Nov 1981)
54. Perth & District A&F Club (Aug 1970)
55. Premier A&F Club NI (cNov 1980)
56. Rothbury Accordion Club (Feb 1974)
57. Shetland A&F Club (Sept 1978)
58. Stranraer & District Accordion Club (early)
59. Thurso A&F Club (cSept 1981)
60. Turriff A&F Club (March 1982)
61. Tynedale A&F Club (Nov 1980)
62. Walmer A&F Club (Walmer Hotel, Bridge of Allan, Stirlingshire) (c March 1982)
63. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
64. Bonchester Accordion Club (Closed?)
65. Club Accord
66. Coquetdale
67. Coupar Angus A&F Club
68. Denny & Dunipace A&F Club (c Nov 1980)
69. Dunbar Cement Works A&F Club (Closed?)
70. Gretna A&F Club (June 1966)
71. Newcastleton Accordion Club
72. New Cumnock A&F Club
73. Newton St Boswells Accordion Club
74. Renfrew A&F Club
75. Straiton Accordion Club (opened? 3rd club to open – closed March 1979)
76. Torthorwald A&F Club (near Dumfries)
77. Wellbank A&F Club
Advertising rates
Full Page - £70
Half Page - £35
Quarter Page - £17.50
B&F Treasurer – Mrs Mary Plunkett, 2 Dounan Road, Dunragit, Wigtownshire
The main features in the above issue were as follows (this is not a comprehensive detail of all it contained. The Club reports, in particular, are too time consuming at this stage to retype).
Editorial
Thanks to the fine summer that we’ve had everyone seems to be eager to get going again. The break in between each season is good as it helps to get rid of that jaded feeling that sometimes creeps in.
During the close season some clubs kept going and there were all sorts of events being held. Dances, ceilidhs, concerts, festivals, you name it and it happened somewhere.
Jack Cooper tells me that the Dunblane Hydro has been booked again next year for the Rally Weekend and AGM. It’s the last weekend in June.
Will you please welcome some new Clubs to the Association :-
Belford (Northumberland)
Galashiels,
Montrose
Morecambe (Lancashire)
Walmer (Bridge of Allan, Stirling)
May we extend them our good wishes for success.
You will have noticed that we have a new body on the staff – Andy Ross from Forres. He has kindly placed his head on the block to tell us his views on the ‘Reel Radio’ column. I only hope Andy can find the time. Apart from helping out at the Forres Club he does a local radio programme.
There is nothing left for me to add except to say that we will be doing our best to keep you up to date with what’s going on and reporting what’s been on. Here’s tae ye, wha’s like ye. Have a good season.
Rally Weekend Full House
by Ian Smith
The highlight of the Association’s activities of 1982 was held at Dunblane Hydro in the shape of the Weekend Rally, including the AGM and the Presentation Luncheon. There, gathered from a’ the airts, the faithful, the curious, the famous, the fans, and the ordinary music-loving punters.
The staff of the Hydro were their usual efficient and helpful selves and soon everyone was settled in their rooms and with a good dinner under their belts and the celebrations got under way. Later on the Saturday night, Robbie’ shepherd’s crew recorded not one but two future radio shows. This left the rest of the night running late. No matter, it was still a long time till breakfast.
Jim MacLeod and his Band provided the music for the dancing with the help of John Huband and the Tayside Sound. The survivors crawled out of bed for a late, late breakfast, just in time to greet more friends who were just arriving for the AGM.
At the meeting there was a very good turnout, there being representatives from 28 Clubs from as far apart as Orkney and Consett, Co Durham. The meeting itself went quickly and smoothly. After the chairman, Jimmy Blue, welcomed everyone, each part of the organization made their reports.
There were a few resolutions made :
1) Club subscriptions have now risen to £15, inflation being the reason, and it should be noted that it must be paid to Association Treasurer David Ross by 31st December.
2) Sale of ties and badges should be, if possible, by bulk order through Clubs.
3) Andy Ross of Forres Club was appointed to write the ‘Reel Radio’ column.
4) The death of Ronnie Cooper of the Shetlands was mentioned and condolences were expressed.
The next stage of the weekend then took over. Over 200 guests were seated at the table when the top table of 20 were ‘piped’ in by a band of 10 accordions, two fiddles and bass, including the Guest of Honour, Bobby MacLeod, and his better half Jean. There also were Jimmy and Anne Shand, Andy and Sheila Stewart and Angus and Bette Fitchet.
Grace was said by Master of Ceremonies, Jimmy Blue, the food was quickly delivered and just as quickly dispatched and soon it was time for the speeches, but the first item was the presentation to Bobby. As at previous dinners, it was a portrait that was presented to Bobby MacLeod. Jimmy Blue remarked that in all the lean years of traditional music only a few names stuck out and Bobby was one of them and he, on behalf of the Association, had great pleasure in making this presentation.
There was a standing ovation as Bobby accepted the portrait.
Bobby has made his mark with his music but his speech in return was a real gem. During it he made two telling statements. The first “communication to the people is the must fundamental that we can achieve” and secondly “the future is in the hands of the young, it’s up to them to get the people dancing again.” Marvellous stuff, Bobby MacLeod of the Mishnish, Tobermory.
The speeches in return by Angus Fitchet, Jimmy Shand and Andy Stewart were brimful of humour, repartee, byegone days, and quite believable. The four of them held the stage for over an unforgettable hour culminating with the poem, especially composed by Andy.
Ode to Bobby MacLeod
by Andy Stewart
Over there in the west,
In the place he loves best,
Far away from the fleshpots of glory,
Lives a man – with a smile,
For the title’s erstwhile –
I call Provost of Tobermory!
(Well, why not? – for ye ken
That the foremost of men
And women, I’m not chauvinistic,
To this title are due, and dear Bobby that’s you,
If the Mull yins will be realistic)
You can call if you wish
To the Hotel Mishnish
And enjoy hospitality’s fineness
You may eat every treat
Of both seafood and meat,
Or conversely drink yoursel’ min’less
Now I’ll tell you quite fair
I have never been there,
But I know those who have
And believe me –
That those who’ve been to it
Never did rue it
And in praise of it constantly deve me!
Well now here’s an example
To give you a sample
My brother-in-law they call Dixie –
(Och now surely ye mind him,
For when you could find him
He’s dance on your show, like a pixie!)
Nineteen years are now spent
Since his wife and he went
For their nuptials the Mishnish was set –
Now he went there with glee
But you take if from me
That he hasn’t recovered yet!
I don’t mean to imply
Any reference sly
Or a slight on love’s memoried treasures
All I’m meaning to state
Is the influence great
On one’s fate by outsizeable measures!
(But that story is in parenthesis –
Or if grammar is not quite your racket,
That wee tale is enclosed
Whether poem-ed or prosed
At the end my dear friend with a bracket!)
In more general terms
Or in measure of ‘therms’
Or of ‘heat’ if you like
It’s no matter!
The Mishnish generates
A heat that equates
Far above that required to bile watter!
Now I’m sure this is so
For some fellows I know
Who went there and for funning were scheming
They told me straight out
And their word I don’t doubt
That they all came away steaming!
I’ve heard others disclaim
That Edinburgh’s claim
That her Festival’s best is the story –
‘Not at all’ they insist
‘If you say that you’ve missed
The wan held at Tobermory!”
So oor Bobby can boast
That he’s quite the mine host
In his island north-west of the Clyde,
And the poet might sing
That he reigns like a king
With his Jean as his Queen
At his side
Well, that’s part of the tale
But my duty I’d fail
If an insular picture I drew
For he’s known far and wide
Furth his own countryside
And as such now is honoured by you!
In a musical way
There is none can gainsay
That his talents are fruitful and grand
Whether solo you quote him
Or otherwise note him
As leader of many a band!
Now since life’s tiny start
Music beat in his heart
And I could quote you chapter and letter
But everyone knew
That as young Robert grew
He would simply get better and better
When he was a baby
But, truthfully, maybe
This story’s a tall yin, ‘tis said
He didn’t prattle to play with a rattle
But blew on a chanter instead
Well that’s maybe a story
But in Tobermory
They’re given to exaggeration –
Not that that’s a surprise
For you must realise
That they’re fond of a wee sensation!
But there’s nae doubt aboot it
And you can’t dispute it
Since he’s made the warl’ tae tak tent,
And if he’ll pardon the phrase
I now use in my lays
As a lad he was music’lly bent!
First the pipes he did learn
For he’d finger and blow a sweet tune
And the notes that he made
When the chanter he played
Were all classified – “Chust sublime”
(Not like me! When I tried
I was sorely despised
By an old aunt – a dragon I’d class her
When the bagpipes I’d play
Oh, Andy, she’d say –
You’re really a chanter-wrassler!)
Well the pipes he did master
In time that was faster
Than most men wad ever aspire
But you’re in for more shocks
For he turned to the box
An’ proficiency soon did acquire
Ay, that much an’ more
For this young laddie swore
Hw would blend all he’d learned together
And the sound that he made
When his new music played
Was as sweet as the scent of the heather
Ah yes, true to his word
A new style we heard
Like the lilt of the lark in the morn
And such gracenotes did steal
In Strathspey, jig and reel
That the sound of the West Coast was born
He’s laid by a great store
Of records galore
Since the days when he started to play
And his name now is heard
As a household word
No matter wherever you stray
On both stage and wee screen
Our Bobby’s been seen
And I weel mind our years together
For Bobby and me were there on TV
In a Club that they called the White Heather
Now he’s fond of the waves
And spends hours on his boat
On the western waters of hame
But the waves of the air
Knew his musical flair
As the radio brought him more fame
Now, like Shand, yes like Fitchet
We’ve honoured before
This man has original talent galore
What are years but time gained
Or a number attained
And a part used from talent’s great store
Well,the years come and go
And the cast in life’s show
Take the centre of stage and depart
Yes – there’s some have their flings
And go off to the wings
For the public is fickle to art
But there’s some can sustain
The place that they gain
Through great diligence, talent and time
And the longer they stay
At the top, people say
As they said long ago – “Chust sublime”
Bobby’s one of these men
And I fear that my pen
And the poor sundry words of this bard
Can never relate you
A talent so great
Or sum up in their rhyme your regard
But I’m pleased to attest
That I have done my best
And I’ll tell you that I’m surely proud
To be with you this day
When we honour and say
You’re right welcome here
‘Maestro MacLeod’ !!
The dinner was over, the speeches ended, but the show wasn’t. After the autographs and photographs we were then entertained by a unique trio. We were privileged to listen to the three master in unison – Bobby on piano accordion, Angus on fiddle and Jimmy on button-box. ‘O Flower of Scotland’.
Bye the bye, there was another player in this famous group. A young lad of a drummer. I’ll bet he will cherish this memory.
Eventually it was ended, but mention must be made of the part that Jack Cooper of Dundee Club played. He it was who organized the whole weekend. Congratulations Jack, on a smoothly run event. Also thanks to an up-and-coming young band, the Dundee A&F Club Junior Band. Their average age was 13, their ability 23. Led by John Strachan, they were accordionists Kevin Clark and Bruce Quirie, piano Gillian Simpson, fiddle Margaret Quirie and drummer David Scott. Jack Cooper wishes to thank all those who brought their instruments and upstairs he would like to think that he will see you all again next year.
The Editor, on behalf of the Association, wishes to thank all those who helped Jack Cooper in running the show. We appreciate your efforts on our behalf.
The Reel Radio
by Andy Ross
Firstly, a word of warning to anyone who attends the AGM of the NAAFC, NEVER let your concentration lapse – I did for around 30 seconds on Sunday, 27th June, and before I knew what was happening I found myself proposed and seconded to take over the writing of this column.
Despite many counter proposals no other ‘volunteer’ could be found, therefore chairman Jimmy Blue donned the black cap and announced the ultimate judgment, so here goes!
Looking Ahead
As Derek Hamilton did in his column in the April edition I too will look ahead at this time to keep readers updated on programmes due out shortly, leaving crits until the next edition.
Canadian Tour
I will start with BBC Radio Scotland and am really looking forward to September 18th when the whole ‘TTF’ programme will be filled by the Cape Breton Symphony Fiddle along with Bobby Brown and the Scottish Accent. I was present when this programme was taped on 21st August in the Town Hall, Elgin and our visitors from Canada certainly made an unforgettable impact on those present. I hope Freeland Barbour managed to capture the feeling and atmosphere of the occasion. For the next couple of Saturdays the programme will again be out and about – on 25th September at Keith for the first broadcast by the popular Foundry Bar Band from Arbroath.
The second part of this programme will be taken up by other items, mainly instrumental, also recorded at the Keith Folk Festival. The second recording done at the aforementioned AGM at Dunblane is scheduled for 2nd October and will feature the resident band at Dunblane Hydro, the Jim MacLeod Band, and for this programme Jim has his usual line-up plus Ron Gonella on Fiddle. I’ve a sneaking feeling that this broadcast may suffer from excess ‘audience noise’ as the majority of those present at the dance seemed to show little interest in the music and kept up an incessant babble – I hasten to add that the culprits were not those attending the AGM but other guests in the Hotel where the Ballroom was packed to capacity.
First Broadcast
Eddie Edmond from Torphins makes his broadcasting debut on 9th October with a quartet in which he plays lead accordion with Irene Hepburn, second box, Brian Cruickshank, fiddle, and Sandra Rettie, keyboard. A week later, on the 16th, the featured band will be John Ellis and his Highland Country Band with, I believe, a slightly different line-up following the departure of Pam and Allie Wilkie. On Friday evenings my old mate Robbie Shepherd continues to present at 9.30pm – the ‘Reel Blend’ programme which is always interesting and very often informative.
Folk’s Around Robin
On the ‘other side’ i.e. Radio forth , Robin Brock is a busy lad and my spy in the Edinburgh area tells me he has had some great programmes in recent weeks, including a cracker from the Cape Breton visitors.
In the two weeks immediately prior to the publication date of the ‘B&F’ Robin will be featuring the Cameron Kerr Band and John Ellis. On the 20th September Robin hopes to have Graeme Mitchell and his Band from Huntly, although this had not been confirmed as we go to print.
Callum McLean makes the long trio from Tobermory to Edinburgh for 27th September while Jack Delaney will be featured on 4th October with a special item on the current Ladies Accordion Champion, teenager Jacqueline Dick from Freuchie. Robin’s ‘Pure Scotsh’ programme goes out on Radio Forth on a Friday evening between 8 and 10pm – thus placing listeners in the Edinburgh area in a bit of a spot, having to decide whether to stay tunes to Robin or switch over to the ‘Reel Blend.’ This doesn’t pose any problem in my area as Moray First Radio closes down at 6.30pm each evening!
Accordion ‘82
November 6th, 1982, is the date set for Radio Forth’s ‘Accordion 82’ show in the Playhouse, Edinburgh, and budding composers are reminded that entries should be submitted as soon as possible to Robin Brock at Radio forth.
The late Ronnie Cooper
I cannot finish this column without mentioning the untimely death in late June of Ronnie Cooper from Shetland. Ronnie, who composed many excellent tunes, was one of the stalwarts of The Hamefarers and will be greatly missed. I must compliment Freeland Barbour and Robbie Shepherd for the most fitting tribute broadcast a few weeks after Ronnie’s death – I’m sure a lot of work went into the production of this particular programme. I understand Robin also put out a musical tribute on Radio Forth but unfortunately I did not catch it.
The Foundry Bar Band
Bothy songs and Scottish country music have been a part of the Foundry Bar at Arbroath ever since the time when the only customers were the foundry workers from over the road (the foundry has long since gone), the fisher fowk from the town, and fairm chiels in from the Angus countryside for the weekly fairs and markets.
The fame of ‘the foondry’ as a musical gathering place has spread far and wide, and on a couple of night a week the back room is filled to capacity with musicians and enthusiasts from near and far.
In 1975 some of the Foundry Bar musicians got together, entered and won the Ceilidh Band competition at the Kinross Festival – and so was born ‘The Foundry Bar Band’.
Since then, many of the regular musicians at the Foundry Bar have taken a turn in the band – playing at concerts, ceilidhs and dances throughout the area and at Festivals up and down the country. Most of all they enjoy taking part in the annual Traditional Music Festival in Keith, where each year they are welcomed back as old friends for a long-weekend of great music.
Few bands, professional or otherwise, can so well convey the essential lilt of Scottish music with such enjoyment and enthusiasm.
The band members are
Jimmy Reid (Dundee - guitar, moothie, singer)
Terry Beattie (Arbroath – button box)
Bobby Reid (Kirkcaldy – guitar, moothie)
Chae Geddes (Arbroath – fiddle)
Jim Gray (Arbroath – fiddle)
Geordie Anderson (West Mains of Gardyne, by Forfar – fiddle) and
Bobby Dewars (Newton of Arblot, by Arbroath – piano box)
Record Review
by Derek Hamilton
The Best of the Dance Bands and Dances of Scotland – Lismor – LILP5116
The Scottish Box and Fiddle – The Best of Accordion and Fiddle Music – Lismor – LILP5115
Canada on Tour with Bobby Brown, the Scottish Accent and the Cape Breton Symphony – Ross Records – LNGR 046
Moothie Magic – Bobby Torrance – Ayrespin AYRC 108
Wonderful Reception for Cape Breton
By Ian Smith
Bobby Brown of the Cape Breton Symphony and the Scottish Accent wishes to thank everyone in Scotland for the wonderful reception they received on their recent tour and were delighted at the warmth and friendliness of the hundreds of people they met.
Having said this, I, as Editor, was one of those who had the opportunity of witnessing these fantastic musicians, when they appeared at the Gaiety Theatre, Ayr.
The show opened with the David Ross SDB, plus Charlie Cowie on fiddle and that fine Scots singer Linton McMillan. This was just to get the audience in the mood, which was quiet unnecessary, for as soon as the band started the magic spilled over.
This was no ‘rumble them up’ music. This had agility, lift, life itself. There was a new dimension in the traditional music and one that was thoroughly appreciated.
Robbie Shepherd, who was compere, warned us at the beginning what to expect, but even so we were still taken unawares. The main difference that was immediate was that there was no band chord to start with, just a tinkle on the piano and off they went. It was just the same at the end. There was no end chord, just a sudden stop – most effective.
During the whole night there was no music to be seen, it was all in the head. This left the players to express themselves freely, which they certainly did and it came across.
Along with the band was a young lady, Cathy Fraser, and even if she was not playing piano or singing, she was enjoying the music, swaying and keeping time. She must have heard the music a hundred times over, yet there she was enjoying it as if for the first time.
Having mentioned Cathy, it is time to mention the band. First the leader, 17-stone bobby Brown on piano and accordion ; Cathy Fraser, piano and singer ; Steve Ozorak on accordion ; Paul Langley on bass guitar and Fred Collins on drums.
That is the Scottish Accent section, who usually play for Scottish Country Dancing.
The Cape Breton Symphony consisted of four quite remarkable fiddlers – John Donald Cameron, Buddy McMaster, Sandy McIntyre and last, but certainly not least, Wilfred Gillies. Not only are they extraordinary musicians, they are composers too.
The first half was terrific, but that was just a warm-up. In the second half they stepped up a gear and at the same time they brought comedy with it. Sandy wanted to sing all night, but was not allowed to, until, eventually, Bobby let him dance the clog dance, Canadian-style. He showed the intricacies of the steps.
Then out stepped, tall, lean Wilfred Gillies and with his fiddle literally doubled the speed of the dance. Never have I seen such speed and dexterity in one man. This act brought the house to its feet. There had to be an encore. So there was and it ended with everyone dancing the clog dance. Even Robbie Shepherd had a go. Well done Robbie. Well done bobby Brown. Well done every one of you. You let us hear how to enjoy our music all over again. We have learned a lot from you and I hope we can catch up with you. Bon voyage and haste ye back.
P.S. – A tip from Wilfred Gillies. fiddler, read a new piece o0f music over and over again before you start to play it. Play it over slowly, getting faster and faster. Maybe after 100 times you will spot something you have missed. Having sorted it all out, practice without the music until it is perfect. You then join it to another piece of music that you already know. When you come to hate the piece you know you have got it beat.
Welcome Addition from Iain
by ?
The name of Iain MacPhail is synonymous with great Scottish Dance Music. Recently, the first Volume of some of his best-known compositions were released, and this will undoubtedly prove a welcome and invaluable addition to the collections of his many devotees.
For anyone who has grown to know his work over the years, the 42 tunes Iain has selected will be instantly recognisable, a collection of ear-catching numbers indelibly stamped with the unmistakable MacPhail trademark.
The Volume has been produced in response to the current demand for his work, and features such well-loved titles as ‘Mrs Mary Printy’ (dedicated to his grandmother), ‘Ray Milbourne’ and ‘Miss Elizabeth Purcell’s Favourite’.
Repayment
For the Argyllshire-born musician, who has firmly established himself among the top ranks of Scottish Dance Band leaders, the Volume is the culmination of 15 years work.
“It is an important milestone for me” he admits. “I write tunes for people. I have met and made so many good friends in my career, that it is one way of repaying kindness given to me.”
The towering six-footer will admit it – he is a great sentimentalist at heart.
Born in Campbeltown, Argyllshire, the young MacPhail was raised on the traditional music of his homeland. When he first began playing tentatively on the melodeon at the age of six, he probably never imagined that one day someone, somewhere would actually want to spend money on his music. But that is what happened.
Iain’s story has been one of hard work and dedication. That iron determination, born of an independent spirit caused by the death of his father when Iain was just seven, has always ensured that MacPhail will be cutting through the red tape, and doing things his way – although, it must be said, not at the expense of others.
After spells with the Jim Nicholson Band and the Strathedin SDB, Iain formed his own outfit in 1969. Five years later, he became Musical director of the Larry Marshall Scottish Cabaret in Edinburgh’s King James Hotel, and his popularity has just continued to grow with tourist and native alike.
And the latter have often grown restless, the traditionalists among them, criticising MacPhail for being what they are not – an experimentalist with imagination.
A passionate lover of traditional music, Iain has listened to the attacks, but contends “Scottish music is a wide open field and there is plenty of room for experiment. Certainly, I use jazz influences, but Duke Ellington once said there are only two types of music with swing – jazz and Scottish Dance music. Let’s face it, the music I am making now could well be regarded as traditional in 50 years’ time anyway.”
Fondly remembered
Tradition, almost ironically, plays a great part in his life. Almost all the tunes in his new book are named after people, either dead or alive, among them his father Dugald, a great melodeon player himself, and still fondly remembered in and around his native Kilberry.
Iain still has his father’s original melodeon – a 60-year-old Hohner DELuxe – proudly kept in tip-top condition and played occasionally. It has grown to be something of a family heirloom.
‘The Rowan Tree’ was the first tune Iain ever played on it, but it was the ‘Bluebell Polka’ popular at the time, which an audience first heard from Iain MacPhail. That was when he was ten at a school concert in Kilberry, a village with a “school, Post Office and a shop.”
From there, Iain moved to secondary school at Tarbert and then, at the age of 15, to Edinburgh. He played ‘diatonic’ at the time but changed to piano when he couldn’t find a teacher for the chromatic instrument – although he later discovered that Chrissie Leatham would have done the trick.
Whilst at school in Edinburgh, Iain met a man whom he says “motivated me to be different in my music.” That man was music teacher Ronald Stevenson, now an internationally famous pianist and composer.
“He played the ‘Laird of Cockpen’ and used ‘Greensleeves’ as a counter-melody” recalls Iain. “He showed me that music was not parochial, that it is a thing to be enjoyed and experienced by all. Stevenson gave me a lot to think about and encouraged me to bring my accordion along to the classes, which was unusual, as it was generally regarded as a very ‘downmarket’ instrument in those days.”
But it was not only Stevenson who influenced the eager to listen and learn MacPhail. The mustachioed maestro of the accordion lists scores of names who have helped him along the way. Among them, Andrew Rankine – “beautiful compositions and marvellous harmonies” , Jim Johnstone – “tremendous professionalism”, Ian Holmes – “magical playing”, Bobby MacLeod – “an emotive player”, Lindsay Ross and Ian Powrie.
Own Style
“They all had something different” Iain concedes. “I took something from them all until I had developed my own style”.
And that style is familiar to us all. A modern, swinging beat which sets the heart straining and the toes tapping.
As a broadcaster, he is highly popular, as a cabaret artiste a cast-iron, gold-plated success, particularly with the tourists, who wallow in a master craftsman’s art six nights a week throughout the summer.
It is a demanding schedule for Iain and his Trio, but they have been doing it for eight years now, so the show runs like clockwork. Prior to the show proper, Iain takes to the stage for a grueling 45-minute solo spot of ‘soup-music’ – and this at the end of a normal working day.
His job in Edinburgh, near Meadowbank Stadium, where he works as a Personnel Officer for the Scottish Prison Service. Iain likes the work, he likes people, but it is his music which makes him tick.
“I love music” he admits. “I enjoy arranging and composing. I must have written about 100 tunes, but I need to be in the mood to write. This is often dependent on the way the music is interpreted by other members of the band. The adrenalin has got to be flowing. All the best tunes are basically simple and written in two minutes – the harmonies take somewhat longer!”
His wife – and secretary – Viola, has, of course, grown used to sharing a marriage with music. Iain’s two children, Catriona, aged 4, and young Iain, aged 8, are also taking an interest, but Dad says he would never push them into a musical career. “Times are changing, and so different from my childhood. In some ways it is a harder field in which to be involved, and the dance scene has been altered by, for instance, the change in the Licensing Laws, which has meant short Saturday dances in the rural areas, or none at all, unfortunately.”
So how does he view the future of the music he loves?
“Well, excuse the pun, it’s in good hands. The standard of playing technically is very high, and it will get better if the youngsters can ally emotion to that. I’ll always go for the fellow who plays with the heart rather than the wrist.”
Anyone who listens to MacPhail, will soon realise he has practiced what he preaches!
Letters to the Editor
Sir – The fourth annual ‘Accordions Galore’ Show, in memory of Will Starr is once again being staged in Motherwell Civic Centre.
The date is Saturday, 9th October, 1982, and a full company of acts are lined up to appear. Top of the bill this year is the Lord of the Accordion, Paddy Neary. Paddy, one of the finest accordionists on the scene at the moment, is a must for all accordion enthusiast to see.
Our Accordion Orchestra this year is the excellent Jean Brown A.O. Jean is a prominent accordion teacher from Wishaw. Also appearing will be the Heather Lads from Cumnock, Ayrshire.
The main feature in the show is the final of the Will Starr Memorial Shield contest for 1982. Finalists will compete for this fine international accordion trophy.
The contest is still open, anyone interested in entering should phone Bellshill 747469. They must be accordion players of amateur status, no age limit, male or female.
Proceeds from this year’s show will be divided between the disabled and Cancer Research.
Peter Paterson
25 View Field Road
Bellshill
From – Alex MacArthur (Disciplinary Officer to the N.A.A.F.C.)
To – the Chairman of the Tynedale Accordion Club
Dear Sir – Since my recent appointment as ‘disciplinary Officer’ to this Association, I have received a serious complaint from the R.S.P.C.A. regarding an incident which occurred at your Club on Tuesday, 2nd March 1982.
It was reported that while ‘on stage’ one of you local artistes drew a gun from his pocket and ‘shot a goose.’
I have investigated this matter and have spoken to the artiste involved and I am now fully satisfied that he ‘shot the goose in self defence’.
I must therefore instruct you to inform this artiste that he is officially ‘in disgrace’ for one month and must provide one raffle prize.
You will also see to it that in future, no poultry or other livestock (with the exception of performing animals) shall be allowed in the concert room.
(I’ve no idea what this joke was about – can anyone enlighten us?)
Sir – had anyone told me I’d be dancing an eightsome with Robbie Shepherd at 3.30am in the ‘late ‘oors’ of Sunday morning I’d never have believed them! But that’s what happened! Let’s face it, at the Dunblane Weekend Rally ANYTHING can happen.
We arrived at noon on Saturday and how refreshing it was to see so many kent faces – but without the harassed look normally worn at Accordion and fiddle Clubs. What a delight to have lunch with Norman and Sheila Williams and to learn that Norman used to cycle for miles to hear the big bands, and if it was the ‘games’ dance he’d enter for the cycle event in the afternoon before going to the dance!
Then to sit in the lounge over coffee, listening to Angus Fitchet’s endless fund of stories and jokes. Dinner with Willie and Elma Wilson and a discussion about farms, clubs, photographers ; a few drams with David Ross ; a grand crack with Andy and Sheila Stewart and, of course, our guests of honour, Bobby and Jean MacLeod.
The blethering was, of course, interspersed with wee trips to the ballroom to dance first to Jim MacLeod and his Band, then later to have a Canadian Barn Dance or Gay Gordons to the Tayside Sound.
After the broadcasts were over, it was ceilidh time (although wee groups had been playing all evening in various parts of the hotel) and when we dragged ourselves to bed at 4.30am Jim Ritchie and Bobby MacLeod were just getting settled down for yet another tune!
After a sumptuous breakfast, all congregated for the AGM of the Association, and what a pleasant meeting it was. Those in debt paid up cheerfully, new Clubs were welcomed, with special warmth for the couple from Orkney ; new issues were introduced, old issues were again churned over, before we left to get dressed for the celebration dinner.
All thought last year’s Rally couldn’t possibly be bettered, but the Committee had to be congratulated on even better organization and preparation – Jack Cooper, in particular, worked hard for weeks before, taking bookings and cash, planning seating arrangements, sorting out bedrooms so that no-one shared with someone they didn’t fancy (!!!) and organizing so many things that most people wouldn’t even think about!
The music and speeches were wonderful, as was the service and food at The Hydro – and the sauna and swimming pool were never empty. Old and young alike enjoyed these facilities, even throughout the night.
But what strikes me as the best part of this annual weekend is having time to speak to, and get to know so many people whom one meets quite often but normally only briefly at formal meetings, or at clubs where they are organizing events, or at Festivals where again all are busy.
If you haven’t been to an Association Weekend Rally DO COME NEXT YEAR.
Joan Blue
Forgandenny
Large Crowds At the Dean Tavern
by Margaret Smith
On Sunday, 18th April 1982, the brilliant sunshine brought crowds of people to the Dean Tavern for the Newtongrange Club’s annual competitions.
Proceedings got under way sharp as there was such a big entry and the standard of playing meant everyone had a feast of music and the adjudicators a hard time trying to find the slightest error which could separate one player from another.
Jim Johnstone and bobby MacLeod adjudicated the accordion sections and Angus Cameron the fiddle.
The comperes of accordion were Gibby Lang and David Sturgeon, whilst the fiddle section was in the capable hands of Bill Peden and Alistair Blackie. Everything went like clockwork thanks the willing band of stewards. Thanks also to the ladies who sold tickets for the concert and raffles and assisted the adjudicators with keeping the points scored.
The results were :-
Junior Accordion – 11 years and under
1) Dale Galley (Forfar)
2) Lynette Wood (Whitburn)
The youngest competitior in the section was Scott Sneddon from Whitburn.
Intermediate Accordion
1) Colin Dewar (Kingskettle)
2) James Grant (Eyemouth)
Senior Accordion
1) Raymond Laidlaw (Pencaitland)
2) Karen Higgins (Armadale)
Junior Pipe Music
1) Colin Dewar (Kingskettle)
2) Diane Armstrong (Armadale)
Senior Pipe Music
1) Norman Williams (East Kilbride)
2) Carol Faulds (Dunbar)
Junior Fiddle
1) Mark MacDougall (Muir of Ord)
2) Julie Mackenzie (Bonnyrigg)
The youngest competitor was 8-year-old Patricia Jessiman from Aberdeen.
Intermediate Fiddle
1) Maureen Turnbull (Dundee)
2) Alison Smith (Bearsden)
Senior Fiddle
1) Jean-Ann Callendar (Aberdeen)
2) Gordon Hutchison (Bonnyrigg)
Junior Slow Air
1) Alison Smith
2) Maureen turnbull
Senior Slow Air
1) Richard Rutter (Edinburgh)
2) Jean-Ann Callendar
A superb concert got going at 7.30pm. for the first 30 minutes the 3three adjudicators took the stage and what a treat for everybody. They played, jigs, reels, waltzes and the old sing-a-long stuff that Bobby loves doing and that got everybody going.
Angus gave us a superb fiddle solo which went down a treat.
Then came the winners and runners-up and youngest competitors. This item was broken up by the beautiful tenor voice of Bob Crosbie from Penicuik.
Our thanks go to the staff in the Dean Tavern for the unlimited use of the premises and for the food they served all day. It was a long day but a very successful one.
We begin the Club meetings, as usual, on the last Monday of the month, the first being Monday, 27th September, when we have the Jimmy Blue Quartet.
The Bard o’ Auchtermuchty
How can I sing the praises o’ a son of Scotland fair,
Whose music stirs the heart o’ Man, tae joys, bright and rare,
For doon by Auchtermuchty’s side, I shall gae once again,
And sing the praises o’ the Bard, whose glory hunts each glen.
For Scotia could-nae be the same, though proud and high its land,
So let us sing the praises o’ its idol! Jimmy Shand
For many Bards have traversed o’er, its lofty hills and glens,
And many notes did ring to praise, the beauty of its rills.
For sung by Burns of yes’treen, wi’ songs o’ luve and lore,
But gae to me the Bard o’ Fife, wha’s tunes I oft implore.
So let us raise our glasses high, and let us proudly stand.
On hill and ever winding brae, o the name o’ Jimmy Shand.
J. McElroy, Foghena, Castlerea, Co. Roscommon, Eire
CLUB DIARY
Aberdeen (Queen’s Hotel) –
Alnwick (Nag’s Head) – members only
Armadale (Rob Roy Inn) – 23 Sept 82 The Currie Brothers 27 Oct 82 John Ellis & theHCB
Balloch (Griffin Hotel, Alexandria) –
Banchory (Burnett Arms Hotel) –
Banff (Royal Oak Hotel) – 23 Sept 82 The Grampian Sound 25 Nov 82 John Ellis & the HCB
Beith (Anderson Hotel) –
Biggar (Clydesdale Hotel) –
Buchan (Buchaness Hotel) –
Campbeltown (Argyll Arms) – 2 Oct 82 Alex MacArthur SDB
Castle Douglas (Ernespie Hotel) –
Cleland (Dalrymple House) –
Coupar Angus (Royal Hotel) –
Crieff (Arduthie Hotel) – 7 Oct 82 Grace McCleaver SDB
Cumnock (Tup Inn) –
Dalriada (Royal Hotel, Lochgilphead) –
Denny & Dunipace (Dunipace Junior Social Club) –
Derwentside (Working Men’s Club, Consett) –
Dingwall (venue? ) –
Dumfries (Oughton’s Restaurant) -
Dunblane (Hydro) – 12 Oct 82 Rob Gordon SDB
Dundee (Queen’s Hotel, Nethergate) –
Dunfermline (Unitas Hall) –
East Kilbride (Stuart Hotel) – 23 Sept 82 Donaldson Brothers
Edinburgh (The Berry Suite, Abbey Hill) –
Falkirk (Park Hotel) –
Fintry (Clachan Hotel) – 20 Sept 82 Richard Ross 13 Oct 82 Graham Geddes SDB
Forres (Brig Motel) –
Fort William (Highland Hotel) – 19 Oct 82 Fraser McGlynn
Galashiels (Maxwell Hotel) – 12 Oct 82 Wlater Perrie
Galston (Barr Castle Social Club, Galston) –
Glendale (Black Bull Hotel – Wooler) – members only
Gorebridge (Rangers FC Social Club) –
Highland/ Inverness (Drumossie Hotel) – 20 Sept 82 John Huband & the Tayside Sound 8 Nov 82 Dermot O’Brien Trio
Kelso (Cross Key’s Hotel) –
Kintore (Crown Hotel) –
Langholm (Crown Hotel) –
Lesmahagow (Craignethan Hotel) – 7 Oct 82 The Lothian Scottish Dance Band
Livingston (Cameron Ironworks Social Club) –
Lockerbie (Bluebell Hotel) – 28 Sept 82 Walter Perrie
M.A.F.I.A. (Black Bull, Milngavie) –
Monklands (Eastercroft Hotel, Caldercruix, Airdrie) – 4 Oct 82 Gordon Thomson
Morecambe (Yorkshire Hotel, Lancaster) -
New Cumnock (Crown Hotel) –
Newtongrange (Dean Tavern) – 27 Sept 82 Jimmy Blue Quartet
Newton St Boswells (Railway Hotel) –
North Cumbria (Huntsman Inn – Penton) –
North East (Seafield Arms, Keith) –
Oban (Park Hotel) –
Orkney ( venue?) –
Ormiston (Miners’ Welfare Social Club) –
Peebles (Ex-Servicemen’s Club) – 30 Sept 82 The Black Family
Perth (Salutation Hotel) – 21 Sept 82 John Huband & the Tayside Sound 199 Oct 82 Graham Geddes SDB
Premier NI (Wilson’s of Crumlin) -
Renfrew (Glynhill Hotel) -
Rothbury (Queen’s Head Hotel)
Shetland (venue?) -
Stranraer (Buck’s Head Hotel) –
Thurso (Pentland Hotel) –
Turriff (Royal Oak Hotel) -
Tynedale (The Royal Hotel, Hexham) -
Wick (McKay’s Hotel) –
THERE WERE CLUB REPORTS FROM :-
1. Armadale
2. Balloch
3. Banchory
4. Beith & District
5. Castle Douglas
6. Crieff & District
7. Derwentside
8. Dunblane & District
9. Dundee & District
10. Dunfermline & District
11. East Kilbride
12. Forres
13. Fort William
14. Glendale (Wooler)
15. Gorebridge
16. Highland
17. Kintore
18. Lesmahagow
19. M.A.F.I.A.
20. Monklands
21. Peebles
22. Perth & District
23. Shetland
24. Thurso
25. Tynedale
CLUB DIRECTORY AS AT SEPT 1982 (Clubs didn’t necessarily notify the Assoc when they closed so the following may not be entirely correct. Only the clubs submitting the reports above were definitely open.)
1. Aberdeen A&F Club (1975)
2. Alnwick A&F Club (Sept 1976)
3. Armadale A&F Club (Oct 1980) originally called Bathgate Club (for 2 months)
4. Balloch A&F Club (Sept 1971)
5. Banchory A&F Club (1978)
6. Banff & District A&F Club (Oct 1973)
7. Beith & District A&F Club (Sept 1971)
8. Belford A&F Club (joined Sept 1982)
9. Biggar A&F Club (Oct 1974)
10. Buchan A&F Club
11. Campbeltown & District A&F Club (c Dec 1980)
12. Castle Douglas A&F Club (c Sept 1980)
13. Cleland (cNov 1981) originally called Drumpellier A&F Club (for 2 months)
14. Crieff A&F Club (cSept 1981)
15. Cumnock A&F Club
16. Dalriada A&F Club (cMar 1981)
17. Derwentside A&F Club
18. Dingwall & District (Aug 1979)
19. Dumfries Accordion Club (Oughton’s) (April 1965)
20. Dunblane & District A&F Club (1971)
21. Dundee & District A&F Club
22. Dunfermline & District A&F Club
23. East Kilbride A&F Club (Sept 1980)
24. Edinburgh A&F Club (Apr 1981) prev called Chrissie Leatham A&F Club (Oct 1980)
25. Falkirk A&F Club
26. Fintry A&F Club
27. Forres A&F Club (Jan 1978)
28. Fort William A&F Club (Oct 1980)
29. Galashiels A&F Club (joined Sept 1982)
30. Galston A&F Club (1969)
31. Glendale Accordion Club (Jan 1973)
32. Gorebridge (cNov 1981) originally called Arniston A&F Club (for 2 months)
33. Greenhead Accordion Club (Hexham)
34. Highland A&F Club (Inverness)
35. Islesteps A&F Club (Jan 1981)
36. Kelso A&F Club (May 1976)
37. Kintore A&F Club
38. Kirriemuir A&F Club (cSept 1981)
39. Langholm A&F Club (Oct 1967)
40. Lesmahagow A&F Club (Oct 1980)
41. Livingston A&F Club (Sept 1973)
42. Lockerbie A&F Club (Nov 1973)
43. M.A.F.I.A. (early)
44. Monkland A&F Club
45. Montrose A&F Club (joined Sept 1982)
46. Morecambe A&F Club (joined Sept 1982)
47. Newtongrange A&F Club (Oct 1977)
48. North Cumbria A&F Club (early)
49. North East A&F Club aka Keith A&FC (Sept 1971)
50. Oban A&F Club (Nov 1975)
51. Orkney A&F Club (Mar 1978)
52. Ormiston Miners’ Welfare Society A&F Club
53. Peebles A&F Club (26 Nov 1981)
54. Perth & District A&F Club (Aug 1970)
55. Premier A&F Club NI (cNov 1980)
56. Rothbury Accordion Club (Feb 1974)
57. Shetland A&F Club (Sept 1978)
58. Stranraer & District Accordion Club (early)
59. Thurso A&F Club (cSept 1981)
60. Turriff A&F Club (March 1982)
61. Tynedale A&F Club (Nov 1980)
62. Walmer A&F Club (Walmer Hotel, Bridge of Allan, Stirlingshire) (c March 1982)
63. Wick A&F Club (Oct 1975)
Not on official list at the start of the season (closed, did not renew membership or omitted in error?)
64. Bonchester Accordion Club (Closed?)
65. Club Accord
66. Coquetdale
67. Coupar Angus A&F Club
68. Denny & Dunipace A&F Club (c Nov 1980)
69. Dunbar Cement Works A&F Club (Closed?)
70. Gretna A&F Club (June 1966)
71. Newcastleton Accordion Club
72. New Cumnock A&F Club
73. Newton St Boswells Accordion Club
74. Renfrew A&F Club
75. Straiton Accordion Club (opened? 3rd club to open – closed March 1979)
76. Torthorwald A&F Club (near Dumfries)
77. Wellbank A&F Club
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